Jamie: Good point about the "get down with your bad selves" line. That was truly cringeworthy. You reminded me of something else I disliked about Space -- the inexplicably entirely retro '70s soundtrack. That, in essence, made the film sound dated before it was released. I'd rather have a traditional musical from them or no music at all than a rock soundtrack that screamed, "We're a nostalgia act!" I'm not big on '70s nostalgia anyway; I grew up during the '80s, so that's my passion. Both Caper and Space have that '70s feel to them (though in Space's case it makes no sense). Even TMM has it to some degree, but there's enough of the timeless quality of the Muppets for me to still love it. At any rate, even if I loved '70s nostalgia, I still don't think it was an appropriate direction for Space.
Ahem. Oh, wait. I'm supposed to be defending my choice of Space over Caper, aren't I? ;-)
I certainly don't mean to imply that just because something is new that it's better. One only need compare Phantom Menace to the classic Star Wars films to see that's not true! I guess I wasn't overwhelmed by either Caper or Space, and my over-familiarity with Caper inclines me to want to watch Space more. If all things were equal -- if Space had been made during Jim's heyday, or if Caper had been made recently -- I suppose Caper would edge out Space.
I know what you mean about the spark missing in Space. I think they've been having trouble finding their rhythm again since the loss of crucial people, and the addition of new performers (which is a good thing and would have happened anyway) also has made the transition period challenging. They have to find their groove again -- or, more to the point, they have to find a new groove for the new mixture of people.
However, I felt the spark was still very much evident in TMTM. I can *completely* understand why many would choose Caper above Space, but I am surprised that so many choose Caper over Manhattan, which in my mind is a more "pure" Muppet film, if you will.
Admittedly, Piggy's '80s perm does look weird now. But sometimes people seem to forget that just about everything goes out of style eventually. They look at old pictures of themselves and say, "What was I thinking?" not realizing that they'll be saying the same thing about what they're wearing now in 20 years. Since, unlike the timeless look of Kermit or Fozzie, Piggy HAS to look as contemporary as possible, I guess we'll just have to deal with these "hiccups" in taste. I agree that her original hairdo is still the best.
I know what you mean about Fozzie going pyscho. I even mentioned that in reference to MTI. However, I wouldn't say it happened immediately after Manhattan. Fozzie was still in top form, I think, in the rest of the projects immediately up through Jim's death (MFC, the Disney World special, MuppetVision 3D, and Muppets Celebrate Jim Henson, etc.). The changeover really started to take place in MCC -- though not quite insane in that one, he does begin his practice of wearing wigs which he'll do for most of the '90s. However, while Fozzie was still not quite himself in MFS, I wouldn't go so far as to say he's still the nutcase he was in other productions.
Foz: Hey! I liked Ninja Turtles!
The early incarnations, at least.
Miss Piggy does need to get her neck back so she can move her head around properly. Poor pig. (There's an uncomfirmed rumor that she's getting a "facelift" for MF2.)
Beau: I don't mind them doing popular stories and fairy tales so much -- but they should do them as TV-movies at times when there's high output from them. When you're going three-and-a-half years in between any new Muppet output, it hurts to have them just pretending to be someone else.