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Not exactly, but . . . :sigh: . . . there was that really unpleasant period of time several, several years ago, where I was hopelessly in love with somebody I could never be with (in hindsight, I'm so relieve nothing worked out between us, since her true colors has surfaced in the past three...

You know how I've said despite having a fascination with tornadoes (and severe weather in general), that one of my biggest fears is actually seeing a tornado heading straight towards me (or my entire town), and feeling hopeless because I know there's nothing I can do to stop it, and as such...

Looks like mine will be airing it on the 8th.

Yes. Intentionally ironically.

Thank you for clogging up my notifications, Jerry. :P

To be honest, I don't even know when it's actually happening this year, there's nothing about it on my calendar. Springing forward seems to vary year by year - sometimes early in the month, sometimes middle of the month; unlike falling back, which was always the last weekend of October (or the...

Wow. That voice is all over the place in this one. He practically turns into Constantine halfway, and . . . those inflections at the end . . . what is that?

Meh. Everybody felt like they were phoning it in, and there were more issues with interlacing this time: it looks like they tried converting it from 30 fps to 24.

There's a difference between fan theories and actual connections between two fictional properties. That being said, there are, at least, a couple of actual connections between the two shows, in the form of Joe Fallon and Ken Scarborough: they both used to be the key writers for ARTHUR way back...

And I do appreciate that, I really do. It definitely got a mixed reception: some people, like you, enjoyed it for it's originality, of which I'm grateful; others felt it was long and boring. Then again, experimental and avant garde isn't really for everybody, now is it? Other than that . . ...

Some characters just don't translate well into plush form.

I got a Pufnstuf as a Christmas present a couple of years ago. But what really bothers me are those Cling and Clang plushes: those gigantic bugged-out eyes, and those angry eyebrows are very off-putting.

I'm surprised Duke hasn't weighed in on this yet.

It's too much about me. Granted, it was intended to be pseudo-autobiographical about one of my creative processes, but it comes across as a vanity project.

I think in the case of Cookie Monster, it's a combination of the angle the picture was taken from, and perhaps whatever lense they may have used.

Honestly, the idea of live-action Lucy is actually quite unsettling:

Yes, I actually remember when it used to air on PBS in the mid-90s . . . it was an interesting concept of a show, seeing how a bunch of kids invade a TV studio and easily persuade the studio to let them produce, host, and broadcast their own show without question.

Get rid of that froggin' Beaver Elmo!

Looking back on it in hindsight, I think I may actually kind of regret making my experimental film TECHNICOLOR DREAMS five years ago.