Disco Bloodbath & James St. James + The last 20 years in Clubland
The book "Disco Bloodbath" is shockingly funny. James is an absolute nut.
We met him in LA at a club called "Club Cherry" Labor Day weekend in 2000.
He came up to us, and we were wearing the exact same costumes that we are wearing on our front page. He was wearing a really nice suit, head shaved shiny bald. He walk up to Zazoo and started playing with the robots:
James: "Are these DIGIMON!?!"
Zazoo: "They're Beetleborgs. Somewhere between Transformers and Digimon."
James Squeals with glee and then introduces himself (like we didn't know)
introductions and talk of the book.
Satori: We have a website, we'd love for you to check out. Hands James a card.
James: "Oh thank you!" Promptly sticks in halfway in his mouth making kissy fish faces.
James: "Oh I want to introduce you the the founding editor of Details..."
Goes on from there... But that was our encounter with the author. The whole book is like that. Bizarre disjointed stories worked into a very darkly humorous read.
Now picture Seth Green doing the same types of things. He was hysterical. Never broke character even between takes. He kept the energy up at all times. Great Actor.
Hmm... on the whole "Goth" question. It's alot like the discussion earlier on the "Punk" movement... It really shouldn't even be around.
If you REALLY look at it, the real "Gothic" movement was at it's height in '83-'84 with people listening to darker edgier music than your typical "New Wave."
Then rap influenced dance music when young black DJs in Detroit and Chicago started getting into the electronic rhythms of "Kraftwerk." "House" was born. There was also a popular street music now called "Electro" or "Electrofunk" that was the original soundtrack for Breakdancing.
Not long after, Electronic based music split in Europe into two or more fractions. You had your lighter "Techno" and heavier "Industrial" a lot of the people into "Gothic" music transitioned into "Industrial."
"Techno" fractioned off into all of the Electronic genres that exist today. "Trance", "Drum & Bass", "Happy Hardcore", "Electronica" etc. etc. etc.
It's now kinda come full circle and their's a "New" genre that they are calling "Electroclash" that sounds a lot like really early "Electro" mixed with "New Wave" and a dab of "Punk" sensibilities. It's really kind of a backlash against the staleness of "House" and "Trance."
"House" continued and continues to evolve (I don't really like the state it's in but that's me)
IMHO, Industrial stopped evolving. There are a handful of groups that are putting out some good stuff, but I wouldn't say they are advancing the genre much. The newest that's come to our attention is "Dedsy." They are doing it right. We've gone to a few "Gothic and Industrial" clubs that seem to be playing some really good music. But the majority of it is no older than 1995-1996. The very best club of this type that we went to is called "Velvet Underground" on Queen street in Toronto.
One of our favorite clubs is called "Exit" up in Chicago. I guess you would consider it a "Gothic & Industrial" club. If we go out there, we usually choose to wear something less inspired by Henson, and say more inspired by Clive Barker. When we walk into "Exit" it is an immediate time-warp back to 1989-90 when we first were going out to a club called "Clubhaus" in Cincinnati. It's really just a big retro experience. More like "ah the music of our youth"
Hmmm... So if you've made it this far, you must be REALLY interested (LOL)
"The Club Kids" didn't really fit into a nationwide movement per se. They were a small group of people club owners, promoters and DJs who created a circus like atmosphere. In their clubs. It started in NYC and they took in on the road to the larger clubs in larger cities. It was a Regan-era marketing ploy in Clubland. They did it for #1 the money #2 the power #3 the creativity. In that order.
I 100% agree with earlier statements made by individuals about individualism being branded and processed now. Hot Topic is the perfect example. When we were dressing that way in the late '80s it was already outdated. We didn't really feel that we fit in to the mainstream and we chose that direction to express ourselves. We had to hunt and hunt for the clothes that made the look. We had to wait for the shipment of Doc Martins to come in from NYC. We had to put things together from stuff we found at thrift shops and then customize them. You had to hunt the entire city for dye to change your hair to an unnatural color. Now you just go to 1 of 4 shops in the mall, and they already have the clothes in 5 sizes with the safety pins already evenly machine placed for you. I don't really get it. I don't really understand why it's still around. I don't really understand why kids think that it still holds any ring of individualism. And what I REALLY don't understand is why Adults think it's shocking anymore.
Mainstream American culture is SO fragmented right now. It's also so pre-produced and packaged. It's no wonder that kids aren't creating something new.
Japanese kids are creating the most wonderful clothes right now. There is a segment of students that customize all their own clothes. They use combinations of new and vintage clothes and create a whole new look. It turns into fashion for fashion's sake. I'm hoping that American kids catch on to this.
A great book to see this is called "Fruits" it is put out by Phaidon (ISBN: 0 7148 4083 1)
Oh... look at me. Telling the longest story for the shortest question. (LOL)
Satori