I love Bill, too. His language is so beautiful, and his characters so memorable.
I have never gotten to perform any of his works, though I have ached to for some time. Whenever I read a play, I like to imagine it as if I were staging it, and make each one unique as I can. Here are some of the ideas I've had (not all of these are my original ideas, but when someone says something that inspires me, I run with it and come up with ways to make it my own
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Romeo and Juliet set in 1960s Georgia. The Capulets are wealthy white merchants, the Montagues are poorer black farmers. The color lines are crossed further by white Juliet's Nurse being black and black Romeo's confessor (Friar Lawrence) being white. I'm sure this has been done before, but I think it could be very striking.
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Romeo and Juliet (again) with Juliet's family devout Muslims and Romeo's family devout Catholics living in NYC. This one would be a little harder to pull off, due to the Capulets being obviously Catholic in the play's dialogue, but I have a vision of an opening scene with the stage split in two: On one side, the Capulets are praying together in a mosque, on the other side, the Montagues are praying together in a cathedral.
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Titus Andronicus in Civil War Louisiana. Titus and co. are plantation owners, while Tamora and the Goths live in the swamp. Of course, there'd be plenty of voodoo mixed in with the blood and guts.
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The Tempest with gender-reversed roles. Miranda, Ferdinand, and Caliban would all stay the sexes they are in the text, but Prospero ("Prospera") and the others are all swapped. I think two feuding sisters would be interesting.
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Much Ado About Nothing in a modern-day high school. Hero is the local preacher's daughter, Beatrice and Benedick are the bickering cohosts of the school's radio show, Don John and his posse are the gloomy outcasts, Claudio is the star of the football team, and Dogberry is the doddering principal.
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The Taming of the Shrew in a modern-day metropolis with Katherine and Petruchio as superheroes. I haven't thought this one all the way through yet, but I think it'd be funny if Kate doesn't want her father or anyone else to know her secret identity, and Pet is the new hero in town moving in on Kate's turf... it has potential.
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The Taming of the Shrew in the old west. There was actually a production like this in the 70s, with Morgan Freeman and Tracy Ullmann. Doesn't that sound awesome?