Oh, I do love the 80's and all (Ducktales, Ninja Turtles and Inspector Gadget came out of that era, you know... plus, internationally, Kinnikuman and Dragon Bll... the GOOD one)... the 70's tick me off (at least here... I LOVE Yatterman), and mostly because Hanna Barbera's self ripoffs of Scooby-Doo and all those Archie clones (I love Hong Kong Phooey, Goolies, Fat Albert and Pink Panther)... but the 80's had some good stuff. I just HATE the girl's cartoons. I hate to admit it, but I saw some of She-Ra and said to myself, why couldn't Strawberry Shortsheets kick that much butt?I know that our knowledge of such characters as done by Disney makes it hard for many to get into another take on it, but though I never saw "Happily" I know their "Pinocchio" is really great! Great voice cast, too!
I guess the offers were there, and they did their takes on them. I don't know if I've seen any of those, but I'd be interested in seeing them, surely. I do love how you champion Fat Albert - what a show! Adjectives fail to say how great it is! Also I'm happily surprised at your love of some of their 70's and 80's material, since that's your least fave era of animation. That in itself is a feather in Filmation's cap!
But Fat Albert is a special show. They even mentioned it in that local Kid's TV episode of Pioneers. Bill wanted to show you can sell a TV series by merits of education and not merchandising. He even used it for a masters thesis. And of course, needless to say, it's the first African American cartoon star. But that never even mattered to me, because they reran those all the time when I was younger and it was one of my top favorites. I still have 2 old tapes with episodes on them. Unfortunately I'm hanging on to them. I have every Fat Albert DVD release that wasn't Time Life, and those episodes are no where to be found.
I especially love those releases that came with the CD's of the songs from the show.
Yeah, and later on, Peter Cullen and Pat Fraley too.Plus I like how Lou had actors Howard Morris and Alan Oppenheimer as regular voice artists and did the most voices for his cartoons. And how Lou and his wife, Jay, and kids, Erika an Lane, did voices themselves. Lou always went uncredited in the voicework or was listed as Erik Gunden. The Scheimer family remind me a lot of Jim Henson and his family.
Bit of trivia. Know why Lou started doing voice work? Apparently, in the first Fat Albert special (before there was a TV show) Dumb Donald had only one line, and they didn't feel like paying another actor for one line, so he decided to do it himself. He started there just doing random grown ups (his wife did teachers and parents, his daughter did little kid voices and Tweeterbelle) And then you look at something like He-Man, and he's a big chunk of the cask. And in every interview he's sorta self deprecating about it. I thought he sounded good.
Well, with John K and those guys, it wasn't about the style so much as the restrictions. We all know Johhny has a very specific view of cartoons (he hates basically everything that Bob Clammpett didn't do), and I like him MUCH better as an animator than a critic. But then of course, as I said, the 80's weren't all that fun a time for indie animators trying to break into their own programs. They could only sell toy lines or older characters (Hence why we had Mighty Mouse:TNA, they were originally trying to sell Ren and Stimpy). Now, I do like a lot of shows that happened in that era, but that is a very respectable plight. We take the 90's movement for granted sometimes.No matter how good John K. is (I admit I only know Ren and Stimpy) it doesn't change Filmation's greatness, and I hope those who criticized also pointed out things they liked, because what they said was all bad, then I'd say something's wrong there, and I don't mean with Filmation. Not after the good things I've heard.
Sure, someone in the documentary says they wish the Filmation cartoons were "less safe", but all I can say to that is that they must really support cartoons today, then, with all the adult stuff out, most of which is trash, I feel. (I'm all for freedom of speech, but I think it's sad when folks don't like cartoons unless they're cartoons made only for adults.) Maybe they didn't mean that they wanted to go that far out of the style at the time, I don't know. So if I misunderstood them, I'm sorry. But I'm glad the Filmation shows are just as they are, thank you very much.
But that doesn't mean those cartoons aren't good. Sometimes they need a real second viewing as an adult to really get clarity. And for the most part, 90 percent of everything holds up for me. The only things I completely out grew were Captain Planet (The less preachy, and actually fun Toxic Crusaders was superior), and said girl shows (I watched them when I was a toddler because of those bright colors). Then of course, the stuff you missed when you were younger because you weren't into it or it was at some time that was opposite something.
I recently started watching Bravestarr, and again... I find it to be their finest work, mostly because they focused on that one project. And there weren't those "everybody laughs at stupid antics of some character" endings (in the ones I watched)... they were DEEP. The episodes are pretty intense, the main bad guy has a very interesting backstory, and there was this anti-drug episode that floated past the preachy, and went into the realistic. A kid who became an addict DIED at the end of an episode.