Yeah I understand
. And it is a shame how poorly Anime has been treated in America, so dumbed down and merchandised. At least it's created such an underground following.
Unfortunately, the "underground fandom" (the 12+ year olds that expect gory violence and rape scenes on kid's television, and whine about how they have to be edited so it's acceptible for 5 year olds... and just download fansubs anyway) pretty much like the same exact thing. There's no variety. I just want someone to get Doraemon in this country. Someone apparently had the rights, but they're just sitting on them. That said, 40 bucks for 13 episodes just so they can fund a dub isn't really helping.
That said, I think that the Japanese shows priced themselves out of the business, and while it was cheaper to get foreign shows to dub, it's just cheaper to got to Italy's Rainbow or something like that than TMS or Toei (whom I've heard is a notoriously frustrating company to deal with, a shame, since they makle most of my favorites). And even cheaper still for English speaking countries like Canada and Ireland. Still, I have to say, outside of Arthur, Cookie Jar sucks. You don't know how disappointed I am that DIC merged with them and dropped their own name. but then again, DIC hasn't been great since the early 90's (being generous here... mainly due to their first 2 Sonic cartoons).
Now here's something that drives me mad... American cartoons are still being produced, but they air in EVERY country besides this one first. Marvel unveiled all these new animated programs based on their comics, and Europe got them a year before the contracts were printed up for whatever network was to air them. I think if cartoons ever want to get back to this country, no matter what country they're made in, these networks have to step up to the plate and hire people who care about their products... not people using it as a career stop for a spot on their resume.