On the other hand, I find that if I first see a film that's been colorized, I have a hard time seeing it later in B&W.
*There's an ugly rumor going around lately that the Beatles were the original Boy Band. Nothing could be further from the truth. The Beatles, unlike Boy Bands, were actually a band (heh), played their own instruments and even more importantly wrote their own songs. NO ONE was doing that at the time.
If I see a B&W film colorized, it makes me want to puke. Seriously. The colors, even with the best technology, are still artificial looking. And did you ever notice in a colorized film how
everyone has the same skin tones?
Colorization has been around for so long that Orson Welles himself pleaded that Ted Turner keep his "Crayolas" away from
Citizen Kane and his other B&W films. And Welles certainly knew how to use B&W for maximum effect.
Kane, The Magnificent Ambersons, Othello and
Touch of Evil, among others have a sinister quality to them, almost like a vintage horror movie.
In the mid-80s, such "Golden Age" Hollywood folks like Jimmy Stewart, Frank Capra and others went before Congress (I think it was) to try to put a stop to copyrighted B&W films that were being colorized.
To this day, though, such major DVD labels like Columbia offer 3 Stooges shorts IN COLOR FOR THE FIRST TIME (as the package proudly proclaims). Yeah, the B&W versions are included too, but why colorize the world of the Stooges? Do they really think they can sell more discs that way?
And speaking of horror movies...can you imagine
Dracula, Frankenstein, The Wolf Man,The Invisible Man, and all the other classic horror films from the 30s in 40s in color?
Or what about Val Lewton's productions, such as
Cat People, Bedlam, Curse of the Cat People, The Leopard Man, The Ghost Ship, I Walked with a Zombie, and
The Body Snatcher? These atmospheric chillers would be pointless in color.
The Beatles "boy band" thing has been going around for a long time now, and I agree, it's absolutely ridiculous to label them as such. They weren't manufactured. They paid their dues, went through several band members, played at some of the sleaziest clubs and were eventually rewarded with a recording contract. And at the time the Abbey Road studios and the Parlophone record label weren't really the big leagues anyway. Producer George Martin mostly recorded classical music and spoken-word comedy albums featuring the Goons and Peter Sellers, among others.