That's why almost all shows from the late 50s into the early 70s were single camera, allowing for a far greater range of camera angles, close ups, tracking shots, among other things. Still, mockumentary style feels out of place on a weekly series.Film techniques can work for television.
And we really haven't had that kind of writing since SEINFELD (yes, yes, I know we all keep going back to SEINFELD, but honestly, SEINFELD is considered by many - both in the industry itself, and television consumers - to have been the last well-written show we've seen on TV); now, all we've got is low-brow bottom of the barrel humor, unlikeable ******* characters (which apparently are more "authentic" and "relatable" than decent characters), and conflict is usually Character A wants to get in bed with Character B who wants to get in bed with Character C who's already been sleeping with Character A who also has a part with Character D who wants to sleep with all of them.It's the writing that still needs to matter.
Again, the problem is viewers know what they want to see, but what audiences want to see and what networks think they want to see are two different things, and it's all about network control these days.