Originally posted by DrGoshposh
I was curious about Noel Blanc not too long ago, so I did an internet search, and it just happened to be around the time that Noel got married (the ceremony was on the WB lot in front of a mural of the WB cartoon characters). The articles said that Noel's main profession is licensing his father's character voices. I guess the ownership of the voices was passed to him, and he now gets paid when WB wants to use the characters for something. I found the whole situation interesting.
To just elaborate on what Scott said, what Noel owns are thousands of hours of recordings that his father made throughout the 1980's in his home studio. Warner Bros. retains all rights on the characters, including the voices, but the actual recordings are Noel's property.
Noel did try his hand at doing some of the voices shortly after Mel passed away, but his heart just wasn't in it. He thought there were plenty of other actors out there who could do them better, so he instead turned his energy to keeping his dad's legacy alive. Noel took all of the recordings that Mel made and created a unique computer studio. With it, he can create practically any possible phrase in any of Mel's voices. If you purchased a talking Looney Tunes product in the last four years and the voice sounds like Mel, odds are that Noel supplied the dialogue.
I got to hang out with Noel about a year and a half ago at a Warner Bros. gallery show that I worked on and helped promote. He's a pretty cool guy, and he seems to just really get into discussing his father's work.
Interesting enough, a journalist was covering the event for the newspaper, and she was asking Noel what he thought of sons picking up their fathers' characters, "like Jim Henson's son Brian doing Kermit the Frog now?" I had to politely tell her later that she didn't really do her research well.
I agree that Warner Bros. has been doing a, for lack of a better word, sloppy job on keeping the characters consistent in recent years. The problem was for many years the studio was looking for one person to do all of the voices, and we just know that will never happen again to the same effect.
I think perhaps the best ensemble Warner Bros. has used lately are the voice artists who worked on the short "Carrotblanca," but apparently they didn't seem to realize it themselves.
I like the way the Jim Henson Company handled Jim and Richard's characters, where instead of trying to force a new person onto them they let new performers come into it more naturally. I think that's why hearing something like Bill's Rowlf isn't as jarring as, say, if Dave was suddenly drafted into the part in 1991.