Though, let's also say that at least we don't have some lousy forger doing the comics either... that's the thing I respect the most... though I still think leaving everything unresolved was a big disappointment. But as for the specials... I agree to an extent... I think it's the mixture of BOTH reasons why they didn't gel. They had to alter the old strips in a way that they make a connected plot. And somehow, that worked a LOT better with The Charlie Brown and Snoopy Show.The Peanuts remain popular because their original specials can still be seen. Not because they keep attempting new projects. That's what has been the problem with the Muppets. This idea that wanting their past best work to come first is somehow wrong.
I wouldn't be saying this if the projects from the '90s had been successes. But they weren't. If something's not working you don't keep trying it again and again because you're convinced it's right. What counts in the business is whether you're just coming off a success. If you're not, sometimes you need to look inward at what you can be doing differently.
That said, and this is coming from a HUGE Garfield fan, the only thing that really brought relevance back to the comic strip was the internet and Garfield minus Garfield.
So when it comes down to it, even when you have the same creative forces, the magic of certain things doesn't last.
However, I still say that any cartoon/TV show can live on if done RIGHT. That means no hip hop where it shouldn't be, no pop culture references that shouldn't be there, and if you have to make a movie at LEAST watch multiple episodes of the series BEFORE you write the script... and when you do, try to steer the studio clear of Mary Sue characters.
To me the one thing lacking after Henson's death WAS that leadership. MCC and MTI came out of when they were wondering to what extent to use Kermit... and somehow, they're strong projects in spite of that, but weak for not having a better Muppet to human ratio... or at least MCC was... MTI felt stronger.
Essentially MFS SHOULD have been a better movie, but that one had directing problems... and the funk track made no sense.
VMX is fine for a special, though I stifle to call it a real movie. If you were to edit it down some, you'd have a stronger project (just cut out the NBC promos).
Oz was outright junk, and rushed. There's nothing I can say I haven't said before... stunt casting and all.
LTS would have been much better had it been in pre-production a LOT longer, and wasn't a 40 minute with 20 minutes of commercial break every 2 minutes. The plot was a bit juvenile, I'd admit that... but at least they weren't trying to get drunken 20 something [adultswim] watchers or tweenagers.
There is potential for a GOOD project, but it all depends on writing and direction. We have some fans in the biz making these movies, so again, I wouldn't worry about anything.
That said, in no way am I expecting anything to eclipse the first three. Something with the spirit, maybe... but anything better than a seizure inducing 60's Batman looking reference fest. Really, Oz looked like it took place in the world Kermit wasn't born. It was THAT dismal looking.
But to the main point... it all depends on the property too. Some age terribly, some revive flawlessly. Scooby-Doo has never been off television for more than a decade (and most of the time they have the same plot), Batman keeps coming back in some form (even though Schumaker almost killed him outside of comic books), and I have to admit, I like the House of Mouse/Mouseworks Mickey shorts more than the ones Uncle Walt did. Heck, Wayne was the best Mickey we ever had... he actually gave the character the personality no one else could.