Brooklyn
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Did Jim Henson know he was going to die? This was taken from a story on Jim in LIFE magazine in 1990, this part focuses on his death/funeral:
Henson had planned part of the service himself four years earlier. He had asked that no one wear black and suggested that he would appreciate it if there was a Dixieland band present to pay "When the Saints Go Marching In"; both requests were duly honored. He had also written letters to his children to be opened after his death, and Brian Henson read parts of them that day in the cathedral. Henson's advice from the beyond sounded as casual as if he had just then scribbled in on a napkin - "Please watch out for each other and love and forgive everybody. It's a good life, enjoy it" - but this unassuming message rang out in that cathedral full of true believers like a mighty testament.
Why had he taken such pains, when he was not, yet ever 50, to orchestrate his own departure? Henson's friends are divided about whether he had a "premonition," but he did have a growing, brooding interest in mortality. His work shows it, particularly the dark and masterful European folk tales that make up "The Storyteller," a short-lived TV series that was revered by critics but never made a ratings impact. And then there was "Labyrinth," an ambiguous tale about a stolen child starring the patently unwholesome David Bowie.
Henson had planned part of the service himself four years earlier. He had asked that no one wear black and suggested that he would appreciate it if there was a Dixieland band present to pay "When the Saints Go Marching In"; both requests were duly honored. He had also written letters to his children to be opened after his death, and Brian Henson read parts of them that day in the cathedral. Henson's advice from the beyond sounded as casual as if he had just then scribbled in on a napkin - "Please watch out for each other and love and forgive everybody. It's a good life, enjoy it" - but this unassuming message rang out in that cathedral full of true believers like a mighty testament.
Why had he taken such pains, when he was not, yet ever 50, to orchestrate his own departure? Henson's friends are divided about whether he had a "premonition," but he did have a growing, brooding interest in mortality. His work shows it, particularly the dark and masterful European folk tales that make up "The Storyteller," a short-lived TV series that was revered by critics but never made a ratings impact. And then there was "Labyrinth," an ambiguous tale about a stolen child starring the patently unwholesome David Bowie.