I’ll write a full review in a couple of days, but for now here are some thoughts. (Sorry that I’m repeating what a lot of others said. I had so much to say, I typed it all out before I came here!)
--One thing that I really liked about this movie: the amount of screen time given to each of the characters seemed more well-balanced than anything I’ve seen in a Muppet production in years. Kermit was at the center of the story (as he should be), and Piggy, Fozzie and Gonzo were his ample supporting cast, as they should be. Piggy and Fozzie didn’t feel missing in action like they have of late, and Gonzo was all the more loveable and funny because I didn’t feel he was being shoved in our face like in some recent productions. Lending ample support were Bunsen and Beaker. Pepe had a beefy, significant part without feeling like he was the next Gonzo-and-Rizzo. Showing up for small but funny appearances were Rizzo, Robin, Scooter and Janice (!!), Johnny Fiama and Sal, Sam, and Pops (!), and that’s about the amount of time these characters should be getting in a 2-hour production. (There’s more opportunity to explore these supporting characters in a weekly series.) I could’ve used a funnier scene with the Swedish Chef, but that’s a quibble. I haven’t seen the characters this well-used in a production since probably “The Muppets Celebrate Jim Henson.”
--Jim Lewis and Tom Martin (the writers) nailed all the characterizations perfectly this time out. Kermit is good-hearted but still has the ability to get frustrated. I haven’t seen him blow up at the others like that since a similarly moving scene in “The Muppets Take Manhattan.” Kermit is a three-dimensional character again. Fozzie, particularly in his increasingly comic attempt to deliver the money, was very funny and very in character. Fozzie’s not stupid; he’s just a sweet-natured bear for whom things often tend to get wildly out of control. They also captured both Piggy’s vanity (and the inevitable falling on one’s face that comes with vanity) that makes her funny, as well as her desire to her succeed and her vulnerability that make us love her. No longer being forced to be the emotional center of the story, Gonzo showed his zanier side again this time, while still showing just enough soulfulness in his song at the end. And when Pepe sided with Joan Cusack’s character, I couldn’t help but think of Rizzo helping out Charles Grodin in “The Muppets at Walt Disney World” – and that’s a compliment. Pepe needs to walk a certain “nasty” line without becoming, say, J.P. Grosse. The writers hit a bullseye with him, and with all the other characters, this time around.
--Eric Jacobson is SO dead-on with his vocal characterization of Piggy and Fozzie. My hats off to him. I completely forgot it wasn’t Frank 5 minutes into the movie. Sam was just passable, but I was happy to see him there. (But was that Frank voicing the fake Yoda? It would be a great in-joke and a warm gesture on Frank’s part if it were. But I don’t doubt that Eric could have done this voice, too.) Thanks to Eric, Piggy and Fozzie are back at the front and center of the storyline, and I gladly welcome Eric to the “upper tier” of Muppet performers. (Not that it was up to me anyway!) :
:
--Brian as Scooter is passable. I’m just happy to see him back. Janice didn’t sound right at all to me, but I do appreciate the effort to include these characters. Maybe next time they could hire a couple of those marvelous voice actors who take over the roles of Disney and Warner Bros. characters? I don’t think it’s heresy to have someone do the voice on the set, to capture the live performance, then have the voice dubbed in later by someone who’s better at capturing the character vocally. In fact, the company’s been doing variations on that practice for years, so I don’t see why this would be significantly different.
--Meanwhile, what happened to Jerry’s characters? In one sense, I hope they’re not trying to phase Jerry out, as he’s a special and important part of the troupe. On the other, I hope that the reason for his absence is not, as suspected, because of a serious illness. I do sincerely hope, if this is the case, that he gets better soon. (All the stranger that he did voice the unseen announcer!)
--I saw Kevin Clash’s name in the credits, but didn’t see any of his characters. Who did he play? Did he sub in for one of the missing performers?
--After his appearance in “Muppets from Space,” I was afraid David Arquette might be too "twitchy" in this role, but I have to say he won me over. The nebbishy persona he adopts here fits him perfectly, and his standing up for what he thinks is right and his occasional bumbling ineffectualness were simply charming.
--I was worried Whoopi Goldberg as God (or “the Boss,” as she’s called here) would be sacrilegious. After seeing the movie...I'm still not sure. I can accept a God who is both no-nonsense and yet has a sense of humor, but to present God as a couch potato who doesn't intervene on our behalf because we supposedly don't need it -- well, without wanting this to be a heated theological debate, let me just say that, in the context of the movie, her scenes just seemed more odd than funny.
--By contrast, I wasn’t worried about Joan Cusack at all. I’ve adored her in previous films, and she seemed to have the right loopy comic sense to perform with the Muppets. Having now seen her in this, though, the jury’s still out. Some broadness to one’s acting style is appropriate for the Muppets, but was this too broad? This is the one thing I’ll have to try to figure out through more than one viewing. While her lines were very funny and well-written, something just didn’t click. I wouldn’t be opposed to seeing her work with the Muppets again – maybe she’d be better as a heroic character than a villain?
--The buff Beaker bouncer was the single funniest moment in the movie.
--In fact, overall the scenes in the "alternate universe" featured funnier, sharper satire than the rest of the movie. Rizzo in the rat cage in "Fear Factor"? Priceless! (I'm astounded NBC allowed Kermit to call the show "disgusting" -- though I agree! And Arquette's line about the Kermit-less universe featuring 90% reality shows -- hilarious! I think we're all stuck in that universe right now.) And Piggy as the Jamaican psychic hotline person was a scream. (And, in that universe, her profound lack of self-esteem -- truly heartbreaking.)
--The revelation of Doc Hopper’s Frog Legs being a success in the alternate universe was an absolute masterstroke.
--Gonzo and his brick. Need I say more?
--“Wocka, wocka. Hokay?”
--The cameo by the Jack Frost character from the Creature Shop, dressed up as Burl Ives, was hilarious.
--The Kermit-initiated kiss was touching and a natural result of the progression of the storyline and the way the characters were developing. And before the sentiment could grow leaden, it was followed by the gag of Piggy falling in the orchestra pit. Perfect.
--Not a scene per se, but I’m very grateful that they showed both of the MasterCard commercials. Now I’ve got these gems saved for posterity. I could also appreciate the detail that went into them, since they showed them more than once. I wish they had showed that elusive third commercial, but hey, you can’t have everything.
--The pacing was a bit off. I felt the opening was a little sluggish (though some of the gags with the Muppets were great), and I felt the ending was a little dragged out, and surprisingly anticlimactic, since nothing really changed for anyone!
--Once again, my theory that TV ratings people don’t even bother to watch the show seems to be confirmed. Over and over again, the “TV-G” rating flashed on the screen. But with the effete male pig slapping Kermit’s behind, Cusack encouraging Pepe to stare at her cleavage, and Pepe using the word “s**ks,” this should have gotten a TV-PG rating. My guess is, the NBC ratings-board person said, “Oh, Muppets? I remember Sesame Street and Muppet Babies. Slap a G rating on that one,” and didn’t even bother to watch it.
--And the award for Best Way to Ruin a Finale goes to NBC. While the Muppets were still singing at the end, the network cut in for an advertisement we’d already seen 100 times. They cut in right in the middle of Fozzie’s line, no less. Just so NBC could make a few more pennies, we missed the ending of the movie. Bah, humbug, indeed.
Overall, I’d say this movie was better than “Muppet Treasure Island” or “Muppets from Space,” though not better than “Muppet Family Christmas” or even “Muppet Christmas Carol,” both of which I love. While not the revelation that “The Muppet Show Live” was last year, this movie was still a lot of fun and had a lot of good laughs. This movie gave me a positive feeling about the upcoming series. If they haven’t yet completely hit their stride again, at least they’re heading in the right direction.