Personally VMX is one of my fave Muppet projects though it's not perfect there's just all sorts of great Muppety goodness and laugh out loud moments! I'm really quite surprised that it's not more accepted by other Muppet fans that post about it. Really the only things i didn't care for was the pacing (esp the beginning which gets off to a slow start and is a bit light on Muppets for the first 10-15 minutes) and too much NBC stars forced cameos, but this was really the project that gave me an overall great feeling watching it going "Yes - the Muppets are back where they need to be!" Like Wizard of Oz, i could tell they had a lot of great stuff filmed but cut to fit in a specific time constraint, some of which we got as deleted scenes on the dvd - but i would really love to see it get the "orginal extended cut" treatment that Oz got on its dvd release.
I wasn't that upset by lack of songs - songs can be both really great or they can really have the opposite effect they're meant to - sometimes too many songs have the result of slowing down everything (like "insert song here to fill quota") and take away plot and character moments...and if the songs aren't all that great, that makes it worse (I usually love Paul Williams but most of the songs in MCC were definately not among his best and after awhile got very annoying) - the Moulin Scrooge number was one of the all-time great Muppet moments and that alone was worth the price of admission! I also loved the beginning half of "Everything Matters" (though the second half once it got to the chorus was a bit sappy to me) - and just these by themselves were satisfying for me personally.
They got in some great jabs at so many classic Christmas specials and tales!
Club Dot was a fave of mine - i'm not as easily offended as some others tend to be and of course the whole point was that had with the resulting Butterfly Effect (or in a frog's case, Mosquito Effect?) that Kermit's never having been born had on the world, the out-of-characterness of the characters made perfect sense and why the shocking elements worked. There were be those who claim Muppets should never make nipple jokes (Oz) or have a cage-dancing Scooter in a ___fantasy(!)___ sequence and be these squeaky clean, always-play-it-safe, eternally pc, pure white as the driven snow cute lil' puppets. I'm not one of them - i love them when they dance near that edge (which when at their best they do quite frequently but still manage not to cross over into the blue category as found in South Park or Crank Yankers) and if they ever became saccharine or afraid of being non-offensive, that's when they would lose all the things that made them great. And that Scooter shot? Had me bellylaughing harder than anything else in the entire movie i'm sure much to the chagrin of my apartment neighbors)
In many ways, i felt that this was very much a first-major-project-after-MuppetFest influenced project. To me it seemed like after the creative team got a sense of its hardcore fan base and what we wanted to see and what we were tired of, VMX greatly benefitted from that whole experience (Yes, KSY also came out after MF, but it was already filmed and in the stages of post-production during the fest) VMX was really a true Christmas gift to this longtime Muppet fan and still holds up as one of my personal faves. This is one i wouldn't hesitate to reccomend to people (certainly not tell them to avoid it!)