doc hopper
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Oh, and that's just my opinion from what I've observed from the frog and pig over the years. So you all may disagree.
The mobile lab is not totally pre-programed. There is a lot of live interaction, though some parts are pre-programmed with Dave and Steve and I think all of Beakers stuff is pre-programmed.I had heard there were at least two Mobile Labs. They can have manual voice control or a few hundred programmed responses. I thought Dave and Steve both spent time down there recording all the responses and then spent more time down there walking it in the park on manual control .. but AFAIK, the plan was always for whoever was going to operate it day to day in the park would use the pre-programmed voices, not do their own.
I could be wrong, that was the info i remember. It's been a while. There is video of the Dave/Steve tests on Youtube, or was.
I think during the muppet show years there was the friction but by the time of Muppet Family Christmas and the like the frog had certainly given in. The friction was brought back during the Steve years. My guess is that it was done to, as you said, make them more interesting and to keep things from getting stale. I mean, when you think of Clark Kent and Lois Lane you think of them as the couple that can never be together because Clark can never tell her he is Superman, you don't think of them as the married couple they have been for years now. Same with the pig and the frog.What made Kermit and Piggy's relationship so great in the very beginning was that Kermit resisted her overwhelming pushiness. Kermit was mean, often to the point of making pig jokes, sty references, etc. What made the chemistry so good between these two, originally, was friction. But they were somehow stuck with each other, and Kermit seemed to know it - so he'd give in knowing deep down that he probably loved her. Remember the Muppets' version of "We Got Us?" Kermit even mutters to himself, "unfortunately." So to have Kermit and Piggy be nice to each other just keeps them from being as interesting as they really could be.
See, I've got to agree with that. Tension is what makes iconic relationships work in entertainment...as long as they can keep the humor fresh.What made Kermit and Piggy's relationship so great in the very beginning was that Kermit resisted her overwhelming pushiness. Kermit was mean, often to the point of making pig jokes, sty references, etc. What made the chemistry so good between these two, originally, was friction. But they were somehow stuck with each other, and Kermit seemed to know it - so he'd give in knowing deep down that he probably loved her. Remember the Muppets' version of "We Got Us?" Kermit even mutters to himself, "unfortunately." So to have Kermit and Piggy be nice to each other just keeps them from being as interesting as they really could be.
ABSOLUTELY!Personally I'd rather have seen Johnny and Sal sing I've Got You Babe on the show. THAT would have been really funny!
I DID NOT and DO NOT tune in to see "Steve's Rendition of Kermit" either. I tuned in to see Kermit but I didn't see him. I saw a Kermit puppet and I heard a somewhat Kermit-like voice; but it wasn't Kermit. Sure, it was a decent simulation... but it wasn't the real genuine Kermit the Frog. And no matter how good to puppeteering and the vocals were to simulating Steve's; it doesn't make it anything more than a simulation. I don't want simulations, I want the real thing!I DID NOT and DO NOT tune in to see "Steve's Rendition of Kermit." I tuned in to see Kermit and I saw him.
I am concerned with what this means for the CHARACTERS; and I am not overly concerned with what this means for the MUPPETEERS.The truth of the matter is that I was so pleased with what the CHARACTERS were doing that I really wasn't that interested in what the MUPPETEERS were doing.
I'm not sure what you mean here. I've seen "Avenue Q" and totally believed and connected with the characters. The whole suspension of belief can happen even if you know (and can see) how the magic works.if the audience can't "believe" in the puppet because they are too focused on the puppeteer (Can you say "Avenue Q"?) then that whole "suspension of disbelief" is pretty much gone.
That side already seems pretty dark and less colorful than the Muppets I know - all of whom have made a habit of needling Miss Piggy in both humorous and sometimes downright rude ways since the beginning. It's clear they all still love her, but that's always been the bit (aside from a few fleeting Frog-Pig tender moments).Doesn't anybody want to come over to the un-dark side with me?
Recast like this reduce the frog down to nothing more than a visual (a well-crafted green sock with ping-pong ball eyes), a vocal approximation (a passable Jim/Steve impression), and some Kermit-isms ("Hi-ho", some swamp puns, a pig joke, an arm-whaling “yaaahh!", and a "sheesh" or two). That's not Kermit. What makes the Muppets rich and deep characters is the relationship between the performer, their Muppet, the other Muppets, and the audience. Flip-flopping between passable performers that fit the moment reduces the characters from rich, consistent and living characters down to stale catch-phrases and clichés.