WebMistressGina
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Well, hello again Muppet Central! We should really stop meeting like this!
So once again, what I wanted to do was counteracted by what my brain tells me to do. And my brain said, "Gina, chew on this image for a bit." And that image is what we have here. If you are new to this, this here be the fourth story in what I call "The Monday Series", which can all be found under the great big library of ficlets, which is thus -
http://www.muppetcentral.com/forum/threads/fanfic-library-index.35667/
You will find me under...um...me, Gina. Now, after the Count Who Shall Not Be Named and I disagreed on what stories belong in which series, I came up with this - the Monday series is currently laid out by chronological order - so events follow a time line. My original intention was story order, however you can now either read them one of two ways and here are those ways:
Story Order -
Monday Morning Meeting
Monday Dinner Date
It Happened on Monday (interlude)
This story
Or Chronologically
It Happened on Monday
Monday Morning Meeting
Monday Dinner Date
This story
With all that said, this is the sequel to It Happened on Monday, which in itself is an interlude for Monday Morning Meeting. You don't need to read MMM to read this, however you should definitely read IHM cause an important aspect of that fic is in this one. Also, you should/could read MDD before IHM as a scene in that fic is what gave me the idea for the other one.
Okay, admin stuff is done! Now on to the summary - if you HAVE read the previous story (or series), you'll remember that the breakup of the Muppets wasn't exactly pretty; Kermit the Frog made a decision one day that nearly cost them their studios and still might...
“Are you insane?”
Kermit the Frog had to admit that, in his very long career as both a television and movie star, no one had ever asked that question of him before. In fact, usually he gave off the perception that he was at least saner than that of the people he worked and hung out with.
It was Saturday night, the day before official show time for The Muppet Show, a revised and updated version of their popular show from the 70’s; the show that basically broke the Muppets into show business in the first place. They had just released their newest movie out on DVD, but even before that, word of a new Muppet movie had garnered a ton of press and hot topic that the entire group found themselves back in the spotlight.
It was then, during one of their traditional Monday morning meetings, that they had decided the best way to capture and continue their popularity was to do another show.
And that’s where Kermit and his stage manager/personal assistant Scooter Grosse found themselves within Kermit’s studio office on the lot of Muppet Studios. The two always took time out on Saturdays to not only try to solidify the acts for the next night’s show, but also going the finances from past and present shows.
Always knowing Muppet Theatre had eyes and ears in every corner – and not just because their resident monsters seemed to be everywhere – the two would usually convene either in Kermit’s office or that of Scooter’s; both were located near the entrance of the studio lot and were next to each other. Tonight, both Muppets were in Kermit’s office, which seemed to be a shrine to their – and his – days in show business.
A rather avid musician, Kermit had several banjos hanging in his office, replicas of the ones he had either used in shows or that of the movies; his favorite – the one he had taken with him from Mississippi – had a special place within his home and heart. Several newspaper stills and articles, as well as pictures with celebrities also hung in his office, complete with desk and chair, which was where Scooter sat now.
The younger of the two, Scooter had begun his start in show business by being the go-fer during the original show run. Since then, he had risen to that of the show’s stage manager and was personal assistant to both Kermit and that of the Muppet’s leading lady, Miss Piggy. In a more personal aspect, Scooter was the nephew of the JP Grosse, who had been a huge business mogul when alive; it was Grosse who had been the owner of the theater before leasing it to the group and thus maneuvering his nephew in as a hopeful spy.
Scooter had not only found professional success as being a member of the Muppets, but he had also found personal success thanks to that association; he had left the group for a few years in order to get his college degree in film production, while also taking an internship position with then growing search engine company Google. Upon reuniting with his acting family, Scooter had also made up an appearance at the popular science and technology TED talks.
But it wasn’t the TED talks that Scooter was interested in this night. As both stage manager and administrative assistant, the younger Muppet was also a part of the financial accounting team that consisted of himself and Kermit. Usually, he was the first person to know where the group and their various projects stood financially. Looking at the books now, Scooter wasn’t sure what he saw was correct.
With the studios back under Muppet control, this had actually been the first time that he and Kermit had sat down in order to go over the books, a task they hadn’t done in over seven years. The assistant wasn’t sure what he would find, but he didn’t think he would find what he did; he had assumed that while the studios weren’t making any money, it certainly shouldn’t have been losing money.
So of course, the assistant asked his boss and friend what exactly had happened for the studios to be in borderline financial trouble, even with the help of the publicity and film.
That’s when Kermit told the younger Muppet the truth – during the turbulent time in which the group itself was falling apart, their frog leader had made a very bad decision. The project they had been working on was obviously going nowhere and while the Muppets owned and operated their own studios, they still needed to report to the people above them, those that gave out the money in which to produce said film in the first place.
When they saw the project was going nowhere, they pulled the plug on it, stating that perhaps the Muppets weren’t the star darlings of their yesteryear. At the time, Kermit was already going through enough difficulties – he and the leading lady were arguing more, he could see that his friends, his family, were drifting apart, and the one person he could always turn to was dead.
The frog wasn’t going to excuse what he did, but ultimately what he did was probably the equivalent of professional suicide – instead of notifying the group of the project’s demise, Kermit kept them coming in and working on it.
For three weeks.
It was only when several people left around the same time – Miss Piggy, the Electric Mayhem, Rowlf the Dog, the Great Gonzo, and even Scooter himself – did Kermit truly feel that there was nothing he could do to stop it.
So he let them all go.
As riveting a tale as that was, it still didn’t stop the fact that the studios had hemorrhaged money and had been ever since that decision.
“Are you insane?” Scooter hissed. While not being as big on business as his uncle, Scooter had none the less learned the ropes while he was working in the Muppet Theatre. The fact that Kermit leaned on him, especially when he was usually the only person who did all the administrative stuff, gave the teenager a sense of pride, belonging, and overall usefulness; something he had been hard-pressed to get at home.
But with that business sense came the realization that Kermit had basically gone through a ton of money for three weeks of work on a film that was never made. There were production costs, star salaries, Gonzo’s crazy stun ideas, musician pay, etc.
“What were you thinking?”
“I wasn’t,” Kermit replied, taking a deep breath. And truthfully, he hadn’t been thinking, at least not straight obviously. Even in hindsight, he couldn’t understand why he would have done something like that. “I admit that, I wasn’t thinking at all and whatever I was thinking…it was a really bad mistake.”
“Bad mistake?” Scooter repeated, his face a mixture of anger, confusion, and overall unbelieving incredulous. He couldn’t remember the last time he had ever been so mad at Kermit before; actually, this particular time frame they were discussing was the first and last time – before that night – that he had ever been furious with Kermit.
“Kermit,” he continued. “You should know how much even a day of production costs total and you went ahead and continued this for three weeks!?” The sudden realization of how Tex Richman, oil baron and businessman came into now made sense. “Oh my God,” the go-fer whispered. “That’s why you took Richman’s offer.”
“What was I supposed to do?” Kermit huffed, pacing in front of the desk. “I couldn’t maintain the studios by myself and I was quite aware of just how…at that point…” Both his pace and speech paused as he stopped and looked at Scooter. “How bad is it?”
Scooter sighed, looking over the files again. “Not terribly,” he admitted. “But bad enough that we’re going to need to have a successful show every night, plus another success movie. Or four just to break even. Kermit, what’re we gonna do?”
The frog also sighed, looking his assistant in the eye. “I’ve have an idea about that,” he whispered. “It was one of the reasons I jumped at Richman’s offer. The only thing we could consider and even do…is sell the studios.”
Scooter just looked at him as though he had barged in the office intending on taking prisoners. “Now I know you’ve gone insane,” he muttered. “You want to sell the very studios that we just fought to get back?”
“I already have a buyer in mind.”
The assistant sat back in the chair, at a loss for words. Learning that the studios were in worse shape than he imagined had been one thing; learning that Kermit had been the one instrumental in that was a blow, but now, to hear that the frog had essentially gone around him and everyone else and was already in talks with selling the very place they had just reunited and fought to get back was just…devastating. “You…” he stumbled. “You were going to sell the studios and not even tell me?”
“What?” Kermit cried. “No! No, Scooter. I was going to tell you.”
“Right now!?” the redhead exclaimed. “At the very last moment?”
“Scooter,” the frog stressed, trying to get the younger Muppet to calm down. “I was going to tell you right now because I’m going to sell the studios to you.”
So once again, what I wanted to do was counteracted by what my brain tells me to do. And my brain said, "Gina, chew on this image for a bit." And that image is what we have here. If you are new to this, this here be the fourth story in what I call "The Monday Series", which can all be found under the great big library of ficlets, which is thus -
http://www.muppetcentral.com/forum/threads/fanfic-library-index.35667/
You will find me under...um...me, Gina. Now, after the Count Who Shall Not Be Named and I disagreed on what stories belong in which series, I came up with this - the Monday series is currently laid out by chronological order - so events follow a time line. My original intention was story order, however you can now either read them one of two ways and here are those ways:
Story Order -
Monday Morning Meeting
Monday Dinner Date
It Happened on Monday (interlude)
This story
Or Chronologically
It Happened on Monday
Monday Morning Meeting
Monday Dinner Date
This story
With all that said, this is the sequel to It Happened on Monday, which in itself is an interlude for Monday Morning Meeting. You don't need to read MMM to read this, however you should definitely read IHM cause an important aspect of that fic is in this one. Also, you should/could read MDD before IHM as a scene in that fic is what gave me the idea for the other one.
Okay, admin stuff is done! Now on to the summary - if you HAVE read the previous story (or series), you'll remember that the breakup of the Muppets wasn't exactly pretty; Kermit the Frog made a decision one day that nearly cost them their studios and still might...
We Bought It on Monday
“Are you insane?”
Kermit the Frog had to admit that, in his very long career as both a television and movie star, no one had ever asked that question of him before. In fact, usually he gave off the perception that he was at least saner than that of the people he worked and hung out with.
It was Saturday night, the day before official show time for The Muppet Show, a revised and updated version of their popular show from the 70’s; the show that basically broke the Muppets into show business in the first place. They had just released their newest movie out on DVD, but even before that, word of a new Muppet movie had garnered a ton of press and hot topic that the entire group found themselves back in the spotlight.
It was then, during one of their traditional Monday morning meetings, that they had decided the best way to capture and continue their popularity was to do another show.
And that’s where Kermit and his stage manager/personal assistant Scooter Grosse found themselves within Kermit’s studio office on the lot of Muppet Studios. The two always took time out on Saturdays to not only try to solidify the acts for the next night’s show, but also going the finances from past and present shows.
Always knowing Muppet Theatre had eyes and ears in every corner – and not just because their resident monsters seemed to be everywhere – the two would usually convene either in Kermit’s office or that of Scooter’s; both were located near the entrance of the studio lot and were next to each other. Tonight, both Muppets were in Kermit’s office, which seemed to be a shrine to their – and his – days in show business.
A rather avid musician, Kermit had several banjos hanging in his office, replicas of the ones he had either used in shows or that of the movies; his favorite – the one he had taken with him from Mississippi – had a special place within his home and heart. Several newspaper stills and articles, as well as pictures with celebrities also hung in his office, complete with desk and chair, which was where Scooter sat now.
The younger of the two, Scooter had begun his start in show business by being the go-fer during the original show run. Since then, he had risen to that of the show’s stage manager and was personal assistant to both Kermit and that of the Muppet’s leading lady, Miss Piggy. In a more personal aspect, Scooter was the nephew of the JP Grosse, who had been a huge business mogul when alive; it was Grosse who had been the owner of the theater before leasing it to the group and thus maneuvering his nephew in as a hopeful spy.
Scooter had not only found professional success as being a member of the Muppets, but he had also found personal success thanks to that association; he had left the group for a few years in order to get his college degree in film production, while also taking an internship position with then growing search engine company Google. Upon reuniting with his acting family, Scooter had also made up an appearance at the popular science and technology TED talks.
But it wasn’t the TED talks that Scooter was interested in this night. As both stage manager and administrative assistant, the younger Muppet was also a part of the financial accounting team that consisted of himself and Kermit. Usually, he was the first person to know where the group and their various projects stood financially. Looking at the books now, Scooter wasn’t sure what he saw was correct.
With the studios back under Muppet control, this had actually been the first time that he and Kermit had sat down in order to go over the books, a task they hadn’t done in over seven years. The assistant wasn’t sure what he would find, but he didn’t think he would find what he did; he had assumed that while the studios weren’t making any money, it certainly shouldn’t have been losing money.
So of course, the assistant asked his boss and friend what exactly had happened for the studios to be in borderline financial trouble, even with the help of the publicity and film.
That’s when Kermit told the younger Muppet the truth – during the turbulent time in which the group itself was falling apart, their frog leader had made a very bad decision. The project they had been working on was obviously going nowhere and while the Muppets owned and operated their own studios, they still needed to report to the people above them, those that gave out the money in which to produce said film in the first place.
When they saw the project was going nowhere, they pulled the plug on it, stating that perhaps the Muppets weren’t the star darlings of their yesteryear. At the time, Kermit was already going through enough difficulties – he and the leading lady were arguing more, he could see that his friends, his family, were drifting apart, and the one person he could always turn to was dead.
The frog wasn’t going to excuse what he did, but ultimately what he did was probably the equivalent of professional suicide – instead of notifying the group of the project’s demise, Kermit kept them coming in and working on it.
For three weeks.
It was only when several people left around the same time – Miss Piggy, the Electric Mayhem, Rowlf the Dog, the Great Gonzo, and even Scooter himself – did Kermit truly feel that there was nothing he could do to stop it.
So he let them all go.
As riveting a tale as that was, it still didn’t stop the fact that the studios had hemorrhaged money and had been ever since that decision.
“Are you insane?” Scooter hissed. While not being as big on business as his uncle, Scooter had none the less learned the ropes while he was working in the Muppet Theatre. The fact that Kermit leaned on him, especially when he was usually the only person who did all the administrative stuff, gave the teenager a sense of pride, belonging, and overall usefulness; something he had been hard-pressed to get at home.
But with that business sense came the realization that Kermit had basically gone through a ton of money for three weeks of work on a film that was never made. There were production costs, star salaries, Gonzo’s crazy stun ideas, musician pay, etc.
“What were you thinking?”
“I wasn’t,” Kermit replied, taking a deep breath. And truthfully, he hadn’t been thinking, at least not straight obviously. Even in hindsight, he couldn’t understand why he would have done something like that. “I admit that, I wasn’t thinking at all and whatever I was thinking…it was a really bad mistake.”
“Bad mistake?” Scooter repeated, his face a mixture of anger, confusion, and overall unbelieving incredulous. He couldn’t remember the last time he had ever been so mad at Kermit before; actually, this particular time frame they were discussing was the first and last time – before that night – that he had ever been furious with Kermit.
“Kermit,” he continued. “You should know how much even a day of production costs total and you went ahead and continued this for three weeks!?” The sudden realization of how Tex Richman, oil baron and businessman came into now made sense. “Oh my God,” the go-fer whispered. “That’s why you took Richman’s offer.”
“What was I supposed to do?” Kermit huffed, pacing in front of the desk. “I couldn’t maintain the studios by myself and I was quite aware of just how…at that point…” Both his pace and speech paused as he stopped and looked at Scooter. “How bad is it?”
Scooter sighed, looking over the files again. “Not terribly,” he admitted. “But bad enough that we’re going to need to have a successful show every night, plus another success movie. Or four just to break even. Kermit, what’re we gonna do?”
The frog also sighed, looking his assistant in the eye. “I’ve have an idea about that,” he whispered. “It was one of the reasons I jumped at Richman’s offer. The only thing we could consider and even do…is sell the studios.”
Scooter just looked at him as though he had barged in the office intending on taking prisoners. “Now I know you’ve gone insane,” he muttered. “You want to sell the very studios that we just fought to get back?”
“I already have a buyer in mind.”
The assistant sat back in the chair, at a loss for words. Learning that the studios were in worse shape than he imagined had been one thing; learning that Kermit had been the one instrumental in that was a blow, but now, to hear that the frog had essentially gone around him and everyone else and was already in talks with selling the very place they had just reunited and fought to get back was just…devastating. “You…” he stumbled. “You were going to sell the studios and not even tell me?”
“What?” Kermit cried. “No! No, Scooter. I was going to tell you.”
“Right now!?” the redhead exclaimed. “At the very last moment?”
“Scooter,” the frog stressed, trying to get the younger Muppet to calm down. “I was going to tell you right now because I’m going to sell the studios to you.”