AnimatedC9000
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Chapter 14
The summer of 1976 was one that most of us would never forget. Not only did we start to tour a few states during that year, but a certain show aired that would make an impact on all of us.
We came across the show purely by chance. All of us were at Beard and Clifford’s place again and were trying to think of what to do. Until then, we were searching through channels to try to find a good program worth watching.
As soon as we changed the channel from one station to the other, the sound of an announcer (a frog announcer, to be exact) filled the room. “It’s The Muppet Show,” the amphibian exclaimed, “with our special guest star…”
“Wait, isn’t that Kermit the Frog?” Francine spoke up.
“You mean the frog off of Sesame Street?” Clifford added.
“Didn’t know it came on this late,” Flash managed to mumble out.
“Wonder what this is all about,” I wondered, turning the volume up a little.
“It’s time to play the music, it’s time to light the lights,” a group of chorus girls sang. “It’s time to meet the Muppets on The Muppet Show tonight!”
Immediately, I started to hum along with the theme music. It had a certain vaudeville style that seemed to grab my attention. We all watched as the guest star was introduced
“… this is what we call The Muppet Show!” an ensemble of Muppets finished. Then a little blue creature with a funny-looking nose (who I would later learned to be called Gonzo) tried to hit the inside of the “O” like it was a gong with hilarious results.
After that opening theme, all eyes were turned to the TV so that we could all watch this new show that grabbed our attention so suddenly. The crazy antics that played before us on the small screen captured our laughter as nothing ever had before.
One of the aspects of the show that all of us loved was the music. There was such a diversity to it that it had at least a handful of songs that each of us liked, and then some.
There was one thing about the show that we all agreed on a musical level: Dr. Teeth and the Electric Mayhem were terrific.
Right from the moment we first saw them, we knew that this band was talented. The way they could perform a variety of music from jazz to rock (to even classical at some times) simply amazed us all. Every time they performed, they never ceased to amaze us.
“You know, maybe we should go as them for a Halloween sometime,” I commented as we all watched the Electric Mayhem perform a fast-paced cover of “Tenderly”.
“Oh no,” Francine protested, “I’m not about to dress up as Animal.”
“Same goes for me as Janice,” Beard mumbled under his breath.
Clifford apparently heard that comment because he laughed immediately afterwards.
A few minutes later, another sketch that I was particularly fond of: the exciting realm of Muppet Labs, “where the future is being made today.” I always loved the innovations of Dr. Bunsen Honeydew and hope every time I watch a sketch that his inventions will work. Oddly enough, I felt as if I shared some sort of a connection with the scientist that I couldn’t begin to explain.
“Man, I can never understand this cat,” Clifford remarked as we watched Bunsen experiment with a gorilla detector. “How does he keep on doin’ that?”
“He’s very determined,” I commented, “yet he also seems to be a little frustrated to get one of his inventions to actually work well.”
“If dat’s the case, he must work a lot,” Leon stated.
“Wow, what a useful invention,” Francine sarcastically said as a gorilla wreaked havoc on-screen.
I sighed silently to myself. At least it works, I thought to myself as I watched the alarm flash and the bell ring.
~~~
We all followed the show even a year later, when we were on the road touring. In our hotel rooms in New York City (where we were on tour), we all gathered to watch The Muppet Show on at least one television screen and comment about it.
By the summer of 1977, the show was is its second season. This meant more musical numbers, more guest stars, and more fun for us to watch.
“Here is Chopin’s Polonaise in A Flat,” Kermit announced on screen as the audience clapped.
“Yawn,” I heard Francine say.
“Psst, Kermit,” a voice belonging to a bear (Fozzie Bear) whispered as he poked his head out from behind the curtain, “the concert pianist could not make it.”
“Yeah, but I just introduced the Polonaise,” the frog stated.
“That’s okay,” Fozzie replied, “here, I got a whole new intro written.” He then handed his friend a piece of paper with writing on it. “Good luck, kid.” Then he disappeared behind the curtain.
“Maybe they’re getting Rowlf to play it?” Lindbergh questioned.
“Okay, ladies and gentlemen,” Kermit announced, “Chopin’s Polonaise in A Flat as performed by… Dr. Teeth?”
All of us laughed out loud right after he finished speaking. We all tried to calm down so that we could watch the number, but in the end we all chuckled and giggled as we were watching. I believe that we couldn’t believe that a rock band was playing a piece of classical music in their own style. It was just hilarious.
After the number was over, we were all talking to each other at once about it. We all seemed to come to the same conclusion: “That was hilarious.”
Pretty soon (after a commercial break), it was time for another visit to Muppet Labs.
“Where the future is being made today,” I said along with the scientist. That caused some weird stares from some of the others in my direction. I didn’t answer them, I was too absorbed in the sketch.
One of the first things that everyone seemed to notice was a new person in the sketch: a man with a test tube-like appearance with messed-up red hair and a nervous disposition. Just a few moments later, we learned that this was Dr. Bunsen Honeydew’s new assistant, Beaker.
“He finally got a guinea pig,” Francine commented after the assistant’s introduction.
I simply nodded in response. It was interesting to see such a distinguished scientist get such a nervous helper. I didn’t even know why he was there. Maybe it was the exploding clothes from last season, I thought to myself.
This week’s invention was magnetic carrots, and Bunsen claimed that they can be carried home on the roof of the car and can be stored on the roof of your refrigerator.
“Of course, to be perfectly honest” the scientist added as what appeared to be the sound of mechanical hopping accompanied by a metal rabbit started to come into the lab, “there is one slight drawback. Sometimes, the magnetic carrots tend to attract steel, er, rabbits.” He then quickly ducked down just in time to not be hit by the mechanical rabbit. Unfortunately, the same couldn’t be said about poor Beaker.
“Man, that gotta hurt,” Clifford observed.
“Wow, what a sketch,” Lindbergh said to me.
“I know,” I replied to him. “Who would’ve known that he’d get an assistant?”
~~~
The next day, we performed a concert on a stage in Central Park. Leon, who had since the argument became our temporary manager, reported that the ticket sales were great (even though none of us remembered if we actually sold tickets or not). We played our hearts out at that concert, just as we had done for all the others.
“Thank you, New York!” Beard exclaimed as the concert drew to a close. “You’ve been a wonderful audience! Good night, everybody!” With that, Lindbergh cued up a recording of us playing as we waved to the slowly disappearing crowd.
The entire band, including Lindbergh and Leon, later went to a café for dinner after the performance. Everyone was talking up a storm about all that they’ve seen and would like to see while we were still in the town that never sleeps.
We were in the middle of a group discussion about possibly seeing a show on Broadway when Lindbergh and Leon (who had been up getting their drinks) ran towards our table. “You’ll never guess who wants to speak to you!” the kiwi bird exclaimed, a look of excitement on his face.
“A guy from a record company?” Clifford guessed.
“Nah,” Leon told him. “Good try, though. Here’s a hint: famous, musically talented, keyboards--”
“Elton John wants to speak to us?” I asked excitedly before the lizard had a chance to continue, standing up from my seat.
“How about a group of someones who’ve worked with him?” a familiar voice asked.
All of us turned our heads in the general direction of the voice. Our eyes did find the owner of the voice and the group that he was with. We could not believe who we saw.
There, standing some feet from us, were the one and only Dr. Teeth and the Electric Mayhem.
There, wanting to speak to us, were the groovy keyboardist, the hip bass player, the lovely lead guitarist, the cool saxophonist, and the wild drummer that we had all grown to become fans of.
There, looking at them in amazement, were my friends and I, waiting for at least one of us to speak to them.
“Like, don’t worry, we won’t bite,” Janice said before any of us. That gave us some relief.
“ROCK AND ROLL! ROCK AND ROLL! ROCK AND ROLL!”
Animal, however, decided to be a little bit more forward, literally running up to us. He would’ve tackled at least three of us if it weren’t for Floyd holding him back by a chain.
“Well, all of us except for Animal,” the bass player added. “Don’t worry, though, he’s usually like this around people that he doesn’t know.”
“Hai,” the drummer greeted, waving at us.
“… hello,” Francine said with a slight amount of uneasiness in her voice. “Nice to meet you.”
The drummer (their drummer, not ours) took a look at her and blinked. “Wo-man?” he asked.
“… yeah,” the female said. “Like I said, it’s nice to meet--”
“WO-MAN! WO-MAN! WO-MAN!”
Francine let out a gasp and ran for cover to prevent Animal from chasing her more. The rest of us couldn’t help but laugh at the situation.
“You think this is FUNNY! ?” our drummer said in disbelief.
“Should’ve warned you about that, girlie,” Floyd told her, keeping a firm hold on Animal’s chain leash. “Well, at least you know now.”
“Yeah, thanks for telling me so soon,” she replied sarcastically.
Flash went over to help Francine up, leaving the rest of us to talk among another: basically, the main conversations were Zoot with Lindbergh, Clifford and Beard with Floyd and Janice, Leon with Animal (when the latter wasn’t chasing him). The two teens later joined in to talk with Floyd and Janice as well and the entire band had their inputs in all the conversations, but for now, it was just Dr. Teeth and I.
“I am -- actually, all of us are -- big fans of your band’s work,” I said to the other keyboardist.
“It always warms the heart to meet a receptive audience,” the man with the golden tooth replied.
“Yeah,” Floyd added to the conversation, “it means you hip dudes at least have some taste!” Then he gave out a raspy laugh.
“We’ve all been fans of the band’s work since the beginning of The Muppet Show,” I told him before realizing an important matter. “By the way, if you don’t mind me asking, why are you… you know… talking to us?”
Dr. Teeth shrugged. “Why not?”
Janice added her bit to the conversation, “Like, we’re usually in tune with the vibrations of music’s future…”
“And you dudes are definitely vibratin’ the vibrations of fated tunes,” their leader finished with a nod.
A smile crept onto my face. “Oh, thank you, all of you” I thanked
them. “You don’t know how much your comments will mean to the band.”
The man with the permanent grin patted me on the shoulder. “It is a most welcome pleasure, my technological and biological accompaniment!” he replied. “The band is always lookin' for a groovy set of melodious progeny to whom to pass the emblematic torch.”
I shook the other keyboardist’s hand, a feeling of happiness filling up my entire body. “It’s truly an honor just to meet you and the rest of the band,” I told him. “We’ve always talked about it, but we could never imagine it like this. This… is beyond belief. This... is beyond belief. I can't believe we're actually talking with the Electric Mayhem. I mean... wow…”
“Hey, man, don’t blow a transistor or nothin’,” Floyd and Beard said in response. Then they glanced over at each other and let out a laugh.
“Man Floyd, you’ve hardly changed,” our guitarist happily stated to their bass guitarist. “How long has it been again?”
“I think the last time we saw each other was,” Floyd blinked, “what, Aunt Bea’s Christmas party back in ‘68?”
“Ten years?” Beard thought out loud.
“Believe so,” was the response. “That was the year that Rosie and Uncle Tom announced their engagement…”
“And Jimmy went and nearly scared Aunt Bea/my mom half to death with that prank,” they both finished with a laugh.
The rest of us decided to let the two catch up on things as I continued to speak to the rest of them. “So, what brings you all to New York?” I asked, wondering why they weren’t taking a break in the UK.
“Like, TV is a good gig and all,” Janice answered, “but it's also important to check the pulse of the real music scene every once in awhile.”
Dr. Teeth nodded in agreement. “Too true, too true. One must keep abreast of the latest melodies or risk dyin' the death of the has-been.”
“Truer words have never been spoken, man,” Clifford said, agreeing with all of this.
“Excuse me…”
Our heads turned to see the waiter with our orders. “Here’s your food,” he said. “Should I… go back to the kitchen to request more orders?”
“Man, some food does sound a little good right about now,” Floyd commented. “Let’s see what all this place has.” He then grabbed a menu and thumbed through it, passing it around to the others so that they could see as well.
Throughout all of this, I noticed that Dr. Teeth seemed a little distracted. He seemed to be looking at something in the distance and started to wander off near the corner. Letting my curiosity get the better of me, I decided to follow him.
“Dr. Teeth…?” I started, curious as to what was troubling him.
The good doctor nodded for me to approach him. “I would like to discourse on your keyboardin' technique,” he told me.
“… sure,” I replied, stepping closer to him. “What about it?”
“Y'see, Digit, my man,” he began, “we of the Electric Mayhem have made many a record, as have many musicians before and after us. And yet, a record is just a copy: little tiny microscopic grooves directed by a tiny little needle. You want the soul of the musician, you gotta hear him play. I've been watchin' and I see you can COPY the notes ... but can you PLAY 'em?”
I was about to answer him, but then I paused to consider his words. Was I really just… COPYING the music? How could I really PLAY the music? And… did I even have a soul still?
As I looked back on my career so far, I noted that I was still fairly new to the music scene and had the least experience in the band. True, I was copying the notes, but it wasn’t because of my new robotic nature rather than my inexperience in the realm of the musical world. I couldn’t possibly think of what he was getting at… except…
“… are you saying that I have no soul?” I softly questioned the more experienced keyboardist.
He held up his hands in a placating gesture. “I asked if you could PLAY. I never said you COULDN'T,” he told me. “I would never theorize about the nature of the universe. That's more of Zoot's ax. I just tickle the ivories according to the notes I'm handed.”
“Oh.” I paused a little before speaking again. “… sorry if I jumped to conclusions a little, it's just… well, I've been through a lot in the past few years…”
“I can imagine,” the good doctor replied with a nod. “No one ever stops to think that Animal has a mind with which to conceive the deepest of the deep thoughts. It's just his rambunctiousness gets in the way of what's going on inside that fuzzy noggin' of his. That's why we took him as our drummer, to give his hands something to do so his mind can chill out later.”
I never would’ve thought that Animal was that deep. I managed a “wow” before letting the conversation go on.
“It may have evaded your contemplation,” Dr. Teeth continued, “but the Electric Mayhem is filled righteously awesome dudes and dudettes.” He nodded towards their sax player. “Zoot studied how music soothes the savage soul.” Then he motioned towards Janice.“ Our leading lady joined the Peace Corp when it first came of service.” Finally, he pointed to himself. “I have a prodigious vocabulary which betrays my own achievements in vernacular and parlance. Those are just but a few examples of the greatness that is us. It only took a single observation to notice the band of the almighty Solid Foam is comprised of equally strange and compatible geniuses. But a genius that never uses his head is just a regular joe. When you play, you try so hard to be someone else. Practice your tunes until your fingers play them in your sleep. That way, you'll stop copyin' notes ... you'll be playin' your heart.”
I smiled at the permanently smiling keyboardist. “I believe I understand now,” I told him. “I need to really practice until my own emotions come out in my playing. Dr. Teeth, thank you… thank you… thank you… thank you… thank you…”
His shades went up in surprise. All I could do was repeat the phrase “thank you” constantly, steadily becoming frustrated that I couldn’t control it.
“Do not overly fret, my technological amigo,” the master of ivories stated to me warmly. “We of the Electric Mayhem always have our ears to the ground regarding the presence of helping hands.”
"We got a house doctor over at the show,” Zoot spoke up (which was surprising, since he hardly said anything the entire time). “Dude goes by the name of Honeydew. He's got a major in robotics and all sorts of weird gadgetry. If anyone's got what you need, he does.”
“Yeah, what you'll need FIRST is a will and testament,” Floyd added before laughing.
“BUNSEN FIX! BUNSEN FIX!” Animal yelled.
My eyes lit up. Now I was offered the perfect chance to meet Dr. Bunsen Honeydew, that scientist that I had grown to know fondly by the presentation of his inventions. I disregarded the joke that Floyd made and happily thanked all of them a couple more times (since I was still glitching) before thinking about what the next day would bring.
The summer of 1976 was one that most of us would never forget. Not only did we start to tour a few states during that year, but a certain show aired that would make an impact on all of us.
We came across the show purely by chance. All of us were at Beard and Clifford’s place again and were trying to think of what to do. Until then, we were searching through channels to try to find a good program worth watching.
As soon as we changed the channel from one station to the other, the sound of an announcer (a frog announcer, to be exact) filled the room. “It’s The Muppet Show,” the amphibian exclaimed, “with our special guest star…”
“Wait, isn’t that Kermit the Frog?” Francine spoke up.
“You mean the frog off of Sesame Street?” Clifford added.
“Didn’t know it came on this late,” Flash managed to mumble out.
“Wonder what this is all about,” I wondered, turning the volume up a little.
“It’s time to play the music, it’s time to light the lights,” a group of chorus girls sang. “It’s time to meet the Muppets on The Muppet Show tonight!”
Immediately, I started to hum along with the theme music. It had a certain vaudeville style that seemed to grab my attention. We all watched as the guest star was introduced
“… this is what we call The Muppet Show!” an ensemble of Muppets finished. Then a little blue creature with a funny-looking nose (who I would later learned to be called Gonzo) tried to hit the inside of the “O” like it was a gong with hilarious results.
After that opening theme, all eyes were turned to the TV so that we could all watch this new show that grabbed our attention so suddenly. The crazy antics that played before us on the small screen captured our laughter as nothing ever had before.
One of the aspects of the show that all of us loved was the music. There was such a diversity to it that it had at least a handful of songs that each of us liked, and then some.
There was one thing about the show that we all agreed on a musical level: Dr. Teeth and the Electric Mayhem were terrific.
Right from the moment we first saw them, we knew that this band was talented. The way they could perform a variety of music from jazz to rock (to even classical at some times) simply amazed us all. Every time they performed, they never ceased to amaze us.
“You know, maybe we should go as them for a Halloween sometime,” I commented as we all watched the Electric Mayhem perform a fast-paced cover of “Tenderly”.
“Oh no,” Francine protested, “I’m not about to dress up as Animal.”
“Same goes for me as Janice,” Beard mumbled under his breath.
Clifford apparently heard that comment because he laughed immediately afterwards.
A few minutes later, another sketch that I was particularly fond of: the exciting realm of Muppet Labs, “where the future is being made today.” I always loved the innovations of Dr. Bunsen Honeydew and hope every time I watch a sketch that his inventions will work. Oddly enough, I felt as if I shared some sort of a connection with the scientist that I couldn’t begin to explain.
“Man, I can never understand this cat,” Clifford remarked as we watched Bunsen experiment with a gorilla detector. “How does he keep on doin’ that?”
“He’s very determined,” I commented, “yet he also seems to be a little frustrated to get one of his inventions to actually work well.”
“If dat’s the case, he must work a lot,” Leon stated.
“Wow, what a useful invention,” Francine sarcastically said as a gorilla wreaked havoc on-screen.
I sighed silently to myself. At least it works, I thought to myself as I watched the alarm flash and the bell ring.
~~~
We all followed the show even a year later, when we were on the road touring. In our hotel rooms in New York City (where we were on tour), we all gathered to watch The Muppet Show on at least one television screen and comment about it.
By the summer of 1977, the show was is its second season. This meant more musical numbers, more guest stars, and more fun for us to watch.
“Here is Chopin’s Polonaise in A Flat,” Kermit announced on screen as the audience clapped.
“Yawn,” I heard Francine say.
“Psst, Kermit,” a voice belonging to a bear (Fozzie Bear) whispered as he poked his head out from behind the curtain, “the concert pianist could not make it.”
“Yeah, but I just introduced the Polonaise,” the frog stated.
“That’s okay,” Fozzie replied, “here, I got a whole new intro written.” He then handed his friend a piece of paper with writing on it. “Good luck, kid.” Then he disappeared behind the curtain.
“Maybe they’re getting Rowlf to play it?” Lindbergh questioned.
“Okay, ladies and gentlemen,” Kermit announced, “Chopin’s Polonaise in A Flat as performed by… Dr. Teeth?”
All of us laughed out loud right after he finished speaking. We all tried to calm down so that we could watch the number, but in the end we all chuckled and giggled as we were watching. I believe that we couldn’t believe that a rock band was playing a piece of classical music in their own style. It was just hilarious.
After the number was over, we were all talking to each other at once about it. We all seemed to come to the same conclusion: “That was hilarious.”
Pretty soon (after a commercial break), it was time for another visit to Muppet Labs.
“Where the future is being made today,” I said along with the scientist. That caused some weird stares from some of the others in my direction. I didn’t answer them, I was too absorbed in the sketch.
One of the first things that everyone seemed to notice was a new person in the sketch: a man with a test tube-like appearance with messed-up red hair and a nervous disposition. Just a few moments later, we learned that this was Dr. Bunsen Honeydew’s new assistant, Beaker.
“He finally got a guinea pig,” Francine commented after the assistant’s introduction.
I simply nodded in response. It was interesting to see such a distinguished scientist get such a nervous helper. I didn’t even know why he was there. Maybe it was the exploding clothes from last season, I thought to myself.
This week’s invention was magnetic carrots, and Bunsen claimed that they can be carried home on the roof of the car and can be stored on the roof of your refrigerator.
“Of course, to be perfectly honest” the scientist added as what appeared to be the sound of mechanical hopping accompanied by a metal rabbit started to come into the lab, “there is one slight drawback. Sometimes, the magnetic carrots tend to attract steel, er, rabbits.” He then quickly ducked down just in time to not be hit by the mechanical rabbit. Unfortunately, the same couldn’t be said about poor Beaker.
“Man, that gotta hurt,” Clifford observed.
“Wow, what a sketch,” Lindbergh said to me.
“I know,” I replied to him. “Who would’ve known that he’d get an assistant?”
~~~
The next day, we performed a concert on a stage in Central Park. Leon, who had since the argument became our temporary manager, reported that the ticket sales were great (even though none of us remembered if we actually sold tickets or not). We played our hearts out at that concert, just as we had done for all the others.
“Thank you, New York!” Beard exclaimed as the concert drew to a close. “You’ve been a wonderful audience! Good night, everybody!” With that, Lindbergh cued up a recording of us playing as we waved to the slowly disappearing crowd.
The entire band, including Lindbergh and Leon, later went to a café for dinner after the performance. Everyone was talking up a storm about all that they’ve seen and would like to see while we were still in the town that never sleeps.
We were in the middle of a group discussion about possibly seeing a show on Broadway when Lindbergh and Leon (who had been up getting their drinks) ran towards our table. “You’ll never guess who wants to speak to you!” the kiwi bird exclaimed, a look of excitement on his face.
“A guy from a record company?” Clifford guessed.
“Nah,” Leon told him. “Good try, though. Here’s a hint: famous, musically talented, keyboards--”
“Elton John wants to speak to us?” I asked excitedly before the lizard had a chance to continue, standing up from my seat.
“How about a group of someones who’ve worked with him?” a familiar voice asked.
All of us turned our heads in the general direction of the voice. Our eyes did find the owner of the voice and the group that he was with. We could not believe who we saw.
There, standing some feet from us, were the one and only Dr. Teeth and the Electric Mayhem.
There, wanting to speak to us, were the groovy keyboardist, the hip bass player, the lovely lead guitarist, the cool saxophonist, and the wild drummer that we had all grown to become fans of.
There, looking at them in amazement, were my friends and I, waiting for at least one of us to speak to them.
“Like, don’t worry, we won’t bite,” Janice said before any of us. That gave us some relief.
“ROCK AND ROLL! ROCK AND ROLL! ROCK AND ROLL!”
Animal, however, decided to be a little bit more forward, literally running up to us. He would’ve tackled at least three of us if it weren’t for Floyd holding him back by a chain.
“Well, all of us except for Animal,” the bass player added. “Don’t worry, though, he’s usually like this around people that he doesn’t know.”
“Hai,” the drummer greeted, waving at us.
“… hello,” Francine said with a slight amount of uneasiness in her voice. “Nice to meet you.”
The drummer (their drummer, not ours) took a look at her and blinked. “Wo-man?” he asked.
“… yeah,” the female said. “Like I said, it’s nice to meet--”
“WO-MAN! WO-MAN! WO-MAN!”
Francine let out a gasp and ran for cover to prevent Animal from chasing her more. The rest of us couldn’t help but laugh at the situation.
“You think this is FUNNY! ?” our drummer said in disbelief.
“Should’ve warned you about that, girlie,” Floyd told her, keeping a firm hold on Animal’s chain leash. “Well, at least you know now.”
“Yeah, thanks for telling me so soon,” she replied sarcastically.
Flash went over to help Francine up, leaving the rest of us to talk among another: basically, the main conversations were Zoot with Lindbergh, Clifford and Beard with Floyd and Janice, Leon with Animal (when the latter wasn’t chasing him). The two teens later joined in to talk with Floyd and Janice as well and the entire band had their inputs in all the conversations, but for now, it was just Dr. Teeth and I.
“I am -- actually, all of us are -- big fans of your band’s work,” I said to the other keyboardist.
“It always warms the heart to meet a receptive audience,” the man with the golden tooth replied.
“Yeah,” Floyd added to the conversation, “it means you hip dudes at least have some taste!” Then he gave out a raspy laugh.
“We’ve all been fans of the band’s work since the beginning of The Muppet Show,” I told him before realizing an important matter. “By the way, if you don’t mind me asking, why are you… you know… talking to us?”
Dr. Teeth shrugged. “Why not?”
Janice added her bit to the conversation, “Like, we’re usually in tune with the vibrations of music’s future…”
“And you dudes are definitely vibratin’ the vibrations of fated tunes,” their leader finished with a nod.
A smile crept onto my face. “Oh, thank you, all of you” I thanked
them. “You don’t know how much your comments will mean to the band.”
The man with the permanent grin patted me on the shoulder. “It is a most welcome pleasure, my technological and biological accompaniment!” he replied. “The band is always lookin' for a groovy set of melodious progeny to whom to pass the emblematic torch.”
I shook the other keyboardist’s hand, a feeling of happiness filling up my entire body. “It’s truly an honor just to meet you and the rest of the band,” I told him. “We’ve always talked about it, but we could never imagine it like this. This… is beyond belief. This... is beyond belief. I can't believe we're actually talking with the Electric Mayhem. I mean... wow…”
“Hey, man, don’t blow a transistor or nothin’,” Floyd and Beard said in response. Then they glanced over at each other and let out a laugh.
“Man Floyd, you’ve hardly changed,” our guitarist happily stated to their bass guitarist. “How long has it been again?”
“I think the last time we saw each other was,” Floyd blinked, “what, Aunt Bea’s Christmas party back in ‘68?”
“Ten years?” Beard thought out loud.
“Believe so,” was the response. “That was the year that Rosie and Uncle Tom announced their engagement…”
“And Jimmy went and nearly scared Aunt Bea/my mom half to death with that prank,” they both finished with a laugh.
The rest of us decided to let the two catch up on things as I continued to speak to the rest of them. “So, what brings you all to New York?” I asked, wondering why they weren’t taking a break in the UK.
“Like, TV is a good gig and all,” Janice answered, “but it's also important to check the pulse of the real music scene every once in awhile.”
Dr. Teeth nodded in agreement. “Too true, too true. One must keep abreast of the latest melodies or risk dyin' the death of the has-been.”
“Truer words have never been spoken, man,” Clifford said, agreeing with all of this.
“Excuse me…”
Our heads turned to see the waiter with our orders. “Here’s your food,” he said. “Should I… go back to the kitchen to request more orders?”
“Man, some food does sound a little good right about now,” Floyd commented. “Let’s see what all this place has.” He then grabbed a menu and thumbed through it, passing it around to the others so that they could see as well.
Throughout all of this, I noticed that Dr. Teeth seemed a little distracted. He seemed to be looking at something in the distance and started to wander off near the corner. Letting my curiosity get the better of me, I decided to follow him.
“Dr. Teeth…?” I started, curious as to what was troubling him.
The good doctor nodded for me to approach him. “I would like to discourse on your keyboardin' technique,” he told me.
“… sure,” I replied, stepping closer to him. “What about it?”
“Y'see, Digit, my man,” he began, “we of the Electric Mayhem have made many a record, as have many musicians before and after us. And yet, a record is just a copy: little tiny microscopic grooves directed by a tiny little needle. You want the soul of the musician, you gotta hear him play. I've been watchin' and I see you can COPY the notes ... but can you PLAY 'em?”
I was about to answer him, but then I paused to consider his words. Was I really just… COPYING the music? How could I really PLAY the music? And… did I even have a soul still?
As I looked back on my career so far, I noted that I was still fairly new to the music scene and had the least experience in the band. True, I was copying the notes, but it wasn’t because of my new robotic nature rather than my inexperience in the realm of the musical world. I couldn’t possibly think of what he was getting at… except…
“… are you saying that I have no soul?” I softly questioned the more experienced keyboardist.
He held up his hands in a placating gesture. “I asked if you could PLAY. I never said you COULDN'T,” he told me. “I would never theorize about the nature of the universe. That's more of Zoot's ax. I just tickle the ivories according to the notes I'm handed.”
“Oh.” I paused a little before speaking again. “… sorry if I jumped to conclusions a little, it's just… well, I've been through a lot in the past few years…”
“I can imagine,” the good doctor replied with a nod. “No one ever stops to think that Animal has a mind with which to conceive the deepest of the deep thoughts. It's just his rambunctiousness gets in the way of what's going on inside that fuzzy noggin' of his. That's why we took him as our drummer, to give his hands something to do so his mind can chill out later.”
I never would’ve thought that Animal was that deep. I managed a “wow” before letting the conversation go on.
“It may have evaded your contemplation,” Dr. Teeth continued, “but the Electric Mayhem is filled righteously awesome dudes and dudettes.” He nodded towards their sax player. “Zoot studied how music soothes the savage soul.” Then he motioned towards Janice.“ Our leading lady joined the Peace Corp when it first came of service.” Finally, he pointed to himself. “I have a prodigious vocabulary which betrays my own achievements in vernacular and parlance. Those are just but a few examples of the greatness that is us. It only took a single observation to notice the band of the almighty Solid Foam is comprised of equally strange and compatible geniuses. But a genius that never uses his head is just a regular joe. When you play, you try so hard to be someone else. Practice your tunes until your fingers play them in your sleep. That way, you'll stop copyin' notes ... you'll be playin' your heart.”
I smiled at the permanently smiling keyboardist. “I believe I understand now,” I told him. “I need to really practice until my own emotions come out in my playing. Dr. Teeth, thank you… thank you… thank you… thank you… thank you…”
His shades went up in surprise. All I could do was repeat the phrase “thank you” constantly, steadily becoming frustrated that I couldn’t control it.
“Do not overly fret, my technological amigo,” the master of ivories stated to me warmly. “We of the Electric Mayhem always have our ears to the ground regarding the presence of helping hands.”
"We got a house doctor over at the show,” Zoot spoke up (which was surprising, since he hardly said anything the entire time). “Dude goes by the name of Honeydew. He's got a major in robotics and all sorts of weird gadgetry. If anyone's got what you need, he does.”
“Yeah, what you'll need FIRST is a will and testament,” Floyd added before laughing.
“BUNSEN FIX! BUNSEN FIX!” Animal yelled.
My eyes lit up. Now I was offered the perfect chance to meet Dr. Bunsen Honeydew, that scientist that I had grown to know fondly by the presentation of his inventions. I disregarded the joke that Floyd made and happily thanked all of them a couple more times (since I was still glitching) before thinking about what the next day would bring.