Convincing John
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- Joined
- Aug 27, 2003
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Well...as for the versions of "A Christmas Carol", there are two I always will love. One of course is the Muppet Christmas Carol. This is the most accurate "children's" version of the film out there. Everyone praises the Disney version...which is horribly innacurate, while Gonzo quotes Dickens' story word for word. (Heck, Mr. Magoo's version got the ghosts in the wrong order and it was still more accurate than Disney!)
The second Christmas Carol I loved is the Patrick Stewart version. Yeah, he was great in Star Trek TNG, but he just made a great Scrooge. He was a very convincing grouch in that one! The image of him with his cane raised (about to smack a kid) appears on the cover artwork!
Now as for parody films, there is one parody film I do love which has become classic in its own right: Young Frankenstein.
Then, of course, there's a movie made by a parody artist with a parody video inside it: UHF. The critics hated it, but it's become a favorite among many a Weird Al fan (like me).
But there's a difference between these films and the stuff churned out of Hollywood. The above films were made with and by professionals who knew how to make movies. They have talent and know what it takes to make a movie with quality.
The movies out now just repeat each other, hoping to make more money with toilet humor and no quality. The ones mentioned before (Epic Movie, etc.) certainly do. The premise of "incredibly dorky guy is the star" happened in the Austin Powers movies, then in "Master of Disguise", then in Napoleon Dynamite. Now we have "Love Guru"...
Nowadays, for a "comedy movie" to pass in modern day Hollywood, the requirements seem to be:
1. Toilet humor
2. Overdone sexual innuendo
3. Guys getting hit in the groin
4. Mix and stretch the above items to 90 minutes
5. If the movie does well, rehash it for a sequel. But put two or three new jokes in the trailer to fool the audience into thinking this is a "new" movie.
I'm very glad the live action Cat-in-the-Hat crushed the trend in making live action Dr. Seuss movies. The Seuss classics were beautifully done as books. Then when master animator Chuck Jones teamed up with Seuss, timeless specials and cartoons were made (Grinch, Lorax, Horton). The CGI Horton I have not heard anything about since it premiered and maybe this is a good thing. Chuck Jones animation, like many illustrators, painters, etc. has it's own flavor. Excessive CGI is just too...artificial. (I'll hold my Star Wars rant for another time).
Perhaps Phillip J. Fry put it best: "That's not why people watch TV. Clever things make people feel stupid and unexpected things make them feel scared. You see? TV audiences don't want anything original. They wanna see the same thing they've seen a thousand times before."
Looks like this applies to films, too.
Convincing John
The second Christmas Carol I loved is the Patrick Stewart version. Yeah, he was great in Star Trek TNG, but he just made a great Scrooge. He was a very convincing grouch in that one! The image of him with his cane raised (about to smack a kid) appears on the cover artwork!
Now as for parody films, there is one parody film I do love which has become classic in its own right: Young Frankenstein.
Then, of course, there's a movie made by a parody artist with a parody video inside it: UHF. The critics hated it, but it's become a favorite among many a Weird Al fan (like me).
But there's a difference between these films and the stuff churned out of Hollywood. The above films were made with and by professionals who knew how to make movies. They have talent and know what it takes to make a movie with quality.
The movies out now just repeat each other, hoping to make more money with toilet humor and no quality. The ones mentioned before (Epic Movie, etc.) certainly do. The premise of "incredibly dorky guy is the star" happened in the Austin Powers movies, then in "Master of Disguise", then in Napoleon Dynamite. Now we have "Love Guru"...
Nowadays, for a "comedy movie" to pass in modern day Hollywood, the requirements seem to be:
1. Toilet humor
2. Overdone sexual innuendo
3. Guys getting hit in the groin
4. Mix and stretch the above items to 90 minutes
5. If the movie does well, rehash it for a sequel. But put two or three new jokes in the trailer to fool the audience into thinking this is a "new" movie.
I'm very glad the live action Cat-in-the-Hat crushed the trend in making live action Dr. Seuss movies. The Seuss classics were beautifully done as books. Then when master animator Chuck Jones teamed up with Seuss, timeless specials and cartoons were made (Grinch, Lorax, Horton). The CGI Horton I have not heard anything about since it premiered and maybe this is a good thing. Chuck Jones animation, like many illustrators, painters, etc. has it's own flavor. Excessive CGI is just too...artificial. (I'll hold my Star Wars rant for another time).
Perhaps Phillip J. Fry put it best: "That's not why people watch TV. Clever things make people feel stupid and unexpected things make them feel scared. You see? TV audiences don't want anything original. They wanna see the same thing they've seen a thousand times before."
Looks like this applies to films, too.
Convincing John