RedPiggy
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THE DIGIT CODE
[Author’s Note: This is in my Flick Fic universe. It follows Spring Forward, where the Sinclairs and other dinosaurs are brought to the modern world thanks to a teleportation accident by MuppetLabs.]
[Fade-in. Kermit the Frog is standing behind a desk. On top of the desk is a pink box with a lid and a giant purple question mark on the front side. The background is sky blue. The image is full-screen, not taking up the entire widescreen movie screen dimensions, making it seem so small and unassuming.]
Kermit (looking at the camera happily): Hi-ho, Kermit the Frog here, and *wraps an arm around the box* this is a Mystery Box. You see, if anybody can guess from the clues I give, what is in this box, then they can keep what is in this box.
[The scene quickly fades to black as ominous music plays while close-ups of various items scroll past the camera in a montage. Images of a long white banner with the alphabet written in green scrolls from right to left, a close-up of the Swedish Chef’s hand with a wedding ring floats up from the bottom, a centered video of Bunsen and Beaker playing with a teleporter before it explodes fades in and out, a close-up cropped shot of the giant blue butterfly in the flowery field of “Heaven” from VMX floats from top left to bottom right, a centered video of a bright light flashing in a forest revealing an awakening Sinclair family fades in and out, a still shot of Nicky Holiday threatening Kermit with a gun zooms in and dissolves, the White Lion from the Jim Henson Hour appears against a black background, rolling his eyes, and finally a centered video of Bunsen and Digit bantering and then Digit pounds away on his keyboard, cutting to the scene where Richfield falls. The scene fades out to black. The screen stays black as the music suddenly pops out at the audience to surprise them, with the title in large white font: THE DIGIT CODE. The scene cross-fades with the backstage of the Muppet Theater. Various Muppets are contributing to set pieces in the background. Kermit bursts out of the top right-most door on the second floor of the backstage area, with Gonzo in hot pursuit. The camera follows them.]
Kermit (running): I don’t have time for this, Gonzo!
Gonzo (running): I promise it won’t take very long at all!
Kermit: No!
Gonzo (dashing to the front and kneeling before Kermit, who nearly falls on top of him): Please?
Kermit (scrunching his face): Absolutely not!
Gonzo (tags along as Kermit moves to the front desk, his usual spot near the wall phone): C’mon, Kermit! You never let me have any fun anymore!
Kermit (growls and whips around, arms flailing, exasperated): You’re still employed here, aren’t you?
Gonzo (shrugs, looking at the floor): Well, yeah ….
Kermit (maintaining his exasperated tone): Then consider yourself emotionally supported!
Scooter (walks by with Pepe, shrugging): And now we’re even financially supported.
Pepe (nods): You’re welcome, h’okay. *pauses for a beat, then elbows Scooter as they near the end of the screen* No, no – I don’t mean you have to stop, h’okay. You may be continuing with the singing of my praises for the using of red tapes to our advantages, señor.
Scooter (stops and glances at Pepe): Thank you.
Pepe: Oh, you’re quite welcome.
Scooter (shakes his head): But you’re still only getting twelve bucks an hour. *walks left off-screen with Pepe*
Kermit (shaking his head and talking more calmly to Gonzo): Look, Gonzo, it’s not that I don’t trust you.
Gonzo (sighs): Are you still mad about the Flintstones sketch?
Kermit (sighs, turns away, writing on a notepad): Just because bees were used in clam shells for shaving doesn’t mean you should’ve given that same thing to Piggy.
Gonzo (gulps, looking up at the only dressing room on the second floor with a gold star on it): Is she mad about the historical inaccuracies or is she mad that her neck is so swollen it can touch her knees?
Kermit (groans, frowning): The problem is that bees sting, they don’t cut anything, Gonzo.
Gonzo (shrugs): But it looked awesome in the cartoon!
Kermit (turns and puts a hand on Gonzo’s arms): Not all of us get too thrilled with misery and destruction, Gonzo.
Gonzo (downcast): But … but … that’s what proves we’re even alive.
Kermit (shakes his head, taking his hand off and shrugging): Breathing proves we’re alive. Heartbeats prove we’re alive. We don’t have to be shot out of a cannon toward a six-inch-thick dab of jelly on the wall just to see if it’ll cushion the impact.
Gonzo (thinks for a bit, then perks up): Hey, I haven’t tried --.
Kermit (clamps his mouth shut): No. *glances at the other Muppets working on set pieces* Don’t you guys have a sketch to do? *watches as the Muppets leave for the stage with the set pieces, turning back to Gonzo, resting an elbow on the desk* Gonzo, I can shrug off pushier salesmen than you. What makes you think I’ll give in?
Gonzo (shrugs, fumbling around his back pockets): Well, you know that day care center where we used to hang out as kids? *pulls out a large rolled up piece of paper and unrolls it to reveal an oil painting of Piggy in a French can-can outfit, with a little pink rollerskate in the bottom left corner* Don’t let Camilla know, but I still have this.
Kermit (appears shocked at first, but shrugs and walks to peek at the stage, not looking at Gonzo): You know, a lot of the stuff we think about our childhoods is all in our heads. We let our imaginations fill up all the blanks a kid has growing up.
Gonzo (shrugs slightly and rolls the paper back up): You know, you’re only blocking that all out because she --.
Kermit (whips around and barks): I’m not getting into this, Gonzo! *storms off toward the back door, but we hear him jiggle a lock and chain* AAARRGGH! *walks back up the small staircase, to Gonzo* Fine. I give up. *shrugs* You want to know the ancient secret that will knock the socks off Muppetkind? *puts his hand to his heart* Well, it’s all in here. You can nag me all you want, but I just simply can’t reveal the secret.
Gonzo (waits a few seconds): What secret?
Kermit (surprised): You weren’t nagging me over some mind-bending secret?
Gonzo (shakes his head, shrugging): No, why? Do you know any? *pulls out an old small black box with a tiny lens on the front* I just wanted to use this daguerreotype to take your picture for the next playbill.
Kermit (pauses for a bit): Uh, why not just use Scooter’s new digital camera?
Gonzo: Pshht. As if! *holds it out closer to Kermit* Kermit, it’s a dagu … erreo … type. It’s like one of the first cameras ever made! *hugs it* It’s such an important part of photographic origins.
Kermit (chuckles, nodding): Okay, Gonzo. I’ll do your picture. Where do you want me?
Gonzo (pointing to the floor in front of the staircase)
Kermit (nods and stands next to the banister)
Gonzo: Uh, Kermit? I need you to lie down in this picture, with your arms and legs all stretched out.
Robin (comes down the stairs): Can I help?
Kermit (frowns): Hi, Robin. Gonzo’s trying to get me to pose for a picture right now. How’s Piggy?
Robin: Uh … I think the lotion’s helping. But I don’t think you’ll be happy with some of the new words I’ve learned.
Kermit (gawks at him)
Robin (walks off, shrugging): She was really angry and kept telling me to pardon her French. *stops* Uncle Kermit? *pulls out a cellphone, where we can hear bad audio playing of Piggy screaming* How come I didn’t learn these words in French class?
Kermit (nervously closes the cellphone and puts it away): Uh … never mind. Thanks for your help, Robin. Go make sure the band has the right sheet music for the closing number, okay? Floyd keeps shoving it back under my desk.
Robin (nods): Okay, Uncle Kermit.
[Fade-out]
[Author’s Note: This is in my Flick Fic universe. It follows Spring Forward, where the Sinclairs and other dinosaurs are brought to the modern world thanks to a teleportation accident by MuppetLabs.]
[Fade-in. Kermit the Frog is standing behind a desk. On top of the desk is a pink box with a lid and a giant purple question mark on the front side. The background is sky blue. The image is full-screen, not taking up the entire widescreen movie screen dimensions, making it seem so small and unassuming.]
Kermit (looking at the camera happily): Hi-ho, Kermit the Frog here, and *wraps an arm around the box* this is a Mystery Box. You see, if anybody can guess from the clues I give, what is in this box, then they can keep what is in this box.
[The scene quickly fades to black as ominous music plays while close-ups of various items scroll past the camera in a montage. Images of a long white banner with the alphabet written in green scrolls from right to left, a close-up of the Swedish Chef’s hand with a wedding ring floats up from the bottom, a centered video of Bunsen and Beaker playing with a teleporter before it explodes fades in and out, a close-up cropped shot of the giant blue butterfly in the flowery field of “Heaven” from VMX floats from top left to bottom right, a centered video of a bright light flashing in a forest revealing an awakening Sinclair family fades in and out, a still shot of Nicky Holiday threatening Kermit with a gun zooms in and dissolves, the White Lion from the Jim Henson Hour appears against a black background, rolling his eyes, and finally a centered video of Bunsen and Digit bantering and then Digit pounds away on his keyboard, cutting to the scene where Richfield falls. The scene fades out to black. The screen stays black as the music suddenly pops out at the audience to surprise them, with the title in large white font: THE DIGIT CODE. The scene cross-fades with the backstage of the Muppet Theater. Various Muppets are contributing to set pieces in the background. Kermit bursts out of the top right-most door on the second floor of the backstage area, with Gonzo in hot pursuit. The camera follows them.]
Kermit (running): I don’t have time for this, Gonzo!
Gonzo (running): I promise it won’t take very long at all!
Kermit: No!
Gonzo (dashing to the front and kneeling before Kermit, who nearly falls on top of him): Please?
Kermit (scrunching his face): Absolutely not!
Gonzo (tags along as Kermit moves to the front desk, his usual spot near the wall phone): C’mon, Kermit! You never let me have any fun anymore!
Kermit (growls and whips around, arms flailing, exasperated): You’re still employed here, aren’t you?
Gonzo (shrugs, looking at the floor): Well, yeah ….
Kermit (maintaining his exasperated tone): Then consider yourself emotionally supported!
Scooter (walks by with Pepe, shrugging): And now we’re even financially supported.
Pepe (nods): You’re welcome, h’okay. *pauses for a beat, then elbows Scooter as they near the end of the screen* No, no – I don’t mean you have to stop, h’okay. You may be continuing with the singing of my praises for the using of red tapes to our advantages, señor.
Scooter (stops and glances at Pepe): Thank you.
Pepe: Oh, you’re quite welcome.
Scooter (shakes his head): But you’re still only getting twelve bucks an hour. *walks left off-screen with Pepe*
Kermit (shaking his head and talking more calmly to Gonzo): Look, Gonzo, it’s not that I don’t trust you.
Gonzo (sighs): Are you still mad about the Flintstones sketch?
Kermit (sighs, turns away, writing on a notepad): Just because bees were used in clam shells for shaving doesn’t mean you should’ve given that same thing to Piggy.
Gonzo (gulps, looking up at the only dressing room on the second floor with a gold star on it): Is she mad about the historical inaccuracies or is she mad that her neck is so swollen it can touch her knees?
Kermit (groans, frowning): The problem is that bees sting, they don’t cut anything, Gonzo.
Gonzo (shrugs): But it looked awesome in the cartoon!
Kermit (turns and puts a hand on Gonzo’s arms): Not all of us get too thrilled with misery and destruction, Gonzo.
Gonzo (downcast): But … but … that’s what proves we’re even alive.
Kermit (shakes his head, taking his hand off and shrugging): Breathing proves we’re alive. Heartbeats prove we’re alive. We don’t have to be shot out of a cannon toward a six-inch-thick dab of jelly on the wall just to see if it’ll cushion the impact.
Gonzo (thinks for a bit, then perks up): Hey, I haven’t tried --.
Kermit (clamps his mouth shut): No. *glances at the other Muppets working on set pieces* Don’t you guys have a sketch to do? *watches as the Muppets leave for the stage with the set pieces, turning back to Gonzo, resting an elbow on the desk* Gonzo, I can shrug off pushier salesmen than you. What makes you think I’ll give in?
Gonzo (shrugs, fumbling around his back pockets): Well, you know that day care center where we used to hang out as kids? *pulls out a large rolled up piece of paper and unrolls it to reveal an oil painting of Piggy in a French can-can outfit, with a little pink rollerskate in the bottom left corner* Don’t let Camilla know, but I still have this.
Kermit (appears shocked at first, but shrugs and walks to peek at the stage, not looking at Gonzo): You know, a lot of the stuff we think about our childhoods is all in our heads. We let our imaginations fill up all the blanks a kid has growing up.
Gonzo (shrugs slightly and rolls the paper back up): You know, you’re only blocking that all out because she --.
Kermit (whips around and barks): I’m not getting into this, Gonzo! *storms off toward the back door, but we hear him jiggle a lock and chain* AAARRGGH! *walks back up the small staircase, to Gonzo* Fine. I give up. *shrugs* You want to know the ancient secret that will knock the socks off Muppetkind? *puts his hand to his heart* Well, it’s all in here. You can nag me all you want, but I just simply can’t reveal the secret.
Gonzo (waits a few seconds): What secret?
Kermit (surprised): You weren’t nagging me over some mind-bending secret?
Gonzo (shakes his head, shrugging): No, why? Do you know any? *pulls out an old small black box with a tiny lens on the front* I just wanted to use this daguerreotype to take your picture for the next playbill.
Kermit (pauses for a bit): Uh, why not just use Scooter’s new digital camera?
Gonzo: Pshht. As if! *holds it out closer to Kermit* Kermit, it’s a dagu … erreo … type. It’s like one of the first cameras ever made! *hugs it* It’s such an important part of photographic origins.
Kermit (chuckles, nodding): Okay, Gonzo. I’ll do your picture. Where do you want me?
Gonzo (pointing to the floor in front of the staircase)
Kermit (nods and stands next to the banister)
Gonzo: Uh, Kermit? I need you to lie down in this picture, with your arms and legs all stretched out.
Robin (comes down the stairs): Can I help?
Kermit (frowns): Hi, Robin. Gonzo’s trying to get me to pose for a picture right now. How’s Piggy?
Robin: Uh … I think the lotion’s helping. But I don’t think you’ll be happy with some of the new words I’ve learned.
Kermit (gawks at him)
Robin (walks off, shrugging): She was really angry and kept telling me to pardon her French. *stops* Uncle Kermit? *pulls out a cellphone, where we can hear bad audio playing of Piggy screaming* How come I didn’t learn these words in French class?
Kermit (nervously closes the cellphone and puts it away): Uh … never mind. Thanks for your help, Robin. Go make sure the band has the right sheet music for the closing number, okay? Floyd keeps shoving it back under my desk.
Robin (nods): Okay, Uncle Kermit.
[Fade-out]