
EPISODE
NOTES
Statler
and Waldorf still have a bit more of their slower delivery that
they did in the Sex
& Violence pilot especially notable in the soft drink
scene. The aired version mixes new balcony scenes with already
shot ones and one can hear the difference when comparing them.
Fozzie's
voice is a bit different. Think of a typical Frank Oz businessman-type
voice. Since the only Fozzie scenes that made it into the final
version was the cowboy sketch, they cover up for the difference
by having Fozzie ask Kermit just before going on if his "cowboy
voice" sounds like John Wayne.
Interesting
that the very first two acts of The Muppet Show are both booed
off the stage!
Juliet
has three costume changes: her orange dress she wears for "Solace";
her plain black top she wears for the opening theme, exchange
with Zoot, and goodnights; and the black top with gold design
she wears in the backstage scene and the talk spot.
In
the aired version, Kermit is sporadically changing in and out
of his tux partly to maintain continuity with the original version.
Kermit's costume changes are a bit more smooth here though it
does still seem odd that he gets into a tux to introduce Juliet,
changes out of it, then puts it on again for the closing number
and goodnights. Even in the original version, it appears Kermit
did an incredibly quick change since he appears backstage in his
tux just right after he comes off stage for Mahna Mahna.
In Christopher Finch's description of the Juliet Prowse episode in his book "Of Muppets and Men", he refers to this version of the premiere, though he doesn't indicate that what he's mentioning is the original and largely unaired version. He apparently saw both versions of the episode in writing his summary since he also alludes to Muppy biting Kermit which was only in the reworked version.
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DIFFERENCES
IN THE CLOSING CREDITS:
-- Performers
are called "The Muppet Puppeteers" rather than "The
Muppet Performers". Jane Henson is given a credit though
it would be left out of the broadcast version.
-- John
Lovelady is not given a puppet making credit in the original version,
but he is listed as "Muppet Production Manager"
-- Don
Sahlin is called a "Special Fabricateur"
-- Art
Director Paul Dean is credited as "Paul Dean Fortune"
-- Richard
Holloway is credited as the "Stage Manager". In the
broadcast version, his title is changed to "Senior Floor
Manager" with "Floor Manager" credit given to Martin
Baker and "Stage Manager" given to Caryl Cruickshank.
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Juliet
Prowse - Original Version
Taping
Dates: January 29-February 1, 1976
Original Airdates: None
DVD Release: None (The reworked version
is available on: Time-Life, 2002; Columbia Tri-Star (UK HMV Exclusive),
2003; Buena
Vista Home Video, 2005)
The
first two episodes of The Muppet Show were taped before the others as
pilots. These were later reworked with material shot much later in the
season. But what would the very first episode of The Muppet Show have
been like if the original version had aired? This entry of the Muppet
Show Episode Guide will take a look at the original version of the debut
episode starring Juliet Prowse.
Only about
a third of what was originally shot made it into the final aired version.
And as is the norm in television production, scenes are often shot several
times with the best bits of each take edited together So several scenes
that were in both the original version and the aired version have different
edits. Since it would have been difficult and expensive to get Juliet
Prowse back to retape new material, pretty much everything she did was
kept (though again, sometimes different "takes" were used).
References to scenes that Juliet was in like Gonzo's eating a tire,
had to be maintained for continuity.

This entry
of the episode guide will be a little more in-depth than usual since
with the normal episodes, we trust that Muppet fans have either already
seen them or will see them in the future. So we try to maintain a balance
between giving lots of detail without giving away all the jokes and
surprises. But since most fans probably will not see this episode, we've
provided all the dialogue and information on the stuff that wasn't in
the final version.
It would
be great if this episode (and the original version of the second episode
with Connie Stevens) could be included as extras in future releases
of The Muppet Show season box sets. But since they were not included
in the season one set, right now the only way we know of for fans to
see this episode is by visiting the Museum
of Television & Radio in Los Angeles or New York. (Fans living
near one of these cities that wish to remain unspoiled may want to read
this entry after they've seen the episode.)
OPENING
THEME

As everyone
knows, the first season version of The Muppet Show was very different
than the opening themes in the rest of the show's run. But the very
first version of the opening was even more different. It basically used
the same music, melody and concept. Dancers are in front of the curtain
and Kermit introduces segments of the show to have the curtain open
to reveal Fozzie's opening joke and shots of that week's guest star.
But the
original version was even longer with more verses! While it would make
a great addition to a Muppet music CD (are you taking note, Disney?),
it is rather long for an opening theme and would get a bit tiresome
week after week to have a good two minutes taken up by essentially the
same material which is probably why the theme was wisely shortened.
Had this been the first Muppet Show to actually air, it may have been
fun to include as a special introduction to the show. But shows were
not taped in the order they would eventually air, and had this been
broadcast in the middle of the season with the extended open, it would
have seemed out of place.
The opening
theme begins basically the same as the regular one. Kermit opens up
the "O" in The Muppet Show logo to announce "It's The
Muppet Show with tonight's guest star, Miss Juliet Prowse" (though
this intro was later reshot) and then cuts to the logo rising in front
of the stage with the orchestra pit in frame followed by the shots of
Zoot with Crazy Harry and Rowlf at the piano.
The
next shot is the female chorus singing the first verse in front of the
curtain but not the same one that was later shot and used. The female
chorus does still include Janice and Miss Piggy in brown wigs with two
female whatnots. (The same chorus members reappear on the risers in the final verse. One whatnot is a bit different than its replacement in the reshot opening.)
Instead
of cutting right away to the male chorus, there's another brief shot
of Zoot and Crazy Harry in the orchestra pit. Interestingly in an odd
edit, the first frame of this shot can be seen in some masters of the third episode's opening theme (with Joel Gray) between the shots of Rowlf
and the female chorus.
Like
the previous verse, the male chorus was later reshot but the members
of it are a bit different. Boppity is still there but the other Snake
Frackle is there instead of Gloat. There is a male pig, but this one
has a big orange wig and rock-star like sunglasses and the fourth member
is a purple half-man, half-creature whatnot that looks even more bizarre
than the somewhat monstery looking whatnot that was later used. They
do a conga line as they sing:
"It's
time to put on make-up
It's time to dress up right
You'll see the strangest creatures
On The Muppet Show tonight"
(Unlike the female chorus, only Boppity and Snake Frackle reappear in the closing verse; the other two do not.)
This is
followed by an animal chorus in front of the curtain made up of alternating
frogs and chickens that croak and cluck to the melody as the camera
pans down the line. The chorus line ends with T.R. Rooster (Frank Oz)
who announces, "Now here's our leader, Kermit the Frog!"
Kermit
comes out from behind the red curtain and sings "The show tonight
will feature a lovely song or two..." as the curtain opens to reveal
Wayne and Wanda as they sing "You made me say I love you"
and the curtain rapidly closes back while the duo seems as if they're
building to a climax.
Kermit
comes back in front of the curtain and sings "We also have some
dancing if that's what pleases you". The female chorus makes an
encore appearance in front of the curtain doing a kickline.
Once again
Kermit comes back and sings, "And Fozzie Bear will tell you some
jokes you never knew." Once again the curtain opens to reveal Fozzie
(BUT WITHOUT ANY EYEBROWS!) in front of his set piece who exclaims:
"A
funny thing happened to me on the way to the theatre, an old panhandler
came up to me and said he hadn't had a bite in weeks...so I bit him!
Sure it's an old joke, but he was an old panhandler!"
Curtains
close again and Kermit comes back out to sing, "To introduce our
guest star, that's what it's time to do. So it really makes me happy
to introduce to you... Miss Juliet Prowse!"
But instead
of the curtains opening to reveal a shot of the guest, Juliet walks
out on stage in front of the curtain and sings, "It's very nice
to be here/I'm pleased to say hello."
Then
finally the curtain opens to the shot used in the final version of the
cast on rising wedding-cake like risers singing the final verse with
the same gag that eventually aired with the mallet exploding upon impact
leaving a blackened Gonzo.
[With all
these extra verses, the one verse that does NOT appear is the extra
verse Kermit sings in the episode three opening. "Our show tonight
will feature some stuff that looks like this..." Most likely the
creative team felt the original open was too long and planned to condense
all the stuff about dancers and songs into this new verse, but this
idea was scrapped and left intact for just that one episode.]
[It was
also probably a wise decision to replace the guest star singing with
shots of the guest instead. Not only does it condense time a little
more, but also is less embarrassing to guests that may not be singers.
It also adds a bit more variety since the singing concept would have
the guests pretty much doing the exact same thing week after week whereas
with the brief shots, they can show the guest mugging it up in different
ways with different Muppets. Rita
Moreno can fend off an attacking Animal and Avery
Schreiber can wildly shake his hair to the fawning admiration of
weird aliens, for example. Still the singing version had an advantage
in that it completed the rhyme scheme ("hello" with "Muppet
Show") and it flowed better melodically. Without this lead-in,
the final lyrics end on a chord that sounds odd without the part that
was cut out since it resolves that particular melody line.]
[The
aired version shows a shot of Juliet Prowse with the Gazelles getting
a little too friendly. This may have been shot either for promo purposes
or they may have already been thinking of possibly using a cutaway shot
instead and wanted to see how both would work in the final edit.]
[In the
final shot of the cast on the risers, Gonzo, Fozzie, Wayne and Wanda,
and Kermit are there as well as all the female chorus plus Boppity and
Snake Frackle. They're joined in this shot by four whatnot males who
don't appear anywhere else in the opening theme in either this or the
final version of the theme.]
CURTAIN
KERMIT:
Hello everybody and welcome to The Muppet Show. The whole gang is here
and rarin' to go! We were going to open up the show with Sonia and her
singing seals, but...uh...well...unfortunately the seals got the flu
and to be honest with you, without the seals, Sonia doesn't have much
going for her! But instead, we're going to open the show with one of
the funniest young comedians in the business, Mr. Mirth himself...Fozzie
Bear!" (APPLAUSE)
FOZZIE'S
COMEDY SPOT
(Fozzie
now has his eyebrows where they will remain for the rest of the episode.)
FOZZIE:
Oh thank you! Oh, I love you! What a great audience - oh yeah! Oh,
I'm really happy to be here, yeah! I just got back from a three week
engagement in London. The engagement would have lasted longer but
her parents didn't like me!
(Laughter
from audience)
FOZZIE:
Just kidding though, I'm already married. My wife is a titled lady!
The Heavyweight Champion of the World!"
(Only
a little laughter from audience)
FOZZIE:
I wouldn't say she was fat, but when she goes swimming, she has to
get clearance from the harbor master!
(Silence
from the audience save for a single "Boo!")
FOZZIE:
What do you expect? I'm just a bear. If you want laughter, get a hyena!
[Cut to
Statler & Waldorf in the balcony]
STATLER:
How do you like the kid?
WALDORF:
I'd like him better if he was doing a comedy act.
FOZZIE:
Hey hey hey...come here... speaking of families, I come from a really
nutty family. Yeah yeah...my brother went crazy trying to throw away
a boomerang!"
(BOOS!)
FOZZIE:
A boomerang!
STATLER:
Boo! Terrible!
WALDORF:
Boo! Get off the stage!
[Profile
shot of Fozzie being met with massive jeers as Kermit is seen looking
out onto the stage from the wings shaking his head,]
FOZZIE:
Oh, I'm rolling now!
KERMIT
(as camera pans over to him): Boy, the kid could use some new lines.
BACKSTAGE
Kermit
makes his way backstage and notices a female whatnot chorus lady. Wayne
can be seen on the upper level going into his dressing room.
KERMIT:
Hey Roxanne, I was wondering if perchance if uh after the festivities,
you would join me for an evening of gourmet delights and terpsichorean
artistry?" (Aside to camera) "Boy, am I smooth!"
ROXANNE
(Eren Ozker): Could you be more explicit?
KERMIT:
Uh sure...what are you doing after the show?
ROXANNE:
Nothing.
KERMIT:
Well, how about a date?
ROXANNE:
Then, I'd still be doing nothing!
KERMIT
(as Roxanne walks off): Maybe *I* could use a new line! Hmmhmmhmm..let's
see what's happening in my office here...
(Walks
over to his smaller desk on the extreme left of the set past the stairs.
Hilda is coming out of the door.)
KERMIT:
Oh hi, Hilda.
HILDA:
Oh, Kermit! The backstage is a mess! These girls just THROW their
costumes EVERYWHERE! When I began in the theatre, we had RESPECT for
our wardrobe!
KERMIT:
Hilda...when you began in the theatre, the only wardrobe was a fig
leaf!
(Hears
Fozzie's music)
KERMIT:
Oop...Fozzie's finished...excuse me...I gotta go introduce the Great
Gonzo!
(Camera
follows Kermit as he crosses the set as Fozzie walks off the stage
mopping his face with his tie.)
FOZZIE:
Oh..oh boy, good crowd, good crowd, good crowd!
CURTAIN
KERMIT:
And now ladies and gentlemen, it's time to present the Great Gonzo
who will eat a rubber tire to 'The Flight of the Bumblebee!' Uh...let's
hear it for the Great Gonzo!
GONZO:
Thank you...thank you! A rubber tire!...
[When Kermit
brings on Gonzo, the camera cuts to a side shot of Kermit with Gonzo
coming out from the wings from stage left. It's very rare throughout
the show's run that a glimpse is seen of the stage left wings...though
a similar shot is later used in episode 11
when Kermit introduces Gonzo.]
[Gonzo's
voice is different during this part. It sounds as if the voice is being
done by Jim Henson even though Jim would be performing Kermit in the
same shot. Since Dave Goelz would voice Gonzo when he later appears
backstage, it's possible that there either was an audio problem meaning
the line would have to be looped and Jim did it or Gonzo may have been
originally intended to be a Jim character. Though if this was the case,
it would have been a short lived decision since as mentioned, Dave does
voice Gonzo later.]
BACKSTAGE
FOZZIE
(talking with Hilda): Oh boy oh boy, I killed out there, huh huh?
KERMIT
(passing by in background): Yeah, I knew something died!
FOZZIE:
Well, maybe I'm too hip for the room...FROOOOG!
HILDA:
I'll never forget when my father took me to see The Great Polko! There
was a clown in the true tradition! Oh, he was the funniest - no gimmick,
no shtick! He'd go out there with only floppy shoes, seltzer bottles,
fright wig, and a pig bladder!
FOZZIE:
But I go out there with nothing.
HILDA:
I know...you should try going out there with an act! (Boos are heard
from the audience as Gonzo comes offstage.)
FOZZIE:
Hey, really tough audience, huh Gonzo?
GONZO:
YOKELS! They don't appreciate a true artist ... ptew ptew...
KERMIT
(making his way to his intercom): Hey, 'scuse me guys...HEY EVERYBODY
ONSTAGE FOR 'AT THE DANCE'...'AT THE DANCE!'
FOZZIE:
Uh Kermit, where could I get a pig bladder?
AT
THE DANCE
["At
The Dance" is exactly the same as the aired version though it cuts
off before Mildred yells at Flower Eating Monster.]
ORCHESTRA
PIT
Animal
does a quick drum solo wildly hitting his drums. He is hit back by a
boxing gloved fist coming out of one of the drums (in a similar manner
to that of the "punch bowl" in episode
12.)
MUSICAL
NUMBER - "MAHNA MAHNA"
["Mahna
Mahna" appears here exactly as it aired in the final version.]
BACKSTAGE
[The
scene with Juliet coming out of her dressing room and talking with Kermit.
The scene is the same although it's from a different take. Even though
some of the delivery of the lines are different, the lines themselves
are all the same except Juliet says "No, none at all" instead
of "None whatsoever." The other notable difference is after
Juliet delivers her final line, Mahna Mahna pops up behind her and gives
her a
"Mahna Mahna!" Mahna can be seen just starting to emerge in
the last frame of the broadcast version. (The aired version contains
an exchange between Kermit, Scooter, and Muppy before cutting to the
Juliet scene previously taped.)]
ONSTAGE
Kermit's
intro and Juliet's Prowse's "Solace Dance" are both the same
as the aired version.
BALCONY
STATLER:
Well, it's intermission time. I'm going to get a soft drink.
WALDORF:
You already have one there in front of you!
STATLER:
Oh, I forgot...
(Accidentally
knocks it off balcony ledge. A long pause as Statler and Waldorf look
at each other, then look down.)
STATLER:
Look out!
UK
SKIT: MUSICAL NUMBER - "YOU AND I AND GEORGE"
[The same
as eventually aired though the last shot of Rowlf performing the song
is from a different take. The performance and delivery is very much
the same except at the very end Rowlf's hands play over each other and
he gives more of a flourish.]
TALK
SPOT/BALCONY
[The talk
spot is essentially the same but most of it is from a different take.
Kermit and Juliet both deliver their lines differently (Juliet hams
it up a bit more), but the lines themselves are basically the same except
for a few insignificant "reaction" lines. Statler and Waldorf's
"More more!"/"Less less!" is the same.]
BACKSTAGE
KERMIT
(calling into intercom): Uh, Muppet Players on stage please! Muppet
Players on stage!
FOZZIE
(as the bartender, Rowlf, and Miss Kitty cross in the background):
Oh...uh...am I a Muppet Player?
KERMIT:
Oh no, you're a Radio City Rockette!
FOZZIE:
Oh.
KERMIT:
OF COURSE YOU'RE A MUPPET PLAYER!
FOZZIE:
Oh oh oh - good oh good!
KERMIT:
Boy, where would they be without my astute leadership?
INTRO
A sign
fills the screen reading "The Muppet Players Present - Cowboy Time"
as Kermit provides voiceover: "The Muppet Players proudly present
"Cowboy Time!" Camera pulls back to reveal sign is a small
card Kermit has on a stand in front of the curtain.
KERMIT:
'Cowboy Time'? Is that the best we could do?"
COWBOY
SKETCH/BALCONY
This is
the same as what aired except after Fozzie announces "This is a
stickdown!", the following exchange occurs:
BARTENDER:
That don't make no sense!
ROWLF:
Yeah, uh..maybe you mean 'Reach for the SKY, this is a stickUP!'
FOZZIE:
Oh oh oh yeah...check! All right - nobody panic! Everybody keep your
money and throw your head on the floor! Oh oh, no wait! Uh, keep your
floor and ... and throw the money..oh...
FOZZIE
(to bartender): How does that go, huh?
BARTENDER:
Uh, what you want is our money right?
FOZZIE:
Yeah! Oooh yeah! No funny stuff or I'll plug you with my two-guns!
ROWLF:
Uh...you mean your six-guns.
FOZZIE:
Uh no no, TWO guns...you see I can only hold one in each hand!
ROWLF:
Yeah, but the two guns are six-guns!
FOZZIE:
How can two guns be six guns?
ROWLF:
EACH GUN IS A SIX-GUN!
FOZZIE:
You mean I got 12 guns?
ROWLF:
Oh, brother!
BARTENDER:
As a matter of fact kid, you ain't got NO guns! Those are pickles!
In the
aired version, the bartender's last line is looped with "You're
confused kid, you ain't got no guns...those are pickles" (The lip
sync is noticeably off) and the rest of the sketch plays out. The only
other difference is in the shot where the apple explodes, the Muppets
can be seen shaking in panic for a couple beats before the explosion.
The following balcony scene is the same.
ONSTAGE
The Juliet
and Zoot blackout gag is the same as what aired except the sound effect
when the stole takes its leave is a more "alien" type noise.
BACKSTAGE
KERMIT:
Uh, CLOSING NUMBER IS NEXT! EVERYBODY ONSTAGE FOR THE CLOSING NUMBER!
FOZZIE:
Uh...what's the closing number?
KERMIT (sarcastically): Twelve!
CLOSING
NUMBER - "TEMPTATION"
The
original version and the broadcast version are the same, both with Frank
Oz doing Piggy's spoken lines and Richard Hunt doing the singing. The
only difference is that the original version omits the following lines:
CHICKEN:
You wave that stick wonderfully!
PIG:
Yeah, when it comes to stick waving, Kermit wrote the book!
STAGE
CURTAIN/CLOSING THEME
All of the closing: the goodnights, closing theme footage, and balcony
comment are the same as what aired. Some of the credits, of course,
are different as listed above.
Guide
Written by
D. W. McKim and Phillip Chapman
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