Part of the problem today too is laugh tracks really have no distinction to them, they all kind of sound the same, droll, "intelligent" laughter, but the thing of it is, it supposedly has to do with audiences becoming more "sophisticated" as opposed to back in the 50s, 60s, and 70s, where audiences laughed as loud, as hearty, and even as silly as they wanted to, and that was also reflected in laugh tracks back in the day, where you could have soft chuckles and snickers, and gut-busting guffaws, even THE MUNSTERS frequently had shrieks and big, "WWWWHHOOOOAAAA!"s Nowadays, the laughs are all subdued and generic-sounding... of course, part of it too is apparently a lot of producers today have this phase going on where they wanted to avoid having a "full studio audience" sound, without doing away with an audience sound completely, and honestly, having laughter down to the sound of a whisper can be even more annoying that having laughs too loud and boisterous.