2.3? That's pretty darn excellent for cable! That would be considered good numbers for most network daytime shows these days! For something that otherwise seemed a bit obscure (not really promoted that i'm aware of outside of DC itself and only then a week and a half beforehand) that's really pretty interesting that it pulled off those numbers.
Some random thoughts i had on rewatching...
I appreciate the dancing more and more each time i see it...dang for all the hoopla Kermit got for his bicycle ride in The Muppet Movie, it's mind boggling to even consider Kermit ever moving quite like this! Muppety magic.
If you basically took away the wrap away convention of the whole Studio DC wraparounds, and just broke the show down into its four major parts: Billy and Miley rehearse with their new band/The Suite Life sketch (the main sketch itself, not necessarily with the Swede Life wraparounds)/Bop to the Top number/Miss Piggy, the Jonas Sister -- and just kept those as little standalone bits that were just randomly aired on Disney Channel as what was probably initially envisioned, they would have worked quite well and left you hungry for more. Putting them together with the week Studio DC format took away their punch.
The odd thing is, compare that to the Youtube vids and the stuff on muppets.com - those are also short bits, all independant and just there, no overriding concept...yet if you put these together in a tv show or special on their own...just random Muppet hilarity (i picture it called "Muppet Madness"), those bits could totally work on their own. I'm guessing because those were totally in the hands of the Muppet creative staff and not hack writers/directors (i haven't even yet bothered to look up/Google/investigate who the people were who wrote/directed SD:AL, but i'm willing to bet they were pulled from the staff of one or more of those Disney sitcoms)
I got a huge laugh when it dawned on me that instead of having the full band backing the Jonas Brothers, that it was just Animal, Floyd, and Janice...yet the Jonas' themselves were a singer and two guitarists - so they're backed by a drummer...and *two more guitarists* - which seems like kind of a subtle jab at the musicality of the Jonas Brothers that they need the talents of other guitarists to back them up...and the whole irony of puppets being called in to add some extra musicality to what could be considered (in the more derogatory sense of the word) a "puppet band" almost was a little too delicious for my love-of-irony, hatrid-of-manufactured-musicians humor! (By the same token, who all thought the Snowths' "Doo-DOO"ings on the chorus totally outsang Miley on the whole song?)
If there's any One Life to Live fans on here, Miley Cyrus actually looked oddly like Melissa Archer (Natalie Buchanan) in this appearance, which is something i'd never thought when i've seen her elsewhere.
Some extra kudos for Floyd's performer, i had been so impressed with how Jerry-sounding he sounded when he spoke, that i didn't even notice until my latest re-watch, how much the PUPPETRY was totally spot-on!
(also a little bit of a sidetrack here, but speaking of relatively recent recast portrayals, i recently rewatched Muppets Wizard of Oz for the first time in awhile and the big thing i noticed this time around that i hadn't picked up on before was how brilliant Foo-Foo was played! Foo-Foo totally upstaged everything around him, which is quite the accomplishment given how Steve was Foo-Foo's original performer and how not only was one of Steve's initial strengths in his early days was the manipulation of Muppets and their bodies (again, DANCING KERMIT - HUZZAH!), but he would later go on to regulary upstage everyone with another non-talking dog in the form of Fraggle Rock's Sprocket! However, i don't think i've ever laughed so hard watching Foo-Foo until MWOO, since Foo-Foo had always mainly just been a "prop" character)