I kinda dig the constant references to "Scooter's Sister" only because every time i read that it reminds me of one of my all-time fave groups, Shakepear's Sister (and Sam doing a HILARIOUS Shakespeare routine in the same issue helps too!) and makes me want to play my new import copy of their awesome new album every time i finish reading it!
I'm hoping Rowlf gets a cool role as this arc continues - he's the only one of the Muppet Babies characters that didn't really get to have any interaction with "Sis" in the first issue (i'm not counting Bunson, Beaker, or Bean). Loved the one panel of all the original crew (except for Piggy who was pouting in her dressing room and the already mentioned missing Rowlf) together...and for some bizarre reason Animal had something resembling his bonnet on his head in that shot!
I would probably declare Issue 4 my favorite so far even though i'm not a Muppet Baby fan and normally would have not cared to see Skeeter cross over into Classic Muppet territory. Many hilarious moments throughout (I think "Gary Mayo! Gary Mayo!" will be one of those classic Muppet lines for years to come), and the arches splash was a major winner - Fozzie's clutching his neck (this issue was chock-full of running gags), Amy's take on Luncheon Counter Monster, the teeny tiny tease of the Java Muppets. I agree that Roger/Amy make a great team! I love love LOVE Langridge's wild stylations (i'd love to see him be even wilder like the original preview) but somehow when he puts his energy toward just the writing instead of doing both the writing and the art, it just seems stronger - and Amy's take is so awesome (and it's really cool to see her doing a book drawing the Muppets as themselves in the theatre)
While i'm on the subject of Roger's writing, he's actually done something really amazing with this issue. Scooter's character took one of the biggest hits with Muppet Babies as his baby incarnation's personality was nothing like the real one's. Yet somehow, Langridge was able to take the MB elements of Scooter and incorporate them seamlessly (musta used the Henson Stitch) into a modern Scooter story. Come to think of it, even though he was a major part of The Muppet Show, there never were any real backstage plots that could really be described as Scooter-centric (even his "introduction" episode was more built upon the others' reactions to him) - the closest example i can even think of as a "Scooter story" was his skateboard obsession in the Anne Murray episode. So because he's never had much opportunity to be the center of a plot, there's still much of Scooter's personality that could be fleshed out - and Roger gives us a really great Scooter tale that recalls elements of his baby persona but all the while feeling like "Real Scooter". (In fact, much like how i mentioned the Jim Nabors episode was more centered on the others' reactions to Scooter, this issue was more a "Scooter story" than a "Skeeter story" with the others' reactions to her).
On first reading the ending came across as really sweet - then i realised this wasn't a stand-alone but the first part of an arc and on second/subsequent readings i picked up on its more ominous tone/hints of deeper complications. I'm really looking forwards to the rest of this arc.
Wonder if S&W will eventually bore of Muppet chess and break out the Muppet Uno or Muppet Monopoly?
...and now i'm off to listen to Scooter's Si...uh i mean Shakespear's Sister! ("It's a trip/When you're young and hip...")