If it's anything like that Beowulf movie, I'm definitely not seeing it. That was an absolute travesty.
I liked parts of
Beowulf. It was a movie ahead of its technology with a director increasingly less interested in actual storytelling.
I've been saying that since his
Forest Gump film came out. To be honest, Zemekis began as a good filmmaker heading projects like fun
Romancing the Stone, the blockbuster
Back to the Future and then
Who Framed Roger Rabbit. The following
BTTF films where more about the effects than the film and that's where the wheels fell off the wagon for me.
Forest was an excuse to thread together a bunch of technological sight gags. Some where touched by the story, but I just wasn't as sold.
Death Becomes Her had spectacular actors and performances, but little else besides a "wow, look what we can do" sort of attitude. I adore
Who Framed Roger Rabbit. It's one of my favorite movies, but still feel that much of the film would have been better had Spielberg actually taken the reigns himself. He usually shows a lot more balance with story and technology. At least back then he did.
Now Zemekis seems too self indulgent with the CG.
Polar Express was pretty much a zombie movie with hollow-seeming characters.
Monster House got it better using some stylization and maybe
Christmas Carol will too. Still, I am digging James Cameron's more thoughtful approach to the use of CG in his new Avatar trailer. That sort of techno-film making feels like a treat rather than a result of studio cynicism that everything must have a particular new look.
This is an example of good original CG done right.