Well, it took me a few days to watch this video, but I've probably made up for it by watching it a couple dozen times in just three days.
For those who dislike the slower pace on the Gonzo/chickens part and the Animal "Mama" scene (which was a brilliant solution, in my opinion, to the family-unfriendly aspect of those lines in the original), my feeling is that they don't understand the deliberate construct of the original video by Queen.
Without those slower introductions, the viewer won't appreciate the, ahem, "modulation" of the later rock moments. Without the long takes of the 'first act', the relentless fast edits of the 'third act' would seem too sudden, too overwhelming.
No, the Muppets paid proper tribute to Queen by perfectly recreating the genius of the structure of the song.
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Now then, I have a couple of questions:
1) Does anyone know the name of the two monsters who are seen with "Angel Marie" and "Old Tom"?
2) WHO is doing Dr. Teeth now? OMG, he's amazing. I'm sure if I heard Jim and then him, I wouldn't think it was as good, but the performance and the voice are SO perfect, it really felt like Dr. Teeth was back from post-Jim Limbo.
3) Is that Jerry Nelson on Floyd/Lew/Harry, or has he been replaced?
4) Who is doing Janice now? By the way, I love her longer hair and the beret is a much better hat for her.
5) Who are the other two rats with Rizzo? I assume the girl is Yolanda. Is the one with the black 'metal band' wig Masterson? Chester? Tatooie?
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Some other nitpicky observations: Robin and Sweetums were seen at D23, but aren't in this video. Most of the rest of the puppets look exactly the same as those used at D23, except for the outfits on Piggy and Floyd.
By my count, there are 69 puppets seen in this video. When you see everyone on Kermit's monitor at the end, there are 57 visible simultaneously. (Watch closely, because Mahna Mahna will drop out of frame very early, leaving only the Snowths.)
The 12 puppets seen elsewhere in the video who do NOT appear on the monitor are: Gonzo's three chickens; the other three monkeys seen with Sal; the four flowers also seen in that part; Kermit and Scooter.
These totals do not count the one rabbit seen with Angel Marie et al., presuming he is also one of the four seen later. Nor did I count Lew Zealand's fish, as they are props rather than puppets.
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Miscellaneous:
Rowlf does have a line, of sorts. He sings along with the other 56 Muppets on Kermit's monitor on the final "any way the wind blows" line.
I could watch Beau getting hit in the eye by Lew's thrown fish over, and over, and over. I love how it smacks him right in his big eyeballs, and THEN he blinks after it falls away.
For some reason, the foreground banana, lying on its side so the one above will still be visible, cracks me up every time.
At the very end, Rizzo appears to have a new mechanism in his neck which allows him to look up at the ceiling. It doesn't look like he's simply tilting back at the waist, it really looks like his head moves separately from his body. (Has he ever shown this ability before? His single axis of articulation on the neck is sort of a trademark.)
I'm assuming there's a lot of digital rod removal on certain shots (especially Pepe's silhouette), but the only time I consciously think about it is on Janice's amazing guitar work. If you watch it in slo-mo, there's a bit of wobble to her arm that is most likely the result of the frames being touched-up slightly differently each time, due to the movement of the rod. Funnily enough, it only adds more life to her, as if muscles are actually expanding and contracting as she works the fret.
I don't know if that's an off-model rebuild of Gonzo or just a REALLY poor camera angle on him. I know they were trying to get the Queen video angles proper, but maybe the camera should have been just a bit higher.
I also think I detect a bit of the Muppets Tonight methodology for puppeteering 'glove hand' characters. On the classic Muppet Show, with the obvious exception of Rowlf or Dr. Teeth on piano, the general approach was to have the person doing the voice to also do the left hand, with the assistant doing only the right hand. This tends to make the hand movements seem independent and random, if only noticeable to the viewer on a subconscious level.
But on MT, I noticed it was much more common for one puppeteer to concentrate on the mouth/voice, and the other to do both hands simultaneously, which allowed for more symmetry in the timing of gestures.
Sam the Eagle's wonderful "No no no" moment looks like it could be either method, though at the end the two hands are really in synch, while the shot of Beaker which immediately follows definitely looks like the Muppet Tonight symmetrical method.
I don't know, maybe I've analyzed it too much. The problem is, every time I start to dissect it for nuances, I get so caught up in the sheer joy of it that I forget to watch it analytically.
And, really, that's ALWAYS been the power of the Muppets, hasn't it?
My feeling is that this video was intended to create some groundswell for bigger things to come in the next year. If so, it has surpassed its goal amazingly, because even if this was the LAST thing the Muppets ever did, it would be good enough for me.
I think the tagline for Muppets from Space is far more appropriate to "Muppets Bohemian Rhapsody":
The MAGIC is BACK!
DN