Drove nine hours today after seeing the midnight-oh-one showing last night, but couldn't TALK to anyone in the car about it because of spoilers! Arghh! Had a few more things to add that I thought about. Random thoughts (see midnight-oh-one-showing reference and drove-nine-hours-today reference above)....
I didn't get why Scooter said he didn't go onstage? Are you kidding? The kid practically had to be blasted off the stage at times. But his nervousness at hosting duties, and chagrin at seeing the audience in their undies was funny. Maybe you have to be the host for a few years before you can get all the way to naked....
We don't really get to understand THAT Tex Richman can't laugh, or WHY Tex Richman can't laught. BTW--cute. Cute name.
I liked Fozzie's vulnerability all throughout. He is struggling with his life, but doesn't blame the others for not coming to his rescue. The chemistry between him and Kermit when Kermit offers him a way out made my heart go pitter-pat.
I liked that ALL of the women in the movie managed to be strong and supportive of the man (weirdo, frog) they loved without being limp noodles. Camilla loves Gonzo and understands that he feels like he has a reputation to live up to as a world-class plumber, but she knows in his heart he's still the performance artist who craves the grip of spandex. I like that Mary genuinely understands Gary's protectiveness and worry about Gary. Someone made the comment that Mary just jealously (and babyishly) wants Gary all to herself, but I'm going to respectfully disagree. That's not what Mary was doing at all. Yes, Mary felt hurt that Gary forgot the things that were important to her (Duh--male of the species) but her real angst in the movie was knowing that Gary is going to have to make a difficult choice, and the way he chooses is going to impact his future happiness--as well as hers. Gary can't be happy until he knows Walter is going to be okay, is going to find where he really belongs and Mary understands that. Walter growing up, and Gary LETTING Walter grow up, are both necessary steps for GARY growing up into a grown man, not just a big brother. And of course I love that Piggy comes and helps Kermit and supports him but DOES NOT knuckle under to his "You give up everything for me, but I don't want to commit myself." There seemed to be an awful lot of guy-growing-upness in this movie.
I think, in retrospect, that I am glad they did not include the big fight scene from after The Muppets Take Manhattan wedding. I've been thinking about this all day (I know you're shocked) and my reasons are myriad and complex. In the first place, I've had quite enough of Kermit being unspeakably unkind to Piggy for the past several years. I don't think I really want to see him taunt her with his lack of wanting her after everything he would have just put her through in filming TMTM. Let's see--he knows she loves him, not just casually, but with the forever-kind-of-love that he is wary of, he writes a scripted part JUST FOR HER in the movie in which she plays his fiancee, has to wear a wedding dress, walk down the aisle with him, has to sing that he's everything that will make her happy and endure him singing about how she will be everything he needs....and then insults and rejects her. I don't want to see that. Not in an extended version. Not at all. I'm now warily carrying around my junior novel in the sack I bought it in several days ago because I'm afraid I'm just not going to be able to stomach his hypocrisy if I read the part where he does that to her--and then accuses HER of being melodramatic. During their walk in Paris, he actually says, "...you make me hurt you," (soooo not true) as though him rejecting her was somehow HER fault in being just like she was when he fell in love with her. I LOVE that she defies him in this new movie with "This is how I am! Deal with it." (I hope I am quoting that accurately.) The Piggy I saw in the movie last night has made her peace with what she can live without (him) and what she can't--staying with him in a relationship where she commits and he doesn't. If you go back through ALL the old Muppet Shows and movies, can you think of ONE TIME Kermit actually apologizes for his part in their arguments? And twelve years later after supposedly saying those awful things that I don't want to witness, he has the audacity to come back and tell her "we need you"--not I need you. She calls him on it, and beautifully. Here is another objection that I have with the that fight scene--it invalidates years in which they were considered by Jim and company and the world at large to be married. This is convoluted, but stay with me--if you haven't abandoned this rambling already! It is impossible to reconcile ALL the DIFFERENT stories that we get with ALL the DIFFERENT timeslines and plot twists--it just can't happen. As much as I love IAVMMC, I don't think Whoopee Goldberg is God, or David Arquette is a Good Humor Angel. I can't reconcile Kermit and company making their first big movie under their "rich and famous" contract with the fact that they--apparently--then return to college to graduate. This is like looking at the work of Escher--we recognize a cohesive whole without quite being able to point to it. But the whole that they created definitely at one time included the fact that Kermit and Piggy were married. Frankly, having heard they were estranged in the movie, I assumed that one of the choices might be that they were separated--still married but living apart--because frankly THAT MAKES MORE SENSE that what I've heard the book implies. I can forgive a Kermit who just can't continue to live at the level of drama that being married to Piggy would entail--in all its wonderful craziness--more than I can like a frog who would toy with the affections of a pig who well and truly loves him--though he is undemonstrative and sometimes unkind.
There is a wonderful irony to the song, "Pictures in my head." Kermit sings longingly to the pictures of Fozzie, Gonzo, the Mayhem and Chef. There is another picture in that hallway, and it's one he can't even look at. "Is there more I could have said?" What do YOU think, Kermit? When they have collected everyone but Piggy, Kermit tries to insist that they have every one. (One wonders why--if they have everyone they need--Kermit felt compelled to even write a part of Piggy in all the other movies.) When Kermit gets back in the car after once again failing to commit to having genuine feelings for Piggy, his friends are all disappointed and sad but he won't even entertain their dismay. He KNOWS he's wrong, and they know it, too. (Because THEY ALL WITNESSED the aforementioned fight that I don't want to see!) And they (1) want him to go after Piggy in the first place and (2) are dismayed that he could not convinced because--as we all know--Kermit's friends just LOVE to see him unhappy and miserable all the time. Why do you think ALL of Kermit's friends were always trying to push the relationship along? Because they want him to be MISERABLE? Or because--like Mary's pushing of Gary--they know he can't be truly happy until he decides what he really wants to be--alone or happy.
Please excuse me. Was I, um, shouting? (steps gingerly off of soapbox) I am sleep-deprived and just a little dizzy with the thought that Kermit might just be getting it right this time.