Prequel vs. Sequel
So many folks on here are expressing dissapointment that a sequel, rather than a prequel, is being made. It's an interesting thing to mull over.
I think ultimately I prefer a sequel, unless they were to do a prequel that occured so far before the first film that we wouldn't simply be seeing a visual interpretation of what we already know: the crystal cracks, the races split, mass genocide ensues. How depressing is that? I mean, sure, the visuals would no doubt be wonderful, and the story would be well-told, but I find it difficult to get as emotionally involved with characters if I already know what is going to happen to them, especially if I know they will end up dead. (Why do I suddenly feel as though I'm talking about the Star Wars prequels?)
I understand the problems with a sequel; no one wants to see Jen and Kira portrayed in any way that is inconsistent with their original looks or personalities, and in a lot of ways it was sweet to end their story nice and tidy where it was, and let your imagination take over from there. But I'm willing to give the benefit of the doubt here.
It is true that the movie's main flaw was a rather ineffective storyline. The silly narrative voice-over didn't help; a direct violation of the film rule, "Don't tell me, show me." Visually, of course, it was as stunning as we all expect a Henson movie to be, and I think they will not dissapoint us in that area this time. So what I'm really concerned about is a stronger story. One of the challenges with DC is that it is not a comedy, unlike pretty much every other Henson production of that era I can think of. It takes itself deadly seriously. And that is a much harder thing to pull off with puppetry, particularly with cute puppets like the gelflings, so you'd better have a rock-solid story to help people suspend disbelief.
Now, the CG debate: the thing about CGI, to me, is that it has become sort of the "easy way out", in the sense that before it was available, the creators were forced into very innovative, creative ways to do things, and without that necessity we wouldn't have many of the wonderful puppetry techniques available now. But nowadays, it seems like the moviemakers just go, "Well, I can't think of a good way to do that effect...so we'll just do that in CGI." Now, I realize that CGI is an incredibly complex art with its own series of brilliant creative innovations, and I'm not belittling it at all. It has its crucial role in film. I just think many filmmakers have become too dependent on it, at the expense of being creative and innovative themselves. (Again, Star Wars deja-vu).
I prefer to be cautiously optimistic, in any case. It's amazing they are doing it at all, considering the box-office failure of the original. If they didn't think they could make this film work, they wouldn't touch the material with a fifty-foot pole, let alone make it a theatrical release. At least that's what I believe and hope. If it turns out to be a dud, I'll just ignore it the way I do Neverending Story 2&3, and leave it at that.