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EPISODE NOTES

This is one of only a few Muppet Show episodes that open the show after the theme song with some kind of offstage scene.

There's also a couple of scenes with the guest star in her dressing room conversing with Muppets instead of onstage in the Talk Spot. The dressing room would become more heavily integrated into the structure of the show in its second season.

In last week's "At The Dance", Boppity danced in drag with another monster. This week Boppity appears as normal but his partner is in drag. In both instances, he ends up headless.

EXECUTIVE PRODUCER Jim Henson

PRODUCED BY Jack Burns

WRITTEN BY Jack Burns, Marc London, Jim Henson and Jerry Juhl

DIRECTED BY Peter Harris

THE MUPPET PERFORMERS FEATURING

Frank Oz (Fozzie, George, Animal, Mildred, Sam, Mary Louise, Clodhopper)

with Jerry Nelson (Screaming Girl, Herman, Floyd)

Richard Hunt (Statler, cake, whatnot, Wayne)

Dave Goelz (Gonzo, Zoot, Boppity)

Eren Ozker (female whatnot, Janice, Gloat, Wanda, Hilda)

John Lovelady (Bernie)

Jim Henson (Kermit, Waldorf, Swedish Chef, Newsman, Rowlf, Dr. Teeth, Clodhopper)

PUPPETS BY Bonnie Erickson and Caroly Wilcox, Rollin Krewson, Mari Kaestle, Dave Goelz, John Lovelady, Faz Fazakas, Larry Jameson

SPECIAL PUPPETS BY Don Sahlin

MUPPET COSTUME DESIGNER: Bonnie Erickson

MUPPET CREATIVE CONSULTANTS: Frank Oz, Mike Frith

ART DIRECTOR: David Chandler

CHOREOGRAPHER: Irving Davies

ORCHESTRA CONDUCTED BY Jack Parnell

MUSICAL ASSOCIATE: Derek Scott

LIGHTING DIRECTOR: John Rook

ASSISTANT TO PRODUCERS: Sue Taylor

MUSIC CONSULTANT: Larry Grossman

THEME MUSIC BY Sam Pottle

AUDIO: Ted Scott

VIDEO TAPE EDITOR: John Hawkins

SENIOR VIDEO ENGINEER: John Crane

SENIOR CAMERAMAN: Mike Whitcutt

VISION MIXER: Carole Legg

COSTUMES BY Sue Lecash

MAKE UP BY Mary Southgate

SENIOR FLOOR MANAGER: Richard Holloway

FLOOR MANAGER: Martin Baker

STAGE MANAGER: Alani Bray

EXECUTIVE PRODUCER FOR HENSON ASSOCIATES, INC: David Lazer

Valerie Harper - Episode 20

Taping Dates: October 26-28, 1976
Original Airdates: November 22, 1976 (New York) and November 27, 1976 (LA)
DVD Release: Buena Vista Home Video, 2005

GENERIC INTRO: FOZZIE'S JOKES

Brian Henson: "Hi, I'm Brian Henson. Fozzie Bear was originally conceived as a Bear who just told terrible, horrendously bad, unfunny jokes. But when Frank Oz got a hold of the character he added a layer of empathy so that Fozzie is always telling terrible jokes, but he's just trying so hard you've got to love him."

"The Muppet Show head writer Jerry Juhl points to one Fozzie sketch that crystallizes the Fozzie we all know and love. In this sketch there are more laughs in the interaction between Fozzie and Kermit than there are in the actual punch lines. Here's that fabulous, furry funny-man, Fozzie Bear in another episode of The Muppet Show."

[The now famous "Comedian's a Bear" sketch is originally from the Harvey Korman episode and featured on the original Muppet Show soundtrack and Muppet Hits Take Two.]

OPENING THEME

Fozzie's joke: Hey, did you know that if Tuesday Weld married Frederick March's grandson, she'd be Tuesday March the Second!

Gonzo's gong: Gonzo raises very heavy mallet to hit gong, overbalances and hits himself with the mallet.

BACKSTAGE

Valerie Harper is greeted heartily by Kermit and less enthusiastically by George. After successfully sabotaging the planned opening number of Bertha Beasley and her Galloping Geese, she auditions her own song and dance number for an appreciative group of Muppets complete with costume changes, a follow spot (BACKSTAGE!) and impressions of Ethel Merman, Mae West, and Marilyn Monroe. Kermit, sold, hires her as a chorus girl.

BALCONY

WALDORF: What a beautiful performer!

STATLER: Yeah, what a beautiful woman. You know Waldorf, I think I'll go backstage and meet her.

WALDORF: Why you old fool, she wouldn't have anything to do with you! Besides I was thinking of going backstage.

STATLER: You? You? Why, you're old enough to be her grandfather!

WALDORF: Why you geriatric joker! We'll settle this, we'll flip for her.

STATLER: Okay

WALDORF: One - two - three!

(STATLER PHYSICALLY FLIPS HIMSELF INTO THE AIR)

WALDORF: You win.

SWEDISH CHEF

The Chef decorates a chocolate layer cake which starts talking in Japanese as he finishes. Armed with a translation book, the Chef finds the cake to be quite argumentative and smashes it with a baseball bat. [A wonderful recreation of the Japanese talking chocolate cake is included as an accessory in Palisades' Swedish Chef kitchen playset.]

BACKSTAGE

Statler enters the backstage area demanding to see Miss Harper hoping to win her over with some smooth lines ("Hiya toots, you're some kind of hot looking tomato") and an African Berry Bush, a plant that grows three feet an hour, more if it rains.

STATLER: I'll have you know I've dated and wined and dined some of the finest performers of the legitimate stage: Hayes, Langtry, Barrymore...

KERMIT: Wait a minute - you dated Ethel Barrymore?

STATLER: No, Lionel! Ethel was busy that night. To tell you the truth, we didn't dance much either.

NEWSFLASH

Newsman interviews Mrs. Klinger (Harper) to explain her husband's astonishing transformation into a rug over a three month period.

CURTAIN

Kermit welcomes Rowlf's tour de force poetry with a big hand. (As if that joke hadn't been overkilled the week before!)

ROWLF'S POETRY CORNER

Rowlf delivers a stirring original poem entitled "The Butterfly". The ending, unfortunately, stirs a large butterfly the wrong way.

BALCONY

WALDORF: Statler would have loved that one! But I hated it.

BACKSTAGE

A meeting of the balding old coots! George the Janitor meets Statler! Before Statler can stop him, the janitor waters the berry bush which immediately starts rapidly growing and eating everything in sight.

AT THE DANCE

The Screaming Girl dances with a different Whatnot puppet here than she does in the Ben Vereen episode, yet both are named Herman.

MILDRED: Do you think honesty is the best policy?

DR TEETH: Oh, positively!

MILDRED: Well, you are a terrible dancer!

DR TEETH: Another crack like that and your best policy will be an INSURANCE policy!

UK SKIT: MUSICAL NUMBER - "TIT WILLOW"

Rowlf convinces Sam the Eagle to play the bird - and the buffoon - in his Gilbert & Sullivan number, claiming that it's cultural light opera.

[This double entendre loaded number amazingly ended up on the original Muppet Show Soundtrack, Muppet Favorites, Muppet Hits Take 2, and the 1985 video Rowlf's Rhapsodies.]

MUSICAL NUMBER - "SEARCHIN'"

Floyd chases Mary Louise through a forest aided by two sleuth backing singers.

[This number could potentially be very disturbing if one stops to ponder how old Mary Louise is supposed to be.]

BALCONY

WALDORF: Just think, that old fool Statler is getting a chance to meet Miss Harper backstage! Just because he could do a flip! But I bet he can't do this (CONTORTS HIS FACE). Sometimes I tickle myself! In fact I think I'll tickle myself now - OH HO HO!!

BACKSTAGE

The plant has grown into an overwhelming large tree stretching in all directions.

STATLER: Now hold it right there! I know my rights! Section III, Paragraph IV, Theatergoer's Manual: Any member of the audience has the right...

KERMIT: Oh, don't give me that hogwash!

GEORGE: What did you say?

KERMIT: I said don't give me that hogwash.

GEORGE: Oh well - I was just going to wash the hogs, but if you don't wash the hogwash I'll just dump it here!

DRESSING ROOM

In need of a comb, Hilda introduces Valerie to their new makeup man, Bernie, a rabbit that hands her an egg.

VALERIE: Hilda - don't tell me he's...

HILDA: That's right! He's the Easter Bernie!

BACKSTAGE

Kermit has to fight his way through the foliage wearing a pith helmet. Statler is no doubt secretly pleased to find Fozzie has to cancel his act after the plant eats his cue cards.

CURTAIN

Sam introduces Wayne & Wanda and pleads with them to "please - do it for me...or SOMEBODY!"

WAYNE & WANDA

The duo sing "On a Clear Day" and are overwhelmed by factory smoke.

NEWSFLASH

The Newsman rushes onstage only to discover he grabbed blank paper.

DRESSING ROOM

Valerie thanks Kermit for allowing her to do a big closing number. Kermit warns her that the chorus line she'll be performing with are known as the Clodhoppers.

CURTAIN

Kermit introduces Valerie Harper and The Clodhoppers.

MUSICAL NUMBER - "NOBODY DOES IT LIKE ME"

Valerie dances with the Clodhoppers, a group of five midsize fuzzy blue creatures that bear a striking resemblance to Grover from Sesame Street with red tennis shoes. Despite being called the Clodhoppers, it's Valerie who ends up stepping on toes on going in the wrong direction prompting her to sing her song. [Jim Henson had the initial idea for the Clodhoppers in the early '70's when he wanted to include the Muppets in a Broadway show.]

CURTAIN

Statler finally makes his way onstage to offer Valerie an invitation to a steak dinner and a smaller berry bush that was an offspring of the larger creature. Valerie politely declines the steak dinner claiming that she's a vegetarian but accepts the plant as a possible meal.

CLOSING THEME

BALCONY

WALDORF (hanging over the edge of the balcony): I was practicing my flip. HELP!

Guide Written by
D. W. McKim and Phillip Chapman

With contributions from
Jogchem Jalink and Dave Ebersole


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