Part Three
Well, as I pointed out, until I saw that photo the other day, I completely forgot that they had taken us onto a different stage with the oval painted on the floor and numbers for us to stand on. This was where we rehearsed while they were still lighting the set.
Finally, they were ready for us on the set. We began with the rainbow scrim in place. Now we rehearsed for the camera. Jim had a monitor and anyone who was close to him could see it. Most of us could not.
The first thing they had to take care of was to make sure no puppeteers could be seen. If someone's head was showing, they were given black hoods to wear. If someone's clothes were visible, they were given a black neckpiece. Luckily, being short, as I said, I didn't get stuck wearing a hood.
Then, there were two important commands that Jim gave. They were "Puppets up!" and "Puppets down!" The latter was especially important since most of us couldn't see the monitor or when the scene was cut. A little funny side story... I got to go to dailies two days later when they screened all the printed takes from the day's shoot. Every time Jim said puppets down before the camera cut, it looked like a big balloon with the air being let out of it as all the characters sunk into the floor. It was very funny!
I remember Richard Hunt asking for help. He was operating Statler and Janice and he said those were his two most difficult puppets to get on. Of course, once he had one of them on, it was impossible for him to put the other one on. I could see Richard where I was standing, but I wasn't close enough to help him.
Someone asked in this thread who the main Muppeteers were operating and truthfully, I don't know. Except for Richard, I couldn't really see the others. But judging from that picture that was just up, I can make an educated guess. It looks like Jim is doing Kermit and Rowlf. Frank is doing Piggy and Fozzie. Jerry is out of the picture, so I just don't know, but I bet he's doing at least Floyd. I'm sure Dave is doing Gonzo and probably Beauregard. I recently got to talk to Steve Whitmire backstage at The Tonight Show and we talked about The Muppet Movie. He said he was pretty new and really green during the filming of that movie and was barely able to keep up. That's a long way to say I have no idea who he's working.
Then we began shooting. Take after take... after take... after take. Jim and Frank would watch playback of each take and give us notes.
I decided (on my own, I might add) that since I could operate Ernie's left hand and Bert was on his left, I had Ernie put his arm around Bert when he wasn't gesturing to the song. Of course, it's so tiny, even on the big movie screen, that you can't see any of that anyway.
Finally, we got a few takes that Jim and Frank liked and we broke for lunch while the crew took down the scrim. We went back to the original stage and turned in our puppets and ate lunch in the studio commisary. Since I didn't really know anyone, I ate kind of fast and went back to the stage to wait for the others. All the puppets were there. They had built racks of dowels to stand them up on. This was my opportunity. I could have put on any character I wanted and not even gotten in trouble. But then I decided I wanted to be a professional and not look like a fanboy. So, I looked at a lot of them up close and touched a few, but didn't put any others on. Besides, it doesn't get much better than Ernie.
I did, however, ask the person working Cookie Monster, during a break in filming while they were reviewing the tape, if I could put him on. Unfortunately, it was very hot on the stage and we were crammed together, so the inside of Cookie Monster (who after all, is one of the heavier puppets being made out of fake fur) was soaking wet with perspiration. But the cool thing I learned is that because Cookie has such a big mouth and no foam inside, there is a glove sewn to the inside of his mouth that you put on to operate him. Clever, huh?
Coming soon: Part Four!!