The budget isn't my main concern, my concern is, [which is connected to the budget] the way in which Thra/creatures/gelflings are represented. My faith is divided. I love what Genndy has done in his past, and I am confident in his skills, on the other hand, I've seen MirrorMask, and the story WAS intriguing, but because the budget was so constrained it became visually evident, ergo affecting the film as a whole.
We've been able to see some preliminary sketches, and a piece of Brian Froud's concept design as well as the three main characters/puppets, Jen, Kira, and Thurma. So far, they look amazing, my main concern is backgrounds, CGI integration, CG matte paintings, and the rebirth of Thra through the eyes of a modern director. Nothing about Thra is modern, nothing about the world that Jim Henson originally envisioned is flashy or sleek. The World of the Dark Crystal is riddled with ancient history, atrocities, genocide [the eradication of the Gelflings as it were] and a lost society. The key word here is "BELIEVABILITY."
Genndy could have the best of intentions with the greatest of skills but if he is reigned in by Henson's limited funds, The Power of the Dark Crystal will fail. The question is, "Is Disney Involved?" Disney is now the parent company of Henson and that means Genndy has the possibility of having a more then mediocre budget. Lisa Henson is a producer on this film but thus far, she's only a name, and not a tested producer, she has her job because of who she is, not because of what she can do. This film will be a major testing ground for her. The Paris Hilton of film producers you might say.
As an artist myself, I'm always challenged to make better art when my funds are limited, and in the original film, that challenge turned into genius. The challenge to create such a film in today's market is great. It's easy to rely on CGI as a medium/tool in which to tell the story as opposed to enhancing or accenting a story. I've always been a proponent of making everything as real as possible and using CGI as a last result. From day one, when this film was announced CGI has been in nearly every article or story involving this film. Not once have I read nor have I heard any kind of attention payed to real-world detail, whether that's from Lisa Henson, or Genndy Tartofsky themselves. That said, I'm not sitting here biting my nails because, yet again, I haven't seen much, it's only been talk.
A lot is riding on this film, not just a successful sequel but the Henson brand, and whether or not Jim Henson's children can bring pride back to their surname. As many of you know, Jim Henson never wanted a direct sequel to this film. Being a lover of the Dark Crystal from early childhood, I've always envisioned a sequel or prequel of sorts.
If this film is successful it will be because everything worked, the budget, the producers, the directors, Jim Henson's original vision and the quality of craftmanship.
Here's Hoping.
J.M. Prater