The only real modern music in the film itself was that Megan Trainor song written expressly for the movie and the other thing that you see in the trailers, but in context it's not that bad (there's a school dance sequence, so one of the songs is used there). Seems that it was the one thing the studio pushed on the film, and thankfully the only thing. I didn't care much for it, but frankly, that's the only even slightly negative thing I can say about this movie.was the music from the Trailer in the movie like The Who and some of the Modern Music ?
It's fantastic. Easily Blue Sky's best film, and that's thanks in part to keeping the film in the family. Two of Schulz's kids wrote the script, and they're both like super hyper protective of their father's characters. This film captured all the sweetness and emotion of classic Peanuts media without having to assemble a story from old strips. And I have to admit, that thing worked better in the Charlie Brown and Snoopy Show than the recent specials. There's not a drop of low brow humor in the film. And the little mythology gags tossed in were pretty cute. They had little asides to Snoopy Come Home, and surprisingly even the semi-obscure New Year's special had a couple shout outs. The most modern thing in the film was a standardized test and a recycling bin. Still used those classic rotary phones so Chuck can get tangled up in the cords. And the ending gave me a lump in the throat. I can safely say that it's one of my favorite animated films of the year, and I enjoyed it around as much as Inside Out.
While the kids are all voiced by kids, Snoopy and the birds were archival recordings of Bill Melendez, and every adult is a trombone, they did sneak in one celebrity guest, but it's a welcome one. Fifi is voiced by Kristen Chenowith, someone familiar to the Peanuts as she played Sally in one of the musicals (I forget which). And even then, it's just dog yips and squeaks.
Seriously. I wish the Garfield movie was even a fraction of as good.