LouisTheOtter
Well-Known Member
- Joined
- Jan 25, 2012
- Messages
- 326
- Reaction score
- 512
I have a certain bias towards GMC because it was the first Muppet movie I ever saw, in a theatre or anywhere else, but even as an adult I still think it's an amazing movie and will likely feel that way for a long time. (I watched it last September, on my 41st birthday, as part of an all-day Muppet movie marathon and was surprised and delighted with how well it holds up.)
I personally rank GMC second overall (behind TMM), with TM2011 in third and MMW a close fourth. (At the risk of starting any controversy, I actually have MFS at fifth.)
I hesitate to use GMC as a device to critique MMW because I had a blast at MMW and, in some ways, I think the new movie improves on what GMC did. "We're Doing A Sequel" feels like version 2.0 of "Hey, A Movie," with that same self-awareness upgraded with a few sharp swipes at Disney and Hollywood in general. And I like the writing and pacing of MMW just a little better. (Sometimes the scene with Piggy attempting to impress Kermit at John Cleese's mansion just drags on a little too long for me to fully enjoy it.)
Somehow, MMW's music works a little better for me, too. I find it a bit catchier and a little more mature. "Hey, A Movie" and "Happiness Hotel" will always be favourites, but I prefer at least four MMW songs to the likes of "Piggy's Fantasy," "Stepping Out With A Star" or "The First Time It Happens." (Again, not running those songs down - I just like the MMW music better.)
All that being said...GMC has several elements that make me love it to pieces, including the Kermit-Fozzie-Gonzo chemistry, the routine fourth-wall breaking (especially Kermit taking Piggy aside in the park to criticize her over-acting), the running gag about Kermit and Fozzie's dad (absolutely nailed by Jerry and Christine Nelson in the "park cameo" that gets more bittersweet with each passing year), some astounding achievements in puppetry (the bicycles in "Couldn't We Ride," Kermit's dancing in "Stepping Out With A Star," Piggy crashing through the window of the Mallory Gallery on her motorcycle, and the eye-popping underwater photography in "Piggy's Fantasy"), the organic feel of the Muppets in both the indoor and outdoor scenes, and the gentle good humour that accompanies the whole film. The original Muppet performers were at their peak in this movie and Jim Henson brought the best out of all of them in the director's chair.
So I'll always rank GMC above MMW (and, likely, most other Muppet movies, past, present or future) but I'm delighted that both of them exist in the Muppet filmography.
I personally rank GMC second overall (behind TMM), with TM2011 in third and MMW a close fourth. (At the risk of starting any controversy, I actually have MFS at fifth.)
I hesitate to use GMC as a device to critique MMW because I had a blast at MMW and, in some ways, I think the new movie improves on what GMC did. "We're Doing A Sequel" feels like version 2.0 of "Hey, A Movie," with that same self-awareness upgraded with a few sharp swipes at Disney and Hollywood in general. And I like the writing and pacing of MMW just a little better. (Sometimes the scene with Piggy attempting to impress Kermit at John Cleese's mansion just drags on a little too long for me to fully enjoy it.)
Somehow, MMW's music works a little better for me, too. I find it a bit catchier and a little more mature. "Hey, A Movie" and "Happiness Hotel" will always be favourites, but I prefer at least four MMW songs to the likes of "Piggy's Fantasy," "Stepping Out With A Star" or "The First Time It Happens." (Again, not running those songs down - I just like the MMW music better.)
All that being said...GMC has several elements that make me love it to pieces, including the Kermit-Fozzie-Gonzo chemistry, the routine fourth-wall breaking (especially Kermit taking Piggy aside in the park to criticize her over-acting), the running gag about Kermit and Fozzie's dad (absolutely nailed by Jerry and Christine Nelson in the "park cameo" that gets more bittersweet with each passing year), some astounding achievements in puppetry (the bicycles in "Couldn't We Ride," Kermit's dancing in "Stepping Out With A Star," Piggy crashing through the window of the Mallory Gallery on her motorcycle, and the eye-popping underwater photography in "Piggy's Fantasy"), the organic feel of the Muppets in both the indoor and outdoor scenes, and the gentle good humour that accompanies the whole film. The original Muppet performers were at their peak in this movie and Jim Henson brought the best out of all of them in the director's chair.
So I'll always rank GMC above MMW (and, likely, most other Muppet movies, past, present or future) but I'm delighted that both of them exist in the Muppet filmography.