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Muppet
Master
An Interview with Jim Henson
By
Judy Harris
September
21, 1998
Just
before The Dark Crystal (1982) was due to open, Fred Clarke,
publisher of Cinefantastique, called to ask if I would like
to write an article about the career of Jim Henson. Would I! I had been
a fan of the Muppets since I first saw them making guest appearances on
Ed Sullivan and other variety and talk shows. When Rowlf made his debut
as a regular on the Jimmy Dean Show (1963), I ran out and
bought myself a stuffed Rowlf (which I still have, somewhat the worse
for wear). I had seen all the Muppet fairy tale TV specials and was an
avid fan of The Muppet Show. The period of The Dark
Crystal was a very creative one for the Henson organization; almost
simultaneously Fraggle Rock was about to debut on HBO. This
became another show I never missed.
The Henson
organization supported and continues to support the art of puppetry. Some
of the ways it does this is by mounting exhibitions of the work of puppeteers
and also sponsoring actual performances. At the time of the following
interview, I had recently seen at Lincoln Center one of these exhibitions
which contained items from virtually the entire history of the Muppets;
simultaneous with the release of The Dark Crystal, there
was an even more impressive exhibit, also at Lincoln Center, of many of
the puppet/characters from The Dark Crystal in wonderfully
detailed dioramas. Subsequently, over the years, I have been to other
exhibits mounted by or with the participation of the Henson organization,
including one devoted to the artwork of Jim Henson.
In
doing additional research for the article on Henson's career, which was
published in the April/May 1983 issue of Cinefantastique (volume
13, number 4), I came more and more to admire Henson as a human being.
Previously, if anyone had asked me to name someone I considered a hero,
I would have been hard pressed to nominate anyone contemporary, but certainly
Jim Henson fit that description for me. It is a tribute to his vision
that the Henson organization survived his sudden death on May 16th, 1990
and has continued to be creative and entertaining.
If you have
ever attended a fan convention at which someone you admire was a guest,
you know the frustration of having to raise your hand to get called on
and, even then, being able to ask only a single question. You can perhaps
then imagine how enormously satisfying it is to be able to spend about
90 minutes with someone you admire, not only being able to ask any question
you like, but also being able to follow up the answers with questions
you might not initially have prepared. I had prepared myself prior to
the interview with a rather long, typed list of questions, and this list
to an extent imposed a certain order to my questions but I certainly got
derailed a couple of times when I got an unexpected response.

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Jim
Henson was always thrilled when others enjoyed his work. One
of his desires was that the Muppet characters would live on after
his death.
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This project,
the phone interview with Jim Henson, my subsequent face to face meetings
with him a week or two later, and the free access I had to the Muppet
headquarters and the workshop, is one of the high points of my life.
The following
is a transcript of a telephone interview between Jim Henson and me on
September 21, 1982. I am at home in New York while Jim is in London taking
a break from postproduction for The Dark Crystal.
Read
more
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