That day is never going to come
I've just received a call from Disney,
unfortunately it was to tell me to drop it, leave it alone, they will never look at it, enough's enough (they said it all in the
nicest possible way...kind of) So there you go folks, I kinda feel deflated but still
If anyone out there has any need for an illustrator (I can draw more than Muppets)...
Dang - that just all seems way too wrong.
When you have time, could you please post a specific detailing of the various approaches you took - if you took advantage of any of the suggestions offered on this thread or any other ways to bring in to their attention that hadn't been brought up here.
This really highlights the difference between Henson and Disney management style. I'm sure if the Muppets were still owned by Henson, you wouldn't be getting this severe a response.
Which brings me to my next suggestions. Maybe the door may be closed to Disney itself but you may still want to donate this as a gift to individual Muppeteers, perhaps also send it to either Jim Henson Company, Jim Henson Legacy, or the Henson family. Even though Henson no longer owns the Muppets, that still doesn't mean they can't accept gifts that feature the Muppets as personal gifts. Maybe you could also do another piece based on Fraggle Rock and attempt to get it to Henson or a Sesame themed piece and send it to Sesame Workshop.
I also think a follow up article with the Muppet Mindset may be in order. This would be very bad p.r. for Disney. We know that people at Henson are paying attention to the Mindset so that would be a way to show the completed piece to the fans and allow certain people within the Muppets team to see it online even if the studio heads refuse to look at it or have copies sent to them. By doing a follow up interview or having the completed work shown on the site you're not disobeying Disney as you're not "trying to still get it to them" per se but you're merely talking about your work on an unofficial fan site which has already featured you.
This is kind of a dual note to yourself and Ryan (Mindset owner). I think it the best way to go about it would be a follow up interview - saying that the piece is done and now can be viewed by Muppet fans in its entirety...with the Mindset either posting the complete work on the site or a link to it. This would be accompanied by an interview basically being an "interview part 2" picking up where the last one left off - asking questions about characters previously that weren't previewed, general questions about the creative process, stuff like that. The focus of the interview shouldn't be _about_ how Disney's refused to accept it, but it should be mentioned. Basically after a number of technical questions about the work, the question should be posed towards the end about "So have you been able to get your work seen by anyone at Muppet Studios" to which you would describe what your experience has been. Be specific in your response but try not to come across too negative or "Eevil Disney" - give a factual account of what you tried to do and how they responded; close by saying how this was a very disappointing experience but you're still happy to share it with the fans - you get the gist.
Perhaps this could be a double follow-up interview, one with you and another simultaneous part two interview with the SW artist whose story was more positive (ended up getting a job with SW thanks to his support from Kevin Clash) Maybe he could even comment on your situation saying how disappointed he is to hear about it. This way by rolling out both these follow-up interviews at the same time (either on the same day or two consecutive days), they (a) highlight the difference in responses by the various companies, (b) balances a negative experience with a positive one and (c) makes it seem less like another way you're trying to get your foot in the door and more like a simple follow up by a third party to catch up with a couple of interview subjects previously highlighed. Both you and Ryan should factually discuss what ultimately happened without making it a focus on the entire interview or overtly dwelling on it - basically making it a "part of the story" and not "The Story" if you get what i mean.