Search results

ACT TWO SCENE 8 INT. DOC’S WORKSHOP DOC CROUCHES WITH THE METAL DETECTOR NEAR THE RECENTLY OPENED UP FLOOR, SCANNING WHERE THE PIPES ARE, WHILE SPROCKET CRINGES FROM THE NOISE. DOC I know there’s something under here! I can hear it setting off the metal detector, but I can’t see it with all...

So I finished this "Fraggle Rock" script 7 years ago, almost to the day, but for some reason I never posted it. Not sure why. The impetus was talking to FR puppeteer Terry Angus. He was describing his primary background character, Morris Fraggle, and how he'd envisioned said character as the...

OK, amending previous reply since I could not go back and edit: Whatnots, pigs, Droop, Luncheon Counter Monster, Koozebanian Phoob, Flower-Eating Monster. In essence, it would be a composite shot, since between the crowd of dancers & the big monsters down below, and the Electric Mayhem on...

Hmm, well it's sort of a crowd scene. Remember Lola Falana's first number on TMS, where the crowd is below on the dance floor? That kind of thing. David "Gorgon Heap" Ebersole

Frankie Valli, 10/23/16

Had this one on the back burner for a while when kathy26 reached out to me about doing one as a surprise for cjd874. So I dusted it off, we bounced some ideas around, and here's the finished product! SPECIAL GUEST STAR: FRANKIE VALLI STYLE: SEASON THREE (circa Jean Stapleton, Alice Cooper)...

Saw they were out there, haven't started reading the others yet. Soon. Probably as soon as my ego can handle a talent like yours LOL. And my TMS outlines are linked in my signature. David "Gorgon Heap" Ebersole

Wow, that was REALLY good! Your use of puns is exemplary. In the cold opening, I thought it was just stretching out with the talking fiddle, when it was actually leading to another pun that I didn't see coming! Love the bit with the hypnotizing alligator and the reinforcement with the instant...

The reason I went with the Bond song instead was that in my original draft, I had Carly catch the spy ring during the closing number. I only changed that at the last minute, but by that point I was pretty committed to the spy theme. I picked the bat song because I wanted to include something...

I considered that, but for the fact that both Kermit & Rex have speaking parts in the goodnights. David "Gorgon Heap" Ebersole

Brown Bat & LCM Dave Goelz. Was originally thinking Dave Goelz for Rex Goliath, in a Boober Fraggle voice, as well, but with so many other characters for Dave in this episode, not so sure. If not Dave, I guess it would be Jerry or Frank. David "Gorgon Heap" Ebersole

100% this. David "Gorgon Heap" Ebersole

I ALMOST went that route. Kept going back and forth between "You're So Vain" with Link, and "Nobody Does It Better" in keeping with the spy theme. David "Gorgon Heap" Ebersole

Carly Simon, 8/20/16

In interviews, Carly Simon has said that when she was a little girl, when asked what she wanted to be when she grew up, she would answer "a spy". Doing the theme for a James Bond movie ("The Spy Who Loved Me", 1977) was the next best thing. So I found what I thought was a neat way to...

Swap Floyd out for Janice in the goodnights, since she appears more often/prominently ("Leader of the Band"). David "Gorgon Heap" Ebersole

Thank you, LaRanaRene, that's just what I strive for! Feel free to check out m other outlines & scripts through the link in my signature! David "Gorgon Heap" Ebersole

And the rewritten goodnights: GOODNIGHTS: Kermit enters. Kermit: "Well, we've done everything we planned to do, as well as some things better left unsaid. But before we go, let's have a warm thank you for our special guest star, Leon Redbone!" (APPLAUSE. Leon enters.) Leon: "Thanks...

Turns out, I DID move that scene: BACKSTAGE: Lembeck makes some notes at Kermit's desk as the VH crew returns from the stage. Kermit: "Nice going, way to go!" (to Lembeck) "Uh, how's it going, Mr. Lembeck?" Lembeck: "Ah, I've just gotten your quote approved, Mr. Frog. Here, take a look."...

I might update this at some point. If I had it to do over again, I would move Lembeck's scene where he gives Kermit an approved insurance quote to the last backstage scene rather than the goodnights.