Bring sense to Yellow Submarine? The world would end!I heard that on the radio the other night. I wonder if they'll try to bring some sense into it.
I really don't think kids will care one way or another. If Disney wants to meddle in the film and turn it into everything they're doing right now- perish the thought- that's the only reason these jaded kids would watch the film. Even then, i hate what's happened to the public's perception of the Beatles over time... they became kiddy music with tone deaf kids singing the songs... and I'm thinking the only Beatles thing on anyone's mind currently is Beatles Rockband. While I'm sure Zermekis wants to bring something to this project, I just can't see the point, how it would be any better than the original, or even how it would work. Yellow Submarine's charm IS that it was limited 2-D animation. They were able to do so much with it. And this was done by the same studio that, ironically, did the Beatles cartoon series (check out the "Taxman" episode on youtube... you can see certain animation segments that look very similar to the film).This is just bizarre, heh. I mean the original Yellow Submarine wasn't perfect, but it had a lot of charm and represents a moment in time in history. Once again we're telling kids none of that matters. And we wonder why kids could care less about anything.
Correction... the original WAS on DVD. If you go to amazon or try to look for it (unless you have a copy of your own) it costs a fortune. I still don't see why they can't rerelease it to theaters, then back to a special-special-special Edition... or at least just the latter.Thankfully the original is on DVD. And unless this remake is somehow amazing, the only version I'm showing my kids is the original.
They're not jaded, they're clueless. They want to think they're jaded.I really don't think kids will care one way or another. If Disney wants to meddle in the film and turn it into everything they're doing right now- perish the thought- that's the only reason these jaded kids would watch the film.
Hmm well I kinda understand what you mean. But the Beatles have always had broad appeal. That's why they're considered the greatest rock n roll band of all time and certain "Stones" will always be #2.Even then, i hate what's happened to the public's perception of the Beatles over time... they became kiddy music with tone deaf kids singing the songs...
Yeah but "old=bad" is the only message some kids will hear. Thankfully there will always be kids who feel differently, but of course they'll be treated like wierdos (by both kids and adults).However, I don't quite think the message is ignore the old, care only for the new... the message seems more to be "we're too lazy to come up with anything original, and we're afraid originality will scare away a sizable film going audience."
But, I must say this... there is NO doubt in my mind that the remake will ever replace, or even come close to the original to the general public. No remake has ever replaced the original... no matter how many sequels or how many roles that Eddie Murphy played. Not even the millions and billions of 101 and 102 Dalmatians live action merchandise Disney forced down everyone's throats. Remakes will ALWAYS be looked at with suspicion... and not just by people like us.Yeah but "old=bad" is the only message some kids will hear. Thankfully there will always be kids who feel differently, but of course they'll be treated like wierdos (by both kids and adults).![]()
I liked parts of Beowulf. It was a movie ahead of its technology with a director increasingly less interested in actual storytelling.If it's anything like that Beowulf movie, I'm definitely not seeing it. That was an absolute travesty.
I'm just gonna come out and say it. I don't like motion capture all that much, outside of Henson's digital puppetry. I kinda dug the old 1930's rotoscoping technique (especially in Betty Boop cartoons with Cab Calloway)... but something about motion capture just... well... it doesn't feel all that free and animated. Pixar has to make it appoint to say "We don't motion capture! This is all us." at the end of their movies now.Now Zemekis seems too self indulgent with the CG. Polar Express was pretty much a zombie movie with hollow-seeming characters. Monster House got it better using some stylization and maybe Christmas Carol will too. Still, I am digging James Cameron's more thoughtful approach to the use of CG in his new Avatar trailer. That sort of techno-film making feels like a treat rather than a result of studio cynicism that everything must have a particular new look.