minor muppetz said:
I would try to bring back a lot of the obscure characters who we haven't seen in new productiosn in years. If the puppets don't exist anymore, then I'd at least have them rebuild Lips, Digit, Seymour, Uncle Deadley, Thog, Doglion, Fletcherbird, and Leon.
I agree with this statement for a few reasons, not the least of which is my fondness for the characters themselves. I wanted to like "Muppets Tonight!" but I didn't; the writing was off (lack of Jerry Juhl), characters new and old alike lacking in dimension, direct parody too frequent, overall thrust of the show scattered and unfocused, and finally, lacking in ensemble. The old regulars were sidelined, the new regulars were underdeveloped, and the 'ensemble' was random. Uncle Deadly, for example, was both part of an ensemble and a developed character in his own right. He filled a niche (the charismatic monster/cult favorite). Same with Thog (sweet monster counterpart to other, scarier monsters). Same with the other full-body characters (great in spots with guest star, boon to production/dance numbers). MT! wasn't structured in the best way nor equipped with characters that could give it versatility. Many of the writers and directors came from other areas of TV comedy and IMO didn't know how to 'do' Muppets.
Main thing I would do if I were in charge is focus on the writing and do it the way it used to be, update as little as necessary. More "Very Merry Muppet X-Mas" and less "Muppets Wizard of Oz" -- remember, adult humor does NOT necessarily mean dirty. I'd refocus the writing to appeal on multiple levels the way it used to, from bad puns to highbrow references, and re-introduce the more complex aspects of the characters. The only updating I would do, really, is introducing situations in which the characters can continue to grow and in which the audience can explore their depths. If you want to know what I would do, read some of my TMS outlines:
http://forum.muppetcentral.com/showthread.php?t=16531&page=4
Gordon, I agree that the Muppets are broad (or at least they were), but disagree that they're not deep. As far as characterization goes, there is depth but a lot of it has been lost in the years since Jim died. Ever read "Of Muppets & Men: The Making of
The Muppet Show" by Christopher Finch? It's a great read and lays out the characters and how they and their universe work in surprisingly complex detail, and I'd highly recommend finding it. Quite possibly the best book ever written on the subject of the Muppets.
As far as projects, I'd go with more TV appearances, and not just core characters. Do some sketches like the old ones, with Whatnots, monsters, and other assorted unknowns, as well as old favorites. Work toward doing half-hour variety specials in the same vein. Work that toward a revival of TMS. There is talent out there enough to support a variety show; what is lacking is behind-the-camera talent who know how to do variety shows well, since the Variety Show Writer is an animal that's been extinct for about 20-25 years.
"The Cheapest Muppet Movie Ever Made" would be a great theatrical release if it could be done right. I'm skeptical, but after watching "Muppet Classic Theatre" I know there's some hope and that the writers CAN do the classic Muppet style. The big question is whether or not they're ALLOWED to do the classic Muppet style. As far as I'm concerned, writing is everything. A bad script sunk both "Kermit's Swamp Years" and "Muppets Wizard of Oz" before one frame of either was taped. And the bad script was a clear result of trying to pander to the audience, 'dumb it down' for an attempt at a certain demographic. And it's worrying.
As far as reruns, when was the last time Muppet Babies was on anywhere? Run it, run TMS, run FR. Re-familiarize the old audience with it and introduce new audiences. And make it prominent.
I'll post more if I think of anything.
David "Gorgon Heap" Ebersole