Petrieboy,
I appreciate your honesty and your courage to disagree. Here are some of my thoughts on what you said.
1) Eric may not be perfect, but honestly -- can you say you've ever heard a replacement where there wasn't some slight difference? Even when they've had to replace Mickey Mouse or Donald Duck (and those are near-flawless, in my opinion), there are ever-so-slight differences, because no two people have exactly the same vocal chords. As it is, I think Eric does a pretty amazing job. At any rate, isn't calling Eric "WAY OFF" an overreaction? Listen again to any of the other replacements: Brian as Scooter, Dave as Waldorf, and (yes, even) Steve as Kermit. Etc., etc., etc. If anyone deserves to be called "WAY OFF," it's them. For capturing the tonality and inflections of Frank's voice when performing Piggy (or Fozzie, for that matter), I think Eric is far closer than any of the aforementioned.
Two things to clarify: first, I'm not suggesting that we dump on Brian or Dave or Steve. They're all marvelous puppeteers, and I've learned (or am learning) to accept their new voices as new interpretations of those characters (like two different people playing James Bond) rather than worrying about exact vocal matches. Second, I'm not even saying that, if Eric were doing a bad job, we should just pretend like he's doing great because "in comparison" he's doing better than the others. The fact is, as someone who pays close attention to this kind of thing, I think the transition from one performer to another has been virtually seamless. If there's any difference at all, it's because Frank's voice has changed as he's gotten older. Eric's voice more accurately matches an earlier Piggy than Frank's current voice!
And to say "the singing voice is atrocious" and that Eric's Piggy "needs to take some singing lessons" -- when was the last time you watched The Muppet Movie? Piggy's big number, "Never Before and Never Again," is sung atrociously. She's SUPPOSED to be a bad singer -- that's part of the humor. Also listen to "Love Led Us Here" from Treasure Island, if you can. On that one, I'm still not sure if it was supposed to be funny, or if poor Frank's voice couldn't handle the strain anymore.
I suppose I would be more open to these comments if you had offered a good suggestion about what ought to be done. But Frank isn't coming back; nothing can be done about that. And we've already seen what it's like without his characters around. So I don't see what other option we have, especially because I think having Eric is hardly settling. You don't seem to think this is a "Henson-caliber puppet take over." Well, the previous Henson caliber has been, in my opinion, pretty poor. I think Eric actually raises the bar.
2) I agree with you that I miss a good Muppet musical. I don't begrudge them their lack of songs, though, because musicals are really considered passe right now. Disney stopped adding songs to their animated movies years ago. A good portion of the audience (not me) thinks breaking out into song is cheesy, and the last thing the Muppets can afford at this point is to alienate more audience members. I have a friend who falls into the coveted "18-30 yr. old nostalgia" group. He loves Sesame Street, but only barely tolerates the Muppet Show-related productions because he can't stand all the music in it. While many Muppet fans hated Muppets from Space, he actually liked it quite a bit. He was thrilled that there weren't any songs in it for a change! Mind you, his favorite moment in Shrek is when Donkey starts to break out into song and Shrek says, "SHUT UP! No singing!" or something to that effect. That, unfortunately, is the audience mentality we're dealing with right now.
I actually agree with you that there SHOULD be a good Muppet musical. I'm just saying I don't judge the Henson Company for their current decision to keep songs to a minimum. Even if I don't like it, I understand the reasoning behind it.
I like Paul Williams' work too. Who would you like to hear compose music for the next Muppet musical? I'd like to hear some suggestions from a bunch of different people on this.
3) You want them to use a real script rather than borrowing from someone else. Completely understandable, but keep in mind that Muppet Movie was borrowing from hundreds of "young kid goes to Hollywood" type stories, Muppet Caper borrowed from the crime/spy/detective movies of the day (as well as old Hollywood musicals, with some scenes being recreated almost shot-for-shot), and Muppets Take Manhattan borrowed from hundreds of "young actors take on Broadway stories." The Muppets have spoofed Arabian Nights, Robin Hood, Alice in Wonderland . . . the list goes on and on. So when doing a Christmas movie, I don't think it was so outrageous that they followed (and skewered) certain obvious conventions and scenes from more famous Christmas productions.
You seem to think that we're all just saying "the Muppets are back" and that we're choosing to be blind to any troubles in it. On the contrary -- while I liked it, I did speak up on certain things that I disliked. Others have done the same. I still think it's closer to the mark than the deluge of "storybook" projects or Muppets from Space. You said, "I feel like fans are yearning so badly for anything Muppet that they praise something far above what it deserves." Quite on the contrary; fans were VERY vocal about what they disliked about Muppets from Space and Muppets Tonight. Muppet fans don't take anything lying down.
So if people are saying they like this movie, it's because they genuinely liked it, not because we just accept whatever Muppety thing comes our way.
Of course, you don't have to agree. You can think this movie was a waste, and that it failed to recapture the magic of the Muppets. I'm not trying to change your mind on any of that. The main issue I have is with the notion that we're not allowed to feel differently. You said, "I guess I would feel a lot better if the common thought was that this was sub-par Muppets." So should people say that they disliked it just to make you happy? I don't think that's what you meant, but that's essentially what was said.
"The magic is somewhere close, yet so far." I'll agree that it isn't totally back, especially with so many original performers missing. Did you get to see The Muppet Show Live last year at MuppetFest? That's the only time they've been able to recapture the magic exactly, in my mind. Friday night didn't completely recapture it, but I thought it worked on a lot of levels. Who knows? Maybe they'll get it right eventually, or maybe as your friend suggested, they'll just have to change. This is an almost entirely different group of performers, writers and directors now. They have to find their own rhythym and their own chemistry rather than just copying others, because that's what it will always seem like: just a copy.
Anyway, those are my thoughts on the matter. Keep in mind I may be disagreeing with certain opinions of yours, but I don't mean this as an attack on you personally. Thanks again for honestly expressing your opinion and making this an interesting forum to come to!
Take care,