*SQUEEAAALLLLLLLLLL*
SOMEONE HAS SEEN HIS MOVIES! OMMMMGGGGGG! I.Love.You.
WHEEEEEEEEEEEEEEEEEE!
The Great Dictator was AMAZING! Who knew he had such a light voice?
Then again...he was old.
The Kid made me bawl. I cried sooo hard when they tore the kid away from him. I was all like "NOOOOO! LET HIM GGOOOOO!"
Fun fact: That little boy played the original Uncle Fester....amazing huh?
Who knew the little squirt would grow to be such a star?
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Chaplin, in my opinion was a strange fellow but that was what made him so WONDERFULLY different from the modern-day stars!
I remember I had to do an essay on him in Highschool!
It was so long...they had to cut me off because I was mumbling madly on how handsome, intelligent, strange, blunt, flexible, ....*an hour later*
and TALENTED! REALLLLL ACCTTINNNGGG!
Dude, you can become famous within a second!
Though at that time...different story! You had tah be right on Cue! Very precise and very easy to interpret through emotion, silence, and even action!
*Swwooooonnn*
Erherm...I have a thing for dead people.
Wait...that is terrible...
Fun fact: The Jim Henson studio was once Chaplin's place...cool huh?
No doubt about it, Chaplin was brilliant at pantomime. He once said something like, "give me a park bench, a pretty girl and a policeman, and I'll make a film out of it."
In his early years on stage, one of Chaplin's peers was a young man named Arthur Stanley Jefferson, who knew all of Chaplin's routines, and took over for him when Chaplin left the company. Jefferson would later be very well-known under his professional name, Stan Laurel.
Chaplin made his first film, "Making a Living" for the famous Mack Sennett in 1913, not as the Tramp character, but as a rather seedy gentleman with a drooping mustache.
Although Chaplin worked for Sennett, he didn't care for the filmmaker's knockabout comedies that were churned out almost on a daily basis and mostly improvised on the spot. Chaplin persuaded Sennett to let him direct a film, and the difference was noted by several critics. This led Chaplin to leave Sennett, and begin his long career as an independent filmmaker.
Chaplin was known to direct every movement of his actors, including bit players and extras. He would perform the routine, and expect the actor to reproduce it exactly, miming Chaplin's every gesture. Many, many years later this would cause a problem on Chaplin's last film,
A Countess From Hong Kong (1967), in which he forced star Marlon Brando to go through his (Chaplin's) motions.
Although he grew up poor and virtually unschooled, Chaplin was known in later years as a well-read intellectual, who rubbed shoulders with the rich and famous, including William Randolph Hearst and Albert Einstein.
Chaplin's last wife, Oona, whom he married in the 1940s, and lived with until his death, was the daughter of tragic playwright Eugene O'Neill. O'Neill is said to have disliked Chaplin intensely, and refused to speak to Oona ever again once she married Charles.
Shortly after his death, Chaplin's body was stolen from its grave and held for ransom. The body snatchers were caught, and the body was re-buried in a secret location.
That must have been some essay, Claudia! You were actually cut off? Wow!
I've seen most of Chaplin's films. I've seen all the features, but there are several shorts I haven't gotten around to. At one point, he was the most recognizable figure in the world.
I'm pretty sure I first became acquainted with Mr. Chaplin via
Sesame Street. There used to be a lot of Chaplinesque sketches performed, I believe, by the actress who plays Maria.
Yup, Jackie Coogan, the Kid himself grew up to be Uncle Fester!
I never knew Chaplin's studio was the Jim Henson Studio in later years. Interesting. I
have heard, however, that the studio is supposedly haunted!