frogboy4
Inactive Member
- Joined
- Apr 13, 2002
- Messages
- 10,080
- Reaction score
- 358
Mars might need Moms, but who needs this zombified, expressionless motion capture from executive producer Rober Zemekis' "Polar Express" crew?
I'm hoping this slipped through the cracks and trust Lasseter doesn't want much to do with this monstrosity from Disney Animation next year. Pixar has a notorious disdain for motion capture that is referenced in the credits of "Ratatouille", assuring viewers that all of the animation was hand crafted by artists. Mars Needs Moms is probably the result of Disney's Christmas Carol deal with Zemekis before it was critically panned and the $200 million picture flopped domestically.
Why couldn't this have been simply an animated film, CG or otherwise, instead of this creepy, watered-down motion capture? James Cameron's gamble "Avatar" set a new standard in this style of film making so any studio attempting such effects should at least measure-up or get out the game. This is greatly inferior! Maybe the wooden expressions will be fixed in time for next year's release, but the trailer doesn't give me much hope.
Of course, this is created by ImageMovers and merely distributed by Disney, but why? I'll be interested in seeing how this fares with audiences who have come to expect much more. However, it is a fun story concept.
This also gives me pause about Zemekis' recent movement for a Roger Rabbit sequel. He's responsible for one of the last great traditionally inked and painted animated films, but has lost his way since then. Technology is a great tool, but in the handsof ImageMovers it's only a crude gimmick.
I'm hoping this slipped through the cracks and trust Lasseter doesn't want much to do with this monstrosity from Disney Animation next year. Pixar has a notorious disdain for motion capture that is referenced in the credits of "Ratatouille", assuring viewers that all of the animation was hand crafted by artists. Mars Needs Moms is probably the result of Disney's Christmas Carol deal with Zemekis before it was critically panned and the $200 million picture flopped domestically.
Why couldn't this have been simply an animated film, CG or otherwise, instead of this creepy, watered-down motion capture? James Cameron's gamble "Avatar" set a new standard in this style of film making so any studio attempting such effects should at least measure-up or get out the game. This is greatly inferior! Maybe the wooden expressions will be fixed in time for next year's release, but the trailer doesn't give me much hope.
Of course, this is created by ImageMovers and merely distributed by Disney, but why? I'll be interested in seeing how this fares with audiences who have come to expect much more. However, it is a fun story concept.
This also gives me pause about Zemekis' recent movement for a Roger Rabbit sequel. He's responsible for one of the last great traditionally inked and painted animated films, but has lost his way since then. Technology is a great tool, but in the handsof ImageMovers it's only a crude gimmick.