Ruahnna
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Chapter 69: Convergence
Once, while visiting Dr. Honeydew and Bunsen in their laboratory—the one that had NOT burned down—Robin had viewed a complicated contraption that utilized a lever, a bucket, a pulley and a lot of cable. He and Kermit had watched, fascinated, as said device had deposited little pellets of some sort onto a plate. Then, a watering can was hefted by another pulley, dribbling water on the pellets. In a few moments, a five course meal had miraculously appeared on the plate. It had, unfortunately, blown up before they could tuck in, but Robin had agreed with the scientists that it had not seemed like a waste of effort. Kermit had been noncommittal.
To Robin, the past few days had seemed like that demonstration—not that there had been any explosions, but that a long series of carefully planned events seemed to be converging. Robin had—to his delight—been given permission to dance in the finale and he had just come from a final fitting. Although he had done both in the past, he was happy that he was not required to sing while he danced this time. Vocals were being provided by the band and anyone who wasn’t dancing, although everyone chimed in on the chorus. It was not quite as exuberant as “Bop” but he was happy to have another part in the show.
“Hey there, Robin,” said Rowlf, putting a big, warm paw on the little frog’s head. “How’re you doing?”
“I’m doing great, Rowlf!” he piped. “I’m dancing in the New Year’s show finale.”
“So I heard. Better you than me, kid,” Rowlf quipped, grinning broadly. Since this wasn’t a partner-type dance, Foo Foo had given him a pass and gone on without him. Rowlf mused ruefully that that was typical Foo-type chutzpah. “So how’re the Christmas decorations coming?”
“Super,” said Robin. “And Pepe says he’s bringing some, too.”
That gave Rowlf a moment’s pause but he shook it off determinedly. Best not to go there. “How, um, nice.”
“Um, Rowlf—can you show me a chord on the guitar? Uncle Kermit’s busy now and I’m trying to learn a new song.”
“Sure thing, Robin,” said the canine amiably. “Let’s go see about borrowing a guitar.”
“So, how does this contraption work?” Kermit asked. He looked at Scooter a little anxiously. “It, um, does work, doesn’t it?”
Scooter smirked triumphantly. “It works. I had Gonzo try it out first.”
Kermit grimaced, wondering if Gonzo’s say-so about the safety of an endeavor was worth considering, but if Scooter said so then it was so.
“Show me,” said Kermit, feeling more enthusiastic.
“Okay,” said the executive assistant with a touch of child-like excitement that was rather endearing. “The lights come up on this and it just the stage setting, right?” Several crew and cast members were busily affixing silk foliage to transform the multi-tiered wooden platform into a lush landscape.
“Yeah,” said Kermit, giving it a more thorough once-over. “It looks sortof like a tropical island.” He smiled at those working. “Nice job, guys. Looks good.”
“Right. And the dancers come out here—“ Scooter pointed to stage right.
“With our masks, right?”
“Right—the masks arrived yesterday and Thoreau says they’ll be ready for rehearsal today.” Scooter shot Kermit a look and wiggled his eyebrows. “Have you seen the new costumes?”
“Oh, yeah—wow,” said Kermit. “Piggy and Thoreau had a soft of fashion show for me. I liked ‘em,” he said simply, much like he’d said when he’d seen them. Twin glares from Piggy and her dressmaker (who was apparently now his costumer) had led him to elaborate, but it hadn’t been difficult find ways to praise the look.
The material for the costumes was hand-painted with Salvadore Dali-esque geometric designs and utilized earth colors—blue and green and taupe and brown and white and ivory and peach—and the clothes had what Piggy had called “good flow.” Kermit thought they looked airy and free and vaguely exotic, and closer inspection showed the use of asymmetrical closures and irregular necklines and hemlines. When the dancers clumped together, it was difficult to tell where one costume stopped and the other started, and yet each dancer’s costumes was unique and distinct once it separated from the pack. The effect was startling and there was a lot of excitement. To add to the ethereal feel of the number, each dancer’s mask veiled but did not obscure the identity of each individual. Kermit couldn’t wait until he could see the finished choreography with the costumes, which should happen later this morning.
“Can I see it move?” Kermit asked, still a little apprehensive. The dancers would be moving around the island counter-clockwise while it spun clockwise, and since he was one of the dancers he knew he’d feel better when they could put everything—the moving island, the costumes, the dance moves, the music—together.
“Sure.” Scooter pulled what looked like a remote control from his pocket. “I’m going to rotate it,” he called and paused while the decorating crew battened down whatever they deemed necessary. When everyone seemed braced, Scooter pushed the button.
Silently, majestically, the lush island began to twirl. Kermit and Scooter watched it go.
“Wow,” said Kermit.
“Yeah,” Scooter agreed. “Me, too.”
“So you’re tellin’ me I can sing anything I want in the second half?” said Johnny Fiama.
“That’s right, Johnny. You can sing anything you want in the second half.’ Sal beamed at him, glad to be the bearer of good news.
“That’s decent,” said the crooner approvingly. “How come I’m not singing “Christmas Time All Over the World” tonight?”
“You are,” said Sal.
“I thought you just said I could sing anything I wanted to.”
“Yeah, Johnny. In the new show. Anything you want.”
“We’re doing a new show? Where? Sweet cannolis! I’m not even packed up.”
“No—we’re not going somewhere new. We’re just doing a new show here—here at the Palace.”
“What’s wrong with the old show? I like the show like it is. I don’t even need the cue cards anymore.”
“Well, we’re changing the Christmas part around a little. That’s all—changing some of the Christmas stuff to new stuff New Year’s.”
“Oh.” Johnny put his hands on his hips and looked disgruntled. “How come nobody ever tells me this stuff?”
“If you came to the meetins’….” Sal muttered.
“Okay—if I can sing anything I want, I want to sing “My Way” Sal,” he said firmly, as though coming to a decision.
“You’re already singing “My Way,” Johnny,” Sal explained, not sure if he was being confusing or was just confused. Or if Johnny was confusing—or confused.
“Oh, good,” said Johnny. “Problem solved.”
Sal sighed and wondered what to do now.
“Hey Sal,” said Johnny. “Hand me a cannoli?”
Sal handed him a cannoli.
The tension backstage was thick enough to cut with a knife. Okay—maybe not a knife, but definitely a good cheese slicer. Thoreau was in a flutter about a pucker on Sara’s shoulder seam and he was swearing up and down to anyone within range that Robin had grown an inch since his fitter earlier that day. Howard was beside himself, and would actually have BEEN beside himself if he could have figured out how to clone himself to watch from two vantage points at the same time.
“What was I thinking?” he wailed. “I should have stuck with the basics. It’s too much—this was a mistake!”
Most of the cast made generic noises of sympathy and stayed out of his way, murmuring and exclaiming over their own costumes and masks and everyone else’s costumes and masks.
Scooter was recognizable as a wide grin and a shock of red hair. Piggy’s mask was delicately fluted around the edges. Robin looked like a large geometric butterfly had landed on his nose—or where his nose would have been, if he’d had one. No one had the same hemline, and Sara’s rose daringly on one leg, giving a saucy view of her dimpled knee. The wide grin got wider.
The band was arriving, adding to the mayhem in more ways than one. The wailing and murmuring surge to a pinnacle and then stopped abruptly.
“Shhh.”
“Hush—we’re about to start.”
“Tune me—play an F, okay?”
“Quiet, please.”
The noise and confusion subsided. Howard herded the dancers backstage and ran out to the auditorium to watch. From the back of the auditorium, Thoreau was watching too, pulling unconsciously at the corners of his mouth and tapping an Italian loafer nervously.
Rowlf was leading, since he was at the piano. He caught the good doctor’s eye and nodded his head in time. The ivories tinkled softly.
“Calling all dreamers and optimistic fools….” Clifford’s voice, rich and mellow, had been deemed perfect for the lead. “Don’t let go of your dream, make it now, make it all come true. If you believe in a brighter day, I know we can find our way….”
The dancers drifted out as though carried by the wind, weightless and insubstantial.
“To this island,” chimed the chorus of singers softly. The dancers began to spin. “In a starry ocean—poetry in motion, this island Earth.”
“This island Earth,” came the eacho.
“Spinning like a dancer,” sand Clifford. “Gravity is the answer.”
“Rendezvous in the blue,” the chorus suggested. “This island Earth.”
“This island Earth.”
Truth be told, this first complete run-through was a little lurchy and uneven. Steps were missed, vocal cues a little slow or fast. The slowly spinning island made Kermit dizzy and he had to look away from it to re-orient himself. Still…still…the overall consensus was that it was going well.
It looked good. It sounded good. It felt good.
Piggy thought, not for the first time, that there was almost nothing as exhilarating as performing live. She couldn’t wait to wow the crowd in this number.
Once, while visiting Dr. Honeydew and Bunsen in their laboratory—the one that had NOT burned down—Robin had viewed a complicated contraption that utilized a lever, a bucket, a pulley and a lot of cable. He and Kermit had watched, fascinated, as said device had deposited little pellets of some sort onto a plate. Then, a watering can was hefted by another pulley, dribbling water on the pellets. In a few moments, a five course meal had miraculously appeared on the plate. It had, unfortunately, blown up before they could tuck in, but Robin had agreed with the scientists that it had not seemed like a waste of effort. Kermit had been noncommittal.
To Robin, the past few days had seemed like that demonstration—not that there had been any explosions, but that a long series of carefully planned events seemed to be converging. Robin had—to his delight—been given permission to dance in the finale and he had just come from a final fitting. Although he had done both in the past, he was happy that he was not required to sing while he danced this time. Vocals were being provided by the band and anyone who wasn’t dancing, although everyone chimed in on the chorus. It was not quite as exuberant as “Bop” but he was happy to have another part in the show.
“Hey there, Robin,” said Rowlf, putting a big, warm paw on the little frog’s head. “How’re you doing?”
“I’m doing great, Rowlf!” he piped. “I’m dancing in the New Year’s show finale.”
“So I heard. Better you than me, kid,” Rowlf quipped, grinning broadly. Since this wasn’t a partner-type dance, Foo Foo had given him a pass and gone on without him. Rowlf mused ruefully that that was typical Foo-type chutzpah. “So how’re the Christmas decorations coming?”
“Super,” said Robin. “And Pepe says he’s bringing some, too.”
That gave Rowlf a moment’s pause but he shook it off determinedly. Best not to go there. “How, um, nice.”
“Um, Rowlf—can you show me a chord on the guitar? Uncle Kermit’s busy now and I’m trying to learn a new song.”
“Sure thing, Robin,” said the canine amiably. “Let’s go see about borrowing a guitar.”
“So, how does this contraption work?” Kermit asked. He looked at Scooter a little anxiously. “It, um, does work, doesn’t it?”
Scooter smirked triumphantly. “It works. I had Gonzo try it out first.”
Kermit grimaced, wondering if Gonzo’s say-so about the safety of an endeavor was worth considering, but if Scooter said so then it was so.
“Show me,” said Kermit, feeling more enthusiastic.
“Okay,” said the executive assistant with a touch of child-like excitement that was rather endearing. “The lights come up on this and it just the stage setting, right?” Several crew and cast members were busily affixing silk foliage to transform the multi-tiered wooden platform into a lush landscape.
“Yeah,” said Kermit, giving it a more thorough once-over. “It looks sortof like a tropical island.” He smiled at those working. “Nice job, guys. Looks good.”
“Right. And the dancers come out here—“ Scooter pointed to stage right.
“With our masks, right?”
“Right—the masks arrived yesterday and Thoreau says they’ll be ready for rehearsal today.” Scooter shot Kermit a look and wiggled his eyebrows. “Have you seen the new costumes?”
“Oh, yeah—wow,” said Kermit. “Piggy and Thoreau had a soft of fashion show for me. I liked ‘em,” he said simply, much like he’d said when he’d seen them. Twin glares from Piggy and her dressmaker (who was apparently now his costumer) had led him to elaborate, but it hadn’t been difficult find ways to praise the look.
The material for the costumes was hand-painted with Salvadore Dali-esque geometric designs and utilized earth colors—blue and green and taupe and brown and white and ivory and peach—and the clothes had what Piggy had called “good flow.” Kermit thought they looked airy and free and vaguely exotic, and closer inspection showed the use of asymmetrical closures and irregular necklines and hemlines. When the dancers clumped together, it was difficult to tell where one costume stopped and the other started, and yet each dancer’s costumes was unique and distinct once it separated from the pack. The effect was startling and there was a lot of excitement. To add to the ethereal feel of the number, each dancer’s mask veiled but did not obscure the identity of each individual. Kermit couldn’t wait until he could see the finished choreography with the costumes, which should happen later this morning.
“Can I see it move?” Kermit asked, still a little apprehensive. The dancers would be moving around the island counter-clockwise while it spun clockwise, and since he was one of the dancers he knew he’d feel better when they could put everything—the moving island, the costumes, the dance moves, the music—together.
“Sure.” Scooter pulled what looked like a remote control from his pocket. “I’m going to rotate it,” he called and paused while the decorating crew battened down whatever they deemed necessary. When everyone seemed braced, Scooter pushed the button.
Silently, majestically, the lush island began to twirl. Kermit and Scooter watched it go.
“Wow,” said Kermit.
“Yeah,” Scooter agreed. “Me, too.”
“So you’re tellin’ me I can sing anything I want in the second half?” said Johnny Fiama.
“That’s right, Johnny. You can sing anything you want in the second half.’ Sal beamed at him, glad to be the bearer of good news.
“That’s decent,” said the crooner approvingly. “How come I’m not singing “Christmas Time All Over the World” tonight?”
“You are,” said Sal.
“I thought you just said I could sing anything I wanted to.”
“Yeah, Johnny. In the new show. Anything you want.”
“We’re doing a new show? Where? Sweet cannolis! I’m not even packed up.”
“No—we’re not going somewhere new. We’re just doing a new show here—here at the Palace.”
“What’s wrong with the old show? I like the show like it is. I don’t even need the cue cards anymore.”
“Well, we’re changing the Christmas part around a little. That’s all—changing some of the Christmas stuff to new stuff New Year’s.”
“Oh.” Johnny put his hands on his hips and looked disgruntled. “How come nobody ever tells me this stuff?”
“If you came to the meetins’….” Sal muttered.
“Okay—if I can sing anything I want, I want to sing “My Way” Sal,” he said firmly, as though coming to a decision.
“You’re already singing “My Way,” Johnny,” Sal explained, not sure if he was being confusing or was just confused. Or if Johnny was confusing—or confused.
“Oh, good,” said Johnny. “Problem solved.”
Sal sighed and wondered what to do now.
“Hey Sal,” said Johnny. “Hand me a cannoli?”
Sal handed him a cannoli.
The tension backstage was thick enough to cut with a knife. Okay—maybe not a knife, but definitely a good cheese slicer. Thoreau was in a flutter about a pucker on Sara’s shoulder seam and he was swearing up and down to anyone within range that Robin had grown an inch since his fitter earlier that day. Howard was beside himself, and would actually have BEEN beside himself if he could have figured out how to clone himself to watch from two vantage points at the same time.
“What was I thinking?” he wailed. “I should have stuck with the basics. It’s too much—this was a mistake!”
Most of the cast made generic noises of sympathy and stayed out of his way, murmuring and exclaiming over their own costumes and masks and everyone else’s costumes and masks.
Scooter was recognizable as a wide grin and a shock of red hair. Piggy’s mask was delicately fluted around the edges. Robin looked like a large geometric butterfly had landed on his nose—or where his nose would have been, if he’d had one. No one had the same hemline, and Sara’s rose daringly on one leg, giving a saucy view of her dimpled knee. The wide grin got wider.
The band was arriving, adding to the mayhem in more ways than one. The wailing and murmuring surge to a pinnacle and then stopped abruptly.
“Shhh.”
“Hush—we’re about to start.”
“Tune me—play an F, okay?”
“Quiet, please.”
The noise and confusion subsided. Howard herded the dancers backstage and ran out to the auditorium to watch. From the back of the auditorium, Thoreau was watching too, pulling unconsciously at the corners of his mouth and tapping an Italian loafer nervously.
Rowlf was leading, since he was at the piano. He caught the good doctor’s eye and nodded his head in time. The ivories tinkled softly.
“Calling all dreamers and optimistic fools….” Clifford’s voice, rich and mellow, had been deemed perfect for the lead. “Don’t let go of your dream, make it now, make it all come true. If you believe in a brighter day, I know we can find our way….”
The dancers drifted out as though carried by the wind, weightless and insubstantial.
“To this island,” chimed the chorus of singers softly. The dancers began to spin. “In a starry ocean—poetry in motion, this island Earth.”
“This island Earth,” came the eacho.
“Spinning like a dancer,” sand Clifford. “Gravity is the answer.”
“Rendezvous in the blue,” the chorus suggested. “This island Earth.”
“This island Earth.”
Truth be told, this first complete run-through was a little lurchy and uneven. Steps were missed, vocal cues a little slow or fast. The slowly spinning island made Kermit dizzy and he had to look away from it to re-orient himself. Still…still…the overall consensus was that it was going well.
It looked good. It sounded good. It felt good.
Piggy thought, not for the first time, that there was almost nothing as exhilarating as performing live. She couldn’t wait to wow the crowd in this number.