Two things... I tend to count Boohbah and Teletubbies as the same thing. Sort of like how I consider Dora, Mickey's Club House and Super Why the same thing. And Boohbah was an incredible flop anyway. There is something truly terrible out there on the horizon... something we can't possibly imagine or comprehend.BOOBAH! AAAAAAAAAHHHHHHHHHHH! the apocalypse has started.... I rather watch Tellytubbies and Barny in a row...
http://www.youtube.com/watch?v=tJvHrx1X-Gk
I didn't like it at first, but I'm willing to give it a shot for 3 reasons:what do you think of Yo Gabba Gabba? I dont know if I like it or not, but this song is just funny and catchy...
I can't even blame them. The character hit a LOT bigger than anyone thought it would, and it affected the show both positively (attention and merchandising- which goes back to other SW projects) and negatively (making him an extreme focus). The writers and directors keep him in because he's what keeps kids watching for whatever reason.I don't blame Kevin Clash for this, since he's a very talented puppeteer; I blame the directors and writers.
I think that the idea is bad enough... even if it were another character, even a one I like, the idea seems repetitive and pointless. Again, Abby's flying school... Murray had a Little Lamb... I even caught some of Munchin' Impossible (whether it will be on next season's show or not is anyone's guess at this point). What makes them different? They are less than 10 minutes (Abby just barely... it really does need an edit somewhere). and they all have either a plot or something interesting going on with it. Let's say they junk EW and replace it with a new segment where he goes out and does something interesting somewhere, has an adventure, goes out to find something new... then I wouldn't feel it's as bland.I agree and think the same thing. I would dislike any character who would get a spot like that
Welcome. This is a good question. Yes, it's been talked about quite a bit here so my thoughts will be one other people have seen before but in a sense a lot of us have been waiting for someone like yourself to contribute to the discussion - Elmo has touched a lot of people and really connects with kids so we've been wanting someone who is part of that audience to join in and contribute those thoughts.
I personally loved the character when it first started - in the 80's through the early 90's Kevin Clash came up with something very special - this sweet shy character with lots of energy filled with life and imagination. Elmo was a young enthusiastic character who got such a fun joy out of learning (and using) a "big word" like "important".
Then throughout the 90's a combination of things happened that tended to influence the others. The Tickle Me Elmo craze, Elmo's overexposure on the show, and the character changing from this sweeter shier character to a more hyper arrogant one. Gone was his hint of a lisp and things like calling Kermit "Mr. Green Frog". Scripts for Elmo got more generic and so did Kevin's portrayal. Older fans of Sesame Street (both "Muppet fans" and general population) felt that Sesame Street was becoming "The Elmo Show" and that this newbie was "taking over the street" especially at the expense of older more classic characters (This was among the background of Jim Henson and Richard Hunt being gone...and their characters fading plus Frank Oz's limited availability. He hadn't yet semi-retired from Muppeteering but due to his directing career, all Muppet projects had to work around his hectic schedule which usually meant him being available to tape stuff for Sesame during a few days. There was also the "Around the Corner" experiment with Season 25 where they debuted a whole new area of the neighborhood with new buildings and characters - this was too overwhelming and was abandoned five years later.) Sesame Workshop/Children's Television Workshop wasn't helping matters by doing projects like "Elmo Saves Christmas", "Elmopalooza!", "Cinderelmo" and "The Adventures of Elmo in Grouchland" which forced Elmo up front as the lead/titular character when Sesame had typically been an ensemble. Even the most casual observer could see that "Elmo" was becoming synonymous with "Sesame Street".
Then the last straw for many was when it was announced that the last 1/3-1/4 of the show actually was indeed "being taken over by Elmo" with the addition of Elmo's World. This was a few years before the overall show became a block segment format and a five minute piece was considered "long". To add a part of the show that not only was between 15-19 minutes but also centered on one character ... one that was getting more and more overexposed and was becoming more a flat corporate icon as opposed to an endearing personality ... just "proved" that Elmo was "The Little Red Menace", "The Monster that Ate Sesame Street" and "The Death of the Show". It didn't help that not only was the last third of the show was "All Elmo All The Time" but that he still tended to largely dominate much of the "regular" show as well.
Just like Elmo's rise in the 90's was taking place among the backdrop of the loss of older Muppeteers and overemphasis on new characters, so too does the changes happening with Sesame Street in the 2000's also need to be looked at in context with all that was going on with Elmo. Sesame Street as a production was skewing younger with its target audience being three and younger whereas its focus had previously been those up to age six (along with always trying to be appealing to the adults and older siblings watching with them to encourage children watching with their caregivers). The show had to sacrifice some of its quality and uniqueness in order to survive in a climate where cable and satellite television meant access to hundreds of channels and competition for ratings. Sesame was no longer the "go-to" show for children. They were one in a large and growing number of possibilities vieing for kids' attention. Whether fully justified or not, Elmo became the symbol, public face, and scapegoat of people's criticisms of Sesame Street and its changing in many ways not for the better.
Kevin Clash does make a huge effort to reach children and establish a deep connection with them. He truly cares about them and is very sincere in his roles and responsibilities. The way children respond to this is very magical and Kevin's talents and understanding of his place as a child's hero should not be overlooked or underestimated. But due to a combination of writing and performance, Elmo has lost a lot of the things that made him so endearing and unique in the beginning and has become more of a generic bland "everyMuppet". I do think that as much of Sesame's cast and crew have been engaging in a lot of retrospection with the 40th anniversary, Kevin seems to have sometime recently become a bit more aware of how the character of Elmo has gotten away from its roots and i've noticed that he's started to embue more of his recent performances with elements of "classic Elmo" and he's become easier and more fun to watch the last two seasons.
I hope so too. That is one of the reasons why I have generally enjoyed season 40.Present Day = They seem to be dialing back Elmo a little bit, but have also created Abby. However, more of the other classic characters are gaining screen time in this anniversary year. I hope they keep it up.
I find that SS has struggled with female characters since... well, if you give a non-white non-male character flaws, you're going to have one group after you for negative portrayal. Disney had to jump through so many hoops with the Princess and the Frog... the character was too African American... then she wasn't African American enough... it's a burden on the creative process when you try to make a realistic character that can believably hang out with the rest of the cast, and then come under fire for making the character negative, leaving you with a personality devoid Mary Sue.on me. I just think of her as a cute character. Besides, I realize that its important for Sesame Street to have good female characters.
(in case anyone was wondering, I am a guy)
As some have said, I don't think Elmo is evil and I certainly don't hate him.
Yes, they seem to have dialed back on Elmo lately, and for that I am glad. He is a cute character, but the character taking control of everything is bad. That is why I cannot sit through Elmo's World. Although I do give them credit for including some classic characters in Elmo's World from time to time.
And let's face it, that whole "Dorthy has a question" thing is a complete smoke screen. Its all Elmo using his imagination and they are really all of his questions, not his fish. So again, the character is talking control.
At least other countries show it separately. Why can't they do the same here?Drtooth said:Had it been some DTV series or a separate half hour show, it wouldn't be so bad...
I think it just always felt uneven compared to the rest of the show. You see 3 minutes of the letter G, 3 or 4 minutes about the number 9, and then 15 minutes about feet. They don't stress numbers and letters in the entire show the way they stress one subject in EW. Had it been some DTV series or a separate half hour show, it wouldn't be so bad...
And you can tell that everyone involved wants to make it better than it is... references to old movies... there was that one about ears that had 2 references to Looney Tunes. The Hair one referenced Cousin Itt for crying out loud. The segment wants to be better than it is, but just can't. And they can't even get rid of it.
I'm sure the Sesame Street creative team would be worried about it hurting viewership of the rest of the show. And I really don't think it would work as a seperate program. Then there's an entire show just about Elmo, rather than just an annoying smudge on a beautiful painting.At least other countries show it separately. Why can't they do the same here?
2 words... PBS. Wait... that's not even 1 word... it's 3 letters. Oh well, two words does sound a might flashier than three letters, doncha think?At least other countries show it separately. Why can't they do the same here?