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I enjoyed the darkly humorous subplot of the security system protecting Summer all too well. Now that was a more substantial use of gore and shock value unlike something like Brickleberry or Mr. Pickles where it's just there for the sake of it.

Compton has been on top for the 3rd week in a row now. Only other movie to do that this year was Jurassic World. http://www.boxofficemojo.com/weekend/chart/?yr=2015&wknd=35&p=.htm

The sequels are just all right to me. I did like Goes to Mars' commentary on planned obsolescence (where modern appliances are designed to wear out or go obsolete after a certain amount of time to get you to buy more) and the musical number with Jim Cummings providing the Supreme Commander's...

And if The Book of Life failed to win over Latinos, I don't think El Americano would be any different.

It looks uninteresting at best, even if it would have used traditional animation as it was originally intended to be. It's your standard "journey to a faraway place to save your family" type tale according to the Wikipedia summary.

We get yet another acid trip of an episode with Clarence's crazy dream. I loved how lucid his dream state was, and how he still tried to make up for failing to close the garage door while his mom was away by doing it in his sleep. :)

SIMPSONS DID IT!!! SIMPSONS DID IT!!! Now that I've gotten that out of the way, this was a pretty crazy episode involving the park employees stuck under a dome as part of a month-long experiment thanks to Benson screwing up the date he received and refusing to admit he was wrong. I find it...

Birdman in that episode really ought to be called Birdbro. Wouldn't want to get sued by anyone, now. :D

Great to have an episode focusing on Nom Nom. You think him talking would blow his cover or something, but apparently not. Then again, these people are unfazed by talking bears, so what makes us think their reaction to talking koalas are any different? :p

You're talking about Flashbeagle, right? I admit, as painfully dated as that special was, I still enjoy it for all its '80s cheese-filled musical numbers. :)

Now here's one where she interviews The Count. I think this one is the best so far, mainly because Leslie actually loses her cool a bit over Count's arithmomania. :)

For me, LTS works because of how they took these beloved characters and gave them real-world roles, whether with Bugs & Daffy as swinging bachelors, Pepe & Foghorn as actors, or Cecil Turtle as a customer service rep. They've also got an adaptation of the children's novel series Bunnicula...

I did like the joke about Bugs dressing in drag. He's done that plenty of times before during the Golden Age, so it doesn't seem out of character for him to enjoy it. :)

It was great to see Bud Gleeful play a major role in last night's episode, and Stephen Root doing a fantastic job voicing him. And it was great to see Gideon finally make his way back into the picture Overall, this was a hilarious satire of American politics, particularly the pandering to...

I don't see why Nick Jr. hasn't picked this up, considering how bloated the preschool market is already, especially from them. I know it does air on its Australian counterpart, at least.

At least Netflix doesn't BS you by bombarding you with ads in spite of paying for it.

I think they should have book-ended it with Dr. Weird, as well. He hasn't been seen regularly since season 2.

Earth being a part of a competition show where they risk being destroyed is very reminiscent of the South Park episode where it was revealed that Earth is one big hidden-camera reality show for the amusement of other planets and is at risk of being destroyed now that all the Earthlings are aware...

Deena and Pearl, at least from this segment, are a pretty meh pair of characters. But I'll have to see how the other segs are to judge them as a whole. And the voice Karen Prell uses for Deena would be very similar to what she would use for Red Fraggle.

In terms of the musical score, there will be a full orchestra (provided by Ant-Man's Christophe Beck), though it seems that it will mostly stay true to the simple Vince Guaraldi jazz sound from the old specials...