I agree that you have to like what you like. While it is worth it indeed to like something more obscure and without much of a following, it sucks that it's hard to find others to talk about it with and even suckier that there's less of a market for it than some movie/TV show/whatever who's popularity doesn't make sense.
It also sucks that these kinds of things are a double edged sword. If something's unsuccessful, you never see it again yet if it's overly popular for the wrong reasons, that's all you see. I do see a bright spot in crappy remakes. There's usually quite a bit of classic material or at least merchandising supporting it. If the Smurf movies weren't made, we wouldn't see the first American available English reprints/translations of the original Smurf comics (which are a billion times better than the cartoon ever was). Didn't even have that when the cartoon was popular and merchandise was flooding the stores. It took a meh kiddy flick to do that.
It also sucks that these kinds of things are a double edged sword. If something's unsuccessful, you never see it again yet if it's overly popular for the wrong reasons, that's all you see. I do see a bright spot in crappy remakes. There's usually quite a bit of classic material or at least merchandising supporting it. If the Smurf movies weren't made, we wouldn't see the first American available English reprints/translations of the original Smurf comics (which are a billion times better than the cartoon ever was). Didn't even have that when the cartoon was popular and merchandise was flooding the stores. It took a meh kiddy flick to do that.
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, that's the reason it bombed, the sad part is though, is the fact that Ricky Gervais really wanted the acting part and he got it, and audiences were ticked off by it, but he really fitted the criminal role more than Christopher Waltz, so there's that, in order to have a criminal character, you've got to make him ugly.

