frogboy4
Inactive Member
- Joined
- Apr 13, 2002
- Messages
- 10,080
- Reaction score
- 358
I liked the hamster bits in the Bolt ad. This is from the same part of the studio that brought us the enjoyable (but void of the Pixar touch) Chicken Little and Meet the Robinsons films. I have to admit to really enjoying both of those movies. They existed for more than mere CG status. Both films had unique messages not found in other films at the time that I could relate to.
Chicken Little had to do with the challenges of a single parent and a father's love for his unconventional son. Robinsons revolved around another unconventional family, adoption and that love comes from acceptance and moving forward. They are both universal themes set to more realistic life situations told in an “other-worldly” language for kids and adults to enjoy. There was no talking down to the audience. I like that. The animation itself is about B+ level, but Pixar has the market covered in that area.
Back to Bolt. I see this ingredient missing in the ads for Bolt. Everything else looks up to snuff, but there doesn't seem to be a good reason or unique perspective for this sort of story to be told again.
I don't like that all CG animation is compared to Pixar (even though I do a healthy bit of it myself) because they not only pioneered the art, but also have a special branding touch that cannot and should not be mimicked. That just comes off as sad. I think other studios should have the chances of Pixar and it takes good stories to do that.
I wouldn't dare consider any of these films plagiarized. All film storytelling is influenced by what has come before. I just don't see anything truly unique about Bolt and that's my main complaint. Heck, at least it isn't Space Chimps! I wish Bolt well and will give it a theatrical viewing.
These are the films from Disney's non-Pixar CG animation department. It was to be their plan B. I am glad they kept both studios. Reportedly Lassiter and others have some fingerprints on the studio now that might more visibly filter through with more time. I just hope it doesn't make this a "Pixar-light" studio.
As for Happy Feet - I hated the (lack of) story and can't stand the film. Surf's Up had some fun moments. That was the one that should have received more exposure and accolades. Happy Feet managed to make penguins (that I love so much) creepy to me. That film is why I hold back from the F grading for other poorly constructed films – so that it may be utilized for such a dreadful pandering film. Of course IMHO. Many of these different studios don't know what to do by way of story. That's the core of success - not the technology. Story, story, story.
Chicken Little had to do with the challenges of a single parent and a father's love for his unconventional son. Robinsons revolved around another unconventional family, adoption and that love comes from acceptance and moving forward. They are both universal themes set to more realistic life situations told in an “other-worldly” language for kids and adults to enjoy. There was no talking down to the audience. I like that. The animation itself is about B+ level, but Pixar has the market covered in that area.
Back to Bolt. I see this ingredient missing in the ads for Bolt. Everything else looks up to snuff, but there doesn't seem to be a good reason or unique perspective for this sort of story to be told again.
I don't like that all CG animation is compared to Pixar (even though I do a healthy bit of it myself) because they not only pioneered the art, but also have a special branding touch that cannot and should not be mimicked. That just comes off as sad. I think other studios should have the chances of Pixar and it takes good stories to do that.
I wouldn't dare consider any of these films plagiarized. All film storytelling is influenced by what has come before. I just don't see anything truly unique about Bolt and that's my main complaint. Heck, at least it isn't Space Chimps! I wish Bolt well and will give it a theatrical viewing.
These are the films from Disney's non-Pixar CG animation department. It was to be their plan B. I am glad they kept both studios. Reportedly Lassiter and others have some fingerprints on the studio now that might more visibly filter through with more time. I just hope it doesn't make this a "Pixar-light" studio.
As for Happy Feet - I hated the (lack of) story and can't stand the film. Surf's Up had some fun moments. That was the one that should have received more exposure and accolades. Happy Feet managed to make penguins (that I love so much) creepy to me. That film is why I hold back from the F grading for other poorly constructed films – so that it may be utilized for such a dreadful pandering film. Of course IMHO. Many of these different studios don't know what to do by way of story. That's the core of success - not the technology. Story, story, story.