sorry for the long wait...but here they are.
My teacher was finally able to get me these answers back. he was not able to answer one of the questions but...here are the answers of the questions he was able to answer..
sorry, for them being so short...I hope this helps at least a little (he does not like interviews...I had to buy him a coffee in order for him to answer these)
Was there really a blue big bird? Or was it lighting?
KD: The blue big bird suit was made that way in post production by a colourist to achieve that effect.
How was the story and/or idea for this film developed?
KD: As far as I know, the film was developed to bring Sesame Street to as many people as possible, so just to increase the audience.
Were there any deleted scenes?
KD: To be honest, I don’t know the answer to that question, I had nothing to do with post-production.
What was it like working with Dave Thomas and Joe Flaherty?
KD: Dave and Joe were great to work with as the Sleaze Brothers, very professional as was John Candy as the policeman. John had a great deal of trouble getting the motorcycle to run, but he had a great sense of humour about it.
Do you know of any major changes between the original script and finished film?
KD: As far as I can remember, there were no major changes to the script.
What was it like to work with Carroll Spinney?
KD: Absolutely one of the nicest men I have ever worked with in this business. Very professional, very kind to everyone and never a complaint.
How long was the film in production?
KD: The movie took 17 weeks to shoot, with both a first and second unit shooting at the same time.
What did they do with the Sesame Street set they used in the film?
KD: I think it was just taken down and put in tractor trailers and driven to the Henson Storage area in New York.
Was Jim Henson really involved with this project as much as he was with some of his other Muppet projects?
KD: Jim was there quite a bit, and of course he was also acting in it with Frank Oz when we did the Bert and Ernie scenes.
What is your favorite memory of working on the movie?
KD: My favourite memory of working on the movie was setting up a hidden camera rig in the Countmobile as well as the puppeteer monitors. After it was set, I asked the Count if everything was ok…then realized that I was talking to a puppet. Everyone had a good laugh at that, including me…you just forget because of how realistic the puppeteers make the characters.
there ya go...maybe, next time I could get him to talk about Fraggle Rock...